Ihe emepụtara bụ Aeriform Oche Aka nke Kristian Ruden bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2025

Aeriform Oche Aka

nke Kristian Ruden

Onye Ahịa: Kristian Ruden

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Aeriform Oche Aka

Oche Aka Aeriform na-akọwapụta ntụrụndụ n'ụzọ ọhụrụ site n'usoro ọhụrụ ọ na-esi akwado ahụike na nhazi ọma. E mere atụmatụ ya na virtual reality ma mee ka ọ dabara na nnyocha gbasara nha ahụ mmadụ, oche a na-enye ụdị ịnọdụ ala dị iche iche, site n'ezumike dị jụụ na ịnọdụ n'akụkụ ruo n'ịkwado ahụ n'ụzọ kwụ ọtọ. Nhazi ya nke jikọtara ọnụ nke ọma na-enye ohere ịtụgharị n'enweghị nsogbu yana ntọala na-agbanwe maka ịfegharị nke na-enye ahụ ike. E ji shel fiberglass, mkpuchi dị nro na-atọ ụtọ, yana akwa ma ọ bụ akpụkpọ anụ dị oke mma mee ya, Aeriform na-ejikọta ụdị ọma dị elu na ọrụ bara uru n'ezie, na-eme ka ọ bụrụ ihe mgbakwunye pụrụ iche n'ime ụlọ nke oge a.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Aeriform Oche Aka meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Aeriform Oche Aka ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Aeriform Oche Aka na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Aeriform is a luxury seating design focused on both comfort and aesthetic appeal. Its form draws inspiration from aerodynamic shapes, offering a sculptural presence. Crafted from high-quality materials, the armchair is designed with ergonomic support in mind. The use of innovative materials and precise craftsmanship sets it apart, blending artistry with functionality. Its unique design serves as both a functional piece and a statement of elegance, making it suitable for high-end interiors.
Nha & Mkpuchi: Amchair sports 3 layer fiberglass frame with XPS foam core, various thickness and hardness of PU padding foam, fabric/leather upholstery with a single seam running around the edge. Base is done in steel with a 3D printed shell (time saving measures during prototype creation).
Dimensions of armchair: 1026 x 931x 1135
Dimensions of ottoman: 687 x 571 x 409
Mkpado: Armchair, sculptural, ergonomic, luxury, comfort, presence, high-end, dynamic, aerodynamic, seating
Teknụzụ Mmepụta: The prototype started with a foam core, CNC-milled from XPS foam and assembled with adhesive foam. It was sanded smooth, coated with epoxy resin, and layered with fiberglass for a strong shell. The base and legs were laser-cut steel, welded, and finished with a 3D-printed shell. The frame was padded with foam and batting, then covered with a precisely cut and sewn fabric. Finally, the chair was assembled with its base, lazy Susan, and headrest cushions.
Ịma Aka Imepụta: Main challenge was the lack of proper studies of comfort in anthropometric books. While ergonomy is well documented, there isn't much information abou comfort. Ergonomy looks at things from 2 dimensions, and while it's a good start, seating is usually a dynamic activity for the body and needs to be studied in 3-4 dimensions. Thats why personal testing on the jig was conducted.
Nchọpụta: Research started with ergonomics. Drawing inspiration from anthropometry books and personal tests on a special jig constructed to allow for change in seat and backrest positioning and change of angles. From that data was constructed a 3D "skeleton" of the armchair and then iterations took place in virtual reality. Testing was performed with people ages 18-60 as the main target demographic. First 1:1 model was made out of polystyrene and tested as well. Drawing conclusion on overall dimensions.
Mkpali: The Aeriform Armchair draws inspiration from the natural elegance of bird wings, evoking the feeling of an embrace. Designed entirely within virtual reality, the form was conceived from a flowing, ribbon like structure suspended in space. Influenced by Pierre Paulin’s Ribbon Chair, the design was further refined to create a more imposing and luxurious piece. Extensive prototyping and ergonomic testing via jigs and models were undertaken to ensure optimal comfort across various seating angles.
Oge Ọrụ: Work on the project began in December 2023 and came to conclusion in June 2024 as the main focus of the diploma project.
Usoro Ọrụ: The Armchair is designed for ease and comfort, promoting a natural seating posture. Its flowing structure supports the body, distributing weight evenly and allowing various sitting angles, such as sideways or with legs crossed. No complex adjustments are needed; interaction is intuitive. A Lazy Susan facilitates movement and fidgeting, while the springy base offers a rocking motion. The design combines aesthetic elegance with practical functionality for a comfortable and inviting experience.
Patentị: Patent pending. PVZ 2024-42455. Kristian Ruden. 2024. UPV.
Asụsụ Foto: Image #1: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #2: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #3: Creator Kristian Ruden, Render of Aeriform, 2024
Image #4: Creator Kristian Ruden, Render of Aeriform, 2024
Image #5: Creator Kristian Ruden, Render of Aeriform, 2024