Life Forms of Colors Nkà Dijitalụ nke Yuko Suzuki

Ihe emepụtara bụ Life Forms of Colors Nkà Dijitalụ nke Yuko Suzuki bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Mmeputaime, Algọridim, Paramịtrịk na Enyemaka AI.

ỌlaọchaMmeputaime· 2025

Life Forms of Colors Nkà Dijitalụ

nke Yuko Suzuki

Onye Ahịa: Civic Creative Base Tokyo (CCBT)

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Mmeputaime

176,057

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #170854

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Life Forms of Colors Nkà Dijitalụ

Ọrụ a bụ ihe ngosi mmegharị nke na-egosi n'anya usoro nke ịgbaji ma wughachi pikselụ. Echiche maka ọrụ a malitere mgbe onye nka ahụ, onye na-ebipụta ihe, chọrọ ịmepụta mbipụta odida obodo ma chọọ ịma ma ọ ga-esi na koodu mee nkewa agba. Pikselụ ndị ahụ na-apụta dị ka mkpụrụ ndụ, na-emegharị ịmepụta ụdị na agba ọhụrụ, na-egosipụta echiche ndị Japan nke Kasane (ịkwakọba) na Zurashi (ịkwaga). Ha na-anọchitekwa anya mgbanwe dị iche iche mmadụ nwere ike ịnweta, na-egosipụta iche iche na mmegharị n'ọrụ ahụ niile, ma na-egosipụta njikọta nke ọdịnala na teknụzụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Life Forms of Colors Nkà Dijitalụ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Life Forms of Colors Nkà Dijitalụ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Life Forms of Colors Nkà Dijitalụ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Nha & Mkpuchi: LED screen 4m × 4m, 10 minutes 30 seconds
Mkpado: Generative Art, Coding
Teknụzụ Mmepụta: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Ịma Aka Imepụta: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Nchọpụta: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Mkpali: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Oge Ọrụ: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Usoro Ọrụ: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Asụsụ Foto: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].