Shibuya Tsutaya Ogige Azụmahịa nke Tonerico:Inc.

Ihe emepụtara bụ Shibuya Tsutaya Ogige Azụmahịa nke Tonerico:Inc. bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2026

Shibuya Tsutaya Ogige Azụmahịa

nke Tonerico:Inc.

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

20,490

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #174328

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Shibuya Tsutaya Ogige Azụmahịa

Shibuya Tsutaya bụ ogige azụmahịa dị na Shibuya Crossing na Tokyo. E wepụrụ ihe niile n'ụlọ ahụ ruo n'ọkpụkpụ nrụnye ya, ma jikọta oghere ndị gbaghere agbaghe ahụ n'ihe ndị nwere ụcha isi awọ iji mepụta kanvas na-adịghị eleta anya n'otu akụkụ. Otu ọ bụla n'ime okpukpu abụọ dị n'okpuru ala na okpukpu asaa dị n'elu nwere àgwà nke ya, ma kpachaara anya hapụ mpaghara ọ bụla emechabeghi emechaba ka e nwee ike ime mgbanwe n'ọdịnihu. E wepụrụ ihe ndị na-adịghị mkpa iji mepụta ụzọ ilegharị anya doro anya na njegharị dị mfe. Ihe dị ka oche 500 na ndekọ nduzi dijitalụ na-ejere ndị ọbịa ozi, ebe nnukwu ihuenyo dị n'ihu ụlọ ahụ na-egosi akụkọ na ozi gbasara mmemme.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Shibuya Tsutaya Ogige Azụmahịa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Shibuya Tsutaya Ogige Azụmahịa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Shibuya Tsutaya Ogige Azụmahịa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation.
Nha & Mkpuchi: On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines.
Mkpado: Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
Teknụzụ Mmepụta: To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space.
Ịma Aka Imepụta: Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands.
Nchọpụta: Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
Mkpali: Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform.
Oge Ọrụ: The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
Usoro Ọrụ: Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses.
Ndị Otu: Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki
Asụsụ Foto: Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.