Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya nke Shin Takamatsu and Kei Tamai

Ihe emepụtara bụ Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya nke Shin Takamatsu and Kei Tamai bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2025

Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya

nke Shin Takamatsu and Kei Tamai

Onye Ahịa: Skymission

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #164234

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya

Ederede Akwụkwọ: Yokohama Tsuzuki bụ ụlọ nọrọ onwe ya wuru n'ime obodo jupụtara n'ime mmadụ na Japan. E hazibere atụmatụ ahụ gburugburu otu mbara ámá dị n'etiti ụlọ ahụ, nke a na-edobe ka o dịrị ukwuu dịka iwu obodo ahụ kwadoro. Ọnụ ụlọ niile na-eche ihu na mbara ámá ahụ, nke mere ka ime ụlọ ahụ dị ka otu ohere jikọtara ọnụ. Mbara igwe ka a na-ahụ site n'ọnụ ụlọ ọ bụla, na-egosi mgbanwe oge n'ime ụlọ ahụ. Nhazi ahụ nwere ịgbanwe agbanwe, enwere ike ịdozi ya dịka mkpa ezinụlọ na-agbanwe. Ogo ala ebe a wuru ụlọ ahụ bụ 213.98 square meters, ebe ogo ụlọ ahụ dum bụ 160.02 square meters. Atụmatụ a na-agbaso ụdị ụlọ Japan ochie, nke wetara ìhè na ikuku n'ime ndụ kwa ụbọchị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Yokohama Tsuzuki Ọrụ Bụ Isi: Ụlọ Nọrọ Onwe Ya na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project, designed by renowned architect, seeks to create a home where one can live in harmony with nature, even in densely populated cities. Inspired by traditional Japanese homes, architect redefines modern living through a deep connection to the sky. At the heart of the design is a large central courtyard, connecting every room and creating a unified space. No matter where one is, the sky is ever-present, offering a sense of being embraced by the open air.
Nha & Mkpuchi: Site area 213.98 square meter　Building area 85.29 square meter　Total floor area 160.02 square meter
Mkpado: housing,japan,modern,architecture,Tokyo
Teknụzụ Mmepụta: The house is centered around a courtyard, as large as legally allowed, with all rooms surrounding it, forming a one-room space. The sky fills every corner, creating a living space always connected to it. From every room, the sky reflects seasonal changes, enriching the sense of time indoors. The courtyard enhances spaciousness and flow, adding vitality and relaxation to life. This flexible layout adapts to the residents' needs, embracing changes in family life as they grow.
Ịma Aka Imepụta: In the suburbs of major cities, small-scale developments for mass markets dominate, leading to declining living environments. Our company resists this trend by maintaining developments at their current scale to preserve quality. For properties priced over 100 million yen, delivering value is crucial, and working with renowned architects is one approach. While spec homes make achieving ideal designs easier, strict budget constraints create constant challenges between cost and design.
Nchọpụta: Traditional Japanese homes, like Kyoto's machiya, were designed to bring natural elements such as light and air into daily life, even in densely built cities. These homes had a garden at their center, creating comfort, respect for nature, and a unique aesthetic. Modern homes, however, prioritize performance and have become isolated from nature, heavily relying on energy. Now is the time to revive the traditional Japanese lifestyle, reducing energy use and reconnecting with nature.
Mkpali: Living close to neighboring houses is inevitable around major cities. Modern homes focus mainly on insulation, airtightness, and energy efficiency. People close their curtains to avoid the view from roads and nearby houses. In contrast, traditional Japanese homes embraced nature and the local climate, harmonizing with their surroundings and reflecting the lifestyle of the residents. It’s essential to restore these important values, which are gradually being lost in today’s modern living.
Oge Ọrụ: The collaboration between architect and principal home began in 2014. The first few years were devoted to discussions on project direction. In 2016, a clear vision was established, and design work began. In 2017, they completed "around the sky," which received the good design award. Following that, they built "with the sky" and "along the sky." This year, the construction of two buildings named "in the sky" was completed.
Usoro Ọrụ: The sky fills every corner of the house, creating a living space that is always connected to it. From the rooms, the sky reflects the seasonal changes, bringing a rich sense of time into the home. The courtyard creates a sense of openness and flow, greater than its physical size, fostering a life filled with relaxation and energy. This generous layout is flexible, able to accommodate the evolving nature of the family, growing and changing along with them over time.
Ndị Otu: architect:Shin Takamatsu
designer:Shin Takamatsu