Tianmianshang Ụlọ Ndina nke Art Institute of Xiaoyan

Ihe emepụtara bụ Tianmianshang Ụlọ Ndina nke Art Institute of Xiaoyan bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2025

Tianmianshang Ụlọ Ndina

nke Art Institute of Xiaoyan

Onye Ahịa: Art Institute of Xiaoyan

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #168556

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Tianmianshang Ụlọ Ndina

Tianmianshang bụ ụlọ ndina dị na Obodo Huizhou, Mpaghara Guangdong. Ụlọ ndina a guzo n'azụ oke ubi oroma ma na-enye ebe dị jụụ maka izu ike n'ime ọdịdị. Nhazi a na-ajụ ajụjụ gbasara ọdịiche a na-ahụkarị n'etiti ala, elu ụlọ na uko elu, yana n'etiti ime na èzí. Elu ala na elu ụlọ nwere ọdịdị dị iche iche na-ewulite ma na-agbadata na-ewepụta ọtụtụ ebe ọnụ ụzọ dị iche iche. E jikọtara mgbidi anọ isi site na mgbidi kọnkịrị abụọ e wughị n'usoro na ogidi kọnkịrị, bụ nke na-eme ka oke ala anaghị apụta ìhè ma na-agbakwunye ọtụtụ ọkwa n'ime ụlọ. Elu ụlọ bụ otu ihe owuwu igwe dị mfe nke nwere ahịrị dị ọcha.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Tianmianshang Ụlọ Ndina meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Tianmianshang Ụlọ Ndina ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Tianmianshang Ụlọ Ndina na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Art Institute School of Xiaoyan wants to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. AIXY hopes this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Mkpado: Rural Design, Cultural Design, Public Space
Teknụzụ Mmepụta: Its column, using concrete structure, in addition to the four main walls created for the interior space, also added two irregularly arranged concrete walls, which are not simply used to separate the space but blur the boundaries of the space, forming a spatial structure from unorganized to shaped. This design not only enhances the stability of the building but also gives the whole space more layers of change.
A one-piece, lightweight steel structure is used for the roof. This design not only visually presents clean and smooth lines but also strengthens the sense of unity and lightness of the building as a whole, making the building seem to float in the surrounding natural environment. It not only conforms to the aesthetics of modern architecture but also interprets the architectural concept of man and nature.
Ịma Aka Imepụta: This project was completed by the students and tutors of Art Institute School of Xiaoyan, during which the communication and design of the program, as well as the coordination between the students was challenging.
Nchọpụta: When a space is abstracted to its elementary components, people are given a chance to decompose and re-examine these components on a more fundamental level.
Since mankind adopted the concept of shelter as a tradition, “the threshing floor was a place of work but also a place of gathering, dancing, ritual, and worship” (Elements of Architecture, Rem Koolhaas).
Art Institute School of Xiaoyan intended for the project to be a space of action and gathering. Approaching the request with its intended abstractedness, they want to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. They hope this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Mkpali: From plaza to apartment floors to parliament floor, the idea of floor has been a fundamental symbol for action, be it the more private types or more public types such as a place for negotiation, congregation. Similarly, the roof or ceiling (in this case Art Institute of Xiaoyan is intentionally obscuring the distinction between the two), is the reciprocal of floor, completing the concept of a sheltered space, and has evolved in recent years to being an envelope for practicality (hidden structural system, HVAC system, false ceiling etc)
Oge Ọrụ: It is located in Huizhou City, Guangdong Province.
Usoro Ọrụ: Art Institute School of Xiaoyan wants to create a space that breaks traditional boundaries, a building that is not just a physical entity but an experience. This pavilion is situated behind an orange grove, where people can temporarily disconnect from the hustle and bustle and experience nature.
Ndị Otu: Jianguo Dong
Jinjun Zhang
John Barton
Simba Xu
Michaël Dooley
Zhixuan Luo
Jintao Li
Yawen Wang
Xiwu Chen
Na Ou
Yanjun Zhang
Yaqi Wang
Yuezhuo Hu
Tsingz Huang
Ziqi Wang
Yueyao Huang
Ziyu Zhou
Zimo Zhao
Yiyi Yang
Peichen Dong
Hao Geng
Langbo Shi
Shanghong Shi
Haoxiang Yuan
Xinlei Liu
Chenyu Lai
Yaxin Zhang
Junning Zhang
Zhishun Min
Jiashu Xiang
Zichang Guo
Yanjie Zhu
Yutong Yao
Qixuan Yang
Zixi Liu
Anni Zheng
Ziyan Wang
Zixi Chen
Ziying Chen
Chuyue Li