Tongli Villa Nhazi Ime Ụlọ Obibi nke Hangzhou Shihe Design

Ihe emepụtara bụ Tongli Villa Nhazi Ime Ụlọ Obibi nke Hangzhou Shihe Design bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2026

Tongli Villa Nhazi Ime Ụlọ Obibi

nke Hangzhou Shihe Design

Onye Ahịa: Hangzhou Shihe Design

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #174289

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Tongli Villa Nhazi Ime Ụlọ Obibi

Tongli Villa bụ nhazi ime ụlọ obibi maka ụlọ nwere ọkwa atọ nke nwere mpaghara ala niile ruru ihe dị ka mita square 450. Nhazi ya ghere oghe ma na-asọ n'efu, na-enweghị mgbidi nkewa, ma o gunyere ebe ezumike dị n'uko ụlọ nke a hapụrụ n'enweghị uko. Ihe ndị sitere n'okike na-akọwapụta ime ụlọ ahụ, dịka osisi teak a na-edozibeghị, osisi gbara ọchịchịrị nke na-egbochi ire ure, na mgbidi ụrọ e ji aka tee. E debere ihe ịchọ mma n'ọkwa kachasị nta, ya mere udidi na ìhè ehihie na-akpụzi ọnụ ụlọ ọ bụla. Nhazi a na-egosipụta ihe nketa Miao nke onye nwe ụlọ ma na-akwado ndụ kwa ụbọchị dị jụụ na nke na-eji nwayọọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Tongli Villa Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Tongli Villa Nhazi Ime Ụlọ Obibi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Tongli Villa Nhazi Ime Ụlọ Obibi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This residential design captures the essence of emotional connection, cultural resonance, and sensory comfort. Blending raw materials such as teak, charred wood, artistic mud walls, and hand collected objects, the space abandons decorative excess to return to elemental simplicity. The spatial layout is fluid, resisting traditional segmentation. Instead, it becomes a canvas for daily rituals, emotional anchoring, and inner peace: an aesthetic of stillness and lived poetry.
Nha & Mkpuchi: The house includes three levels with a total floor area of approximately 450 sqm. Key spatial elements include a horizontally open plan ground floor, an unceiled attic lounge, and a free flow layout without partition walls. Materials are predominantly natural and untreated, aligning with the spatial philosophy of sensory grounding.
Mkpado: Emotional Dwelling, Poetic Minimalism, Miao Culture, Nature Inspired Interior, Raw Materials, Timeless Design, Slow Living, Cultural Resonance, Organic Textures, Meditative Space
Teknụzụ Mmepụta: The project adopts a material first approach rooted in authenticity. Teak wood was used untreated to preserve its warmth and grain, while blackened anti corrosion timber adds weight and durability. Hand applied mud walls and artistic paint deliver texture and tone without ornament. The approach emphasized manual craftsmanship and intuitive layering over mechanical precision.
Ịma Aka Imepụta: The primary challenge was resisting conventional luxury symbols and instead crafting a space of deep emotional value. Balancing the owner's cultural identity with modern comfort required nuanced material choices, emotional mapping, and conceptual restraint. The absence of visual drama demanded heightened attention to detail, proportion, and sensory atmosphere.
Nchọpụta: This is an applied cultural emotional design study exploring how spatial language can translate heritage and emotional needs into form. The methodology involved user immersion, ethnographic interviews, and contextual material selection. The homeowner's daily habits, values, and sensory preferences were key data points. The result is a space that not only houses the body but also resonates with memory, ritual, and inner calm enhancing the broader conversation on design’s emotional efficacy.
Mkpali: The homeowner's Miao heritage and natural lifestyle philosophy inspired a design that values emotional depth over surface form. Influenced by vernacular dwellings and poetic Eastern aesthetics, the concept centers on the idea of a home as a place of stillness, reflection, and healing. Rain falling on tiles, shifting light across earth toned walls, and silence within wooden textures form the emotional blueprint for the space.
Oge Ọrụ: The project started in January 2024 in Suzhou, China and finished in January 2025.
Usoro Ọrụ: The space invites slow, unstructured interaction. There are no dominant visual cues or rigid furniture placements. Instead, the flow is organic light guides the user, and silence defines transitions. It's not about usage, but co existence: the homeowner doesn't use the space, she dwells within it, rhythmically, intuitively.
Ndị Otu: Designer: Chen Kezhi
Designer: Wang Huaqiang
Asụsụ Foto: Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.