Ihe emepụtara bụ Grace Ebe obibi nke Satoshi Kurosaki bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaedoỤlọ Owu· 2025

Grace Ebe obibi

nke Satoshi Kurosaki

Onye Ahịa: APOLLO Architects & Associates Co., Ltd.

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #169916

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Grace Ebe obibi

Grace bụ obere ụlọ obibi e ji osisi rụọ maka ezinụlọ mmadụ atọ n'ala dị n'akụkụ osimiri na mpụga obodo Tokyo. E mere ụlọ a ka ọ daba n'ụdị ndụ nke ịrụ ọrụ n'ụlọ. E wunyere ebe nchekwa ihe, ngwa kichin na akụrụngwa ndị ọzọ bara uru n'ime mgbidi iji mee ka ịdị n'otu na ntinye aka na-aga n'ihu dịkwuo mma n'ime ohere ahụ dị ogologo ma dị warara. Ọnụ ụlọ nzuzo ndị dị iche iche nọ n'ala mbụ, ebe ala nke abụọ bụ otu ọnụ ụlọ ghere oghe n'okpuru elu ụlọ gable nke nwere osisi ntukwasị elu ụlọ na-apụta ìhè na ọkụ na-enwughị isi. Mbara ihu ụlọ e ji enyo mechie nke nwere nku elu ụlọ miri emi na-abụ ebe ngafe n'etiti ọrụ na ezumike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Grace Ebe obibi meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Grace Ebe obibi ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Grace Ebe obibi na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: A key design challenge was assimilating contradictory elements such as work/leisure, interior/exterior, and private/public in order to achieve that harmonious lifestyle within a limited space. In contrast to private areas such as the master bedroom and child’s bedroom on the first floor, the second floor consists of a single open room. The front balcony, a glassed-in intermediary space with deep eaves, plays an especially important role in transitioning between work and leisure. The furniture on the balcony has a similar aesthetic to that inside the house, which creates a sense of continuity, while the one-way glass blocks visibility from the road but lets in natural scenery, resulting in a uniquely comfortable atmosphere.
Nha & Mkpuchi: Principal Use : Private housing
Structure : Timber
Site Area: 133.70m2
Total Floor Area : 106.16m2（49.69m2 /1F, 56.47m2 /2F)
Mkpado: GRACE, APOLLO Architects & Associates, House, Residence, Residencial,Architecture, Japan
Teknụzụ Mmepụta: Exterior Finish : Galvalume, Elastic Lysince Spray
Floor : Tile Flooring, Walnut Flooring
Wall : Wallpaper
Ceiling : Wallpaper, Spruce Pine Fir (SPF), Lauan Plywood, Walnut Lighting : LED
Nchọpụta: Enclosing all functional elements within wall storage units allowed us to eliminate the visual noise of excess objects and enhance concentration on work. Meanwhile, the exposed rafters of the gable roof with indirect lighting set into them make this second-floor space both unusual and relaxing. Perhaps this design approach, which takes smallness not as a minus but as a plus in terms of coziness and comfort, will be even more sought after in the post-Covid 19 era.
Mkpali: This small wood-framed residence for a family of three takes advantage of the riverside views from its lot on the outskirts of Tokyo. Designed to cater to a work-from-home lifestyle, the storage, kitchen appliances, and other functional features are built into the walls to enhance unity and continuity in the long, narrow space. The result is a home where daily life coexists comfortably with work.
Oge Ọrụ: Design Period : March 2019 - August 2019
Construction Period : December 2019 - March 2021
Ndị Otu: Satoshi Kurosaki
Asụsụ Foto: Photography : Masao Nishikawa
Videographer : Seiya Aoki