Ihe emepụtara bụ Flores Ihe ndina ehihie nke Joao Demele bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2026

Flores Ihe ndina ehihie

nke Joao Demele

Onye Ahịa: Karams

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #163636

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Flores Ihe ndina ehihie

Flores bụ ihe ndina ehihie e mere maka ọnọdụ ahụ iru ala na izu ike. Ihe a nwere ụdịdị okirikiri, ebe azụ ya gbagọrọ agbagọ na-agba gburugburu oche ahụ na-esepụghị aka iji mepụta mmetụta nke mgbochi. Isi ahụ ya na-adabere na ntọala dị nwayọọ maka nkwụsi ike, ebe tebụl akụkụ e jikọtara na ya na-enye elu maka akwụkwọ, ihe ọṅụṅụ ma ọ bụ ihe nke onwe. E jikọtara usoro ime siri ike na fom nwere njupụta dị elu na akwa mkpuchi dị nro, nke nwere ịkwa akwa ziri ezi na-eso ọgbagọ ya. E ji osisi sitere n'okike mee tebụl akụkụ ahụ n'elu usoro ígwè dị gịrịgịrị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Flores Ihe ndina ehihie meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Flores Ihe ndina ehihie ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Flores Ihe ndina ehihie na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The piece features a generous circular geometry that encourages relaxed use. A curved backrest wraps continuously around the seat, creating a sense of enclosure and visual comfort.

The main volume rests on a discreet base for stability, while an integrated side table adds function without compromising formal clarity.

Soft, uniform upholstery enhances the tactile quality and highlights the precise stitching that follows the natural curves of the design.
Nha & Mkpuchi: Finishes: Tissue and Wood

Measures:
Width - 144.0cm
Height - 77.0cm
Depth - 144.0cm
Mkpado: Daybed, Flora, Conforming, Nature, Design, Modern
Teknụzụ Mmepụta: The piece combines a robust internal structure with high-density foam, carefully shaped to preserve its curves and ergonomic comfort.

The upholstery is precisely applied to ensure visual continuity and a refined finish, following the organic lines of the design. The natural wood side table, supported by a discreet metal structure, provides strength while maintaining visual lightness.

The production process brings together craftsmanship and contemporary upholstery and woodworking techniques.
Ịma Aka Imepụta: The main challenge was balancing generous volumes with visual lightness. The continuous curves required careful attention to proportion, ergonomics, and upholstery tension to maintain refinement.

Integrating the side table seamlessly into the structure was also essential to preserve the fluidity of the design. The result is a piece that unites stability, softness, and functionality in a cohesive form.
Nchọpụta: The Flores Daybed, designed by João Demele, is a design piece that reflects inspiration from nature, with an aesthetic that evokes the softness and elegance of flowers.
Mkpali: Flores is inspired by the organic qualities and quiet strength of nature. The piece interprets the idea of blooming through form and materiality. Like a flower emerging from the earth, its design begins with a solid base and unfolds into soft, welcoming curves.

The rounded volumes evoke the delicacy of petals, while the balanced relationship between structure and softness expresses a dialogue between firmness and lightness. The result is an object that conveys serenity, comfort, and a sense of timeless elegance.
Oge Ọrụ: The project began in 2023 and was published in 2024, in São Paulo, Brazil.
Usoro Ọrụ: The circular configuration supports a fluid and informal user experience. The continuous backrest allows different seating positions, functioning both as support and as a subtle enclosing element.

The integrated side table enhances interaction with the piece, providing a practical surface for personal objects, books, or beverages. This integration encourages longer stays and moments of pause, positioning the piece as a focal point for relaxation and gathering.
Ndị Otu: João Demele
Mollde