Ihe emepụtara bụ Op.2-3 Ọdụdụ Mmeri: Trophy nke Seungbum Ma bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ihe Nrite, Onyinye na Asọmpi.
ỌlaọchaIhe Nrite Onyinye· 2026
Op.2-3 Ọdụdụ Mmeri: Trophy
nke Seungbum Ma
Onye Ahịa: Design House
Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ihe Nrite Onyinye
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #173325Nhazi a
Maka Op.2-3 Ọdụdụ Mmeri: Trophy
Ihe nrite a, e mere maka Ememme Living Design Fair 2024 nke Seoul, na-esite n'ihe ndị bụ isi n'ụlọ arụ ọrụ dịka ogidi, osisi mgbochi, na mbadamba nkume, nke a tụgharịrị site na akụrụngwa oge a na ụzọ nrụpụta. E ji akrilik mepụta ya, ọ na-egosipụta echiche nke ọ chị chị ọma Korea nke ọdịnala ka ọ na-enyocha ìhè, onyinyo, na mgbanwe akụrụngwa. Ọdịdị ya na-agbanwe site n'akụkụ na ìhè, mgbe ụfọdụ na-enwu, na-egosipụta, ma ọ bụ na-atụpụ onyinyo agba dị iche iche, na-ejikọta nghọta usoro na omimi mmetụta site na nchọpụta mgbakọ nke ziri ezi.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Ọlaọcha
Op.2-3 Ọdụdụ Mmeri: Trophy meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Op.2-3 Ọdụdụ Mmeri: Trophy ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Op.2-3 Ọdụdụ Mmeri: Trophy bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- This is the trophy design for the 2024 Seoul Living Design Fair. Inspired by fundamental architectural elements, such as beams, columns, and slabs, the design reinterprets traditional Korean joinery using acrylic. The trophy’s form responds to light and angle: at times glowing and casting stained-glass-like reflections, at others becoming a dark mirror or a silent, solid mass. Three versions were created—Special, Product, and Space Prizes—each rendered in RGB hues symbolizing light itself.
- Nha & Mkpuchi
- Width 103 mm x Depth 103 mm x Height 323 mm
- Mkpado
- architectural object, architectural trophy, trophy
- Teknụzụ Mmepụta
- This project also served as an experiment in translating architectural and furniture joinery techniques into a smaller scale. It involved a series of tests to determine tolerances that allow precise acrylic assembly without breakage, along with studies to identify the optimal colors and levels of transparency. The final outcome was achieved through extensive exploration of transparency, translucency, opacity, reflectivity, dyeing, tinting, and color mixing.
- Ịma Aka Imepụta
- Wood was fragile, while rigid paper allowed for easy assembly but presented issues with warping and finish. Aluminum lost its precision and deformed during cutting. While 3D printing offered structural stability, it was excluded due to its incompatibility with the interlocking design language.
Ultimately, acrylic was chosen for its ability to transmit and reflect light, casting colored shadows while glowing on its own. However, tests were required to determine the optimal tolerances for assembly without breakage, as well as to identify suitable colors and levels of transparency. - Nchọpụta
- Under a tight timeline, it was necessary to explore multiple formal alternatives for the trophy while simultaneously studying the complex joinery details at a small scale using various materials.
- Mkpali
- This project explores the universal language of architecture to evoke new experiences and meanings. Fundamental elements, such as beams, columns, walls, and floors, are reconfigured with contemporary materials to defamiliarize the everyday and invite renewed reflection. By reinterpreting traditional joinery through modern techniques, the work honors history while opening paths toward the future.
- Oge Ọrụ
- The project started in January and finished in February 2024 in Seoul, and was exhibited in the Seoul Living Design Fair 2024 in March.
- Usoro Ọrụ
- Placed by a sunlit window, it takes on entirely different forms and impressions depending on the time, weather, and the viewer’s perspective.
- Ndị Otu
- SeungBum Ma
Euijung Sung
Eunbin Lim - Asụsụ Foto
- All photos by Yoon Park.
Nkwado
Nyochaa Karịa Designers.org
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