Terrace to The Sky Ntule Ime Ụlọ Obibi nke Chinhua Huang

Ihe emepụtara bụ Terrace to The Sky Ntule Ime Ụlọ Obibi nke Chinhua Huang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2024

Terrace to The Sky Ntule Ime Ụlọ Obibi

nke Chinhua Huang

Onye Ahịa: TAGather Goods Co., Ltd

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Terrace to The Sky Ntule Ime Ụlọ Obibi

Terrace to The Sky bụ ime ụlọ obibi dị na mpaghara Wanhua nke Taipei. Nhazi a na-emegharị ụlọ ọnụ ụzọ abụọ (duplex) gbara afọ iri anọ, nke dị na ala nke anọ na nke ise, nke mejupụtara mkpokọta mbara ala nke 180 mita kwuru mita. Ihe ndị a chọtara n'oge mgbawa ụlọ ochie duziri ọrụ ọhụrụ ahụ, ebe brik uhie ndị a kpughere ka e ji brik iko nke otu nha ahụ dochie, ka ìhè ehihie wee na-agafe. Akwa mgbochi na-akpụghepụ akpụghe na ụzọ ntụgharị (sliding doors) na-ejikọta ma ọ bụ kewapụ ọnụ ụlọ ndị dị iche iche. Windo si n'ala ruo n'uko nke a na-apịaji apịaji na-emeghe ebe obibi ka o jikọọ na ogige echichi nke dị n'elu ụlọ, bụ́ nke a kụnyere ihe ọkụkụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Terrace to The Sky Ntule Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Terrace to The Sky Ntule Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Terrace to The Sky Ntule Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: On the rooftop of an old house in Taipei, we discovered a unique relationship with the sky that conventional architectural projects would not have. Within this forty-year-old dwelling, we attempted to find a way to represent contemporary living while embracing the traces of the past. Opening and connecting spaces to create versatile and diverse ways of utilizing the area. We aimed to create a relaxing and resort-like living environment for this hidden residence nestled in the old city district.
Nha & Mkpuchi: The duplex, located on the fourth and fifth floors, has a total area of 180 square meters. It consists of five bedrooms, four living rooms, and two bathrooms.
Mkpado: Remodeling，Renovation, Gut Renovation, Roof Garden
Teknụzụ Mmepụta: The process of demolishing the old house was like an archaeological excavation. We attempted to find continuity and rejuvenation by incorporating the discovered old building materials and textures into newly added materials. For instance, the exposed red bricks during the demolition process were replaced with long glass bricks of the same dimensions, creating walls that allow light to penetrate while presenting diverse light and shadow expressions. The repetitive circular weathered wallpaper hidden in the walls was replicated using circular embossed glass bricks in the space. The original Japanese cypress screens from the 1960s were refurbished and preserved, accompanied by custom-made tatami mats from the homeowner's hometown, shaping the multifunctional spaces within the living area. Various walls, floors, and ceilings were finished with smooth cement surfaces, creating a rustic texture while allowing light and shadow to create expressions reminiscent of Chinese ink paintings.
The rooftop floor features a series of continuous arched openings that echo the gradually rising roof design. Combined with deep blue sound-absorbing velvet fabric, it creates the necessary privacy and separation between open and closed areas. Raised floors allow beds to be directly placed on wooden flooring and enable the bathtub to offer a semi-immersive bathing experience, adding a vacation atmosphere to the living space. In the midst of a busy life, home becomes the best place to relax.
Outside the bathtub is a rare loft space, creating a sense of spaciousness in the bathroom. Going down the stairs leads to the kitchen area, with walls on both levels featuring windows that allow sunlight to pour in while cooking.
To create the terrace area in front of the rooftop, we recessed the original outer wall inward, increasing the outdoor depth, and used a row of folding floor-to-ceiling windows as the boundary between indoor and outdoor spaces. When the weather is good, they can be fully opened, allowing seamless indoor-outdoor connection. During activities like barbecuing on the terrace, the seating can extend into the indoor living area. The terrace is filled with various green plantings, creating a urban jungle-like landscape within the limited space.
Ịma Aka Imepụta: In this design, the most challenging aspect is how to determine the preservation and representation of existing elements while organizing the interior of the house, allowing the accumulation of 40 years of history to be showcased in the living space. Additionally, in the limited exposure to natural light, it is important to find ways to allow light to penetrate into every corner of the interior while still meeting the privacy needs of each space.
Nchọpụta: This type of four-story residential building, commonly built in the 1960s, typically does not have an elevator, and each floor has an approximate area of 85 square meters. A typical floor plan usually includes four bedrooms, catering to the needs of a single family. Due to less stringent regulations at that time, many homeowners extended their interior spaces to increase the indoor area, resulting in narrow gaps between neighboring buildings and limited exposure to natural light. Therefore, introducing natural light through limited windows is a primary challenge in this design.
Mkpali: The process of demolishing the old house was like an archaeological excavation. We attempted to find continuity and rejuvenation by incorporating the discovered old building materials and textures into newly added materials. For instance, the exposed red bricks during the demolition process were replaced with long glass bricks of the same dimensions, creating walls that allow light to penetrate while presenting diverse light and shadow expressions
Oge Ọrụ: The project started in 2021 June, and finish it in December. It is located in an old town district in Taipei, named Wanhua,
Usoro Ọrụ: The majority of the interior spaces are designed with movable partitions such as curtains and sliding doors, enabling easy connection and separation, and maximizing the functionality of the limited space.
Ndị Otu: Director: Chinhua Huang
Asụsụ Foto: Image #1: Photographer: OS Studio / Rex Chu
Image #2: Photographer: OS Studio / Rex Chu
Image #3: Photographer: OS Studio / Rex Chu
Image #4: Photographer: OS Studio / Rex Chu
Image #5: Photographer: OS Studio / Rex Chu
Video: Design 100