Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe nke Kaiqi Zhang

Ihe emepụtara bụ Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe nke Kaiqi Zhang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Uwe Omenala na Ihe Nketa Uwe.

BronzNhazi Uwe Omenala· 2026

Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe

nke Kaiqi Zhang

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nhazi Uwe Omenala

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe

Ederede Akwụkwọ: N'ịdabere n'ịkatọ ọchịchọ na efu nke na-akọwa ịzụ ahịa nke oge a, akụkụ a na-eji nhazi uwe na-enyocha ịkpa oke nke na-ekpu n'ime akụ na ụba. Ọ na-eche n'uche ọzọ uwe ndị isi ọchịchị nke narị afọ nke iri na asaa, na-akpụzi akwa nwere ike ịkpụgharị ka ọ bụrụ ọdịdị ahụ mara mma nke na-eṣọ ka ahụ nke ọchịchọ richapụrụ. Agba turquoise na-acha anụnụ anụnụ, na-emegide pink dị ụtọ na akwụkwọ ndụ na-acha odo odo na-arịa ọrịa, na-emepụta mmetụta na-adọrọ adọrọ n'elu mana na-enye nsogbu nke ukwuu n'ime. Esemokwu a na-akpọ ndị na-ekiri ka ha tụgharịa uche n'ụdị ọchịchọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Foam of Desire Ọrụ Bụ Isi: Imepụta Uwe na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Inspired by Epicure Mammon from The Alchemist, this piece reimagines European aristocratic attire from the 17th century to question the concept of decadent luxury. Using a specially engineered moldable fabric, the garment swells into a bloated silhouette reminiscent of bubbles, evoking bodies consumed by desires. Vivid turquoise blue and pink create a visual allure that is both jarring and seductive, with a sugary quality that prompts viewers to reflect on overconsumption and inner emptiness.
Nha & Mkpuchi: approximately 175 centimeters high, 140 centimeters wide and 80 centimeters deep
Mkpado: Clothing Design, Materializing Desires, Material Experimentation, Visual Metaphor, Irregular Forms, Visual Tension
Teknụzụ Mmepụta: A specially engineered moldable fabric, adhesive when wet, allows for intuitive hand sculpting of volumetric forms. By laminating foam into the fabric and injecting air, this approach creates irregular organic bubbles with a unique hybrid texture, which is both translucent and semi rigid. When illuminated, these forms look like a second skin, materializing the concept of internal collapse festering beneath a surface of opulence.
Ịma Aka Imepụta: The key challenge was to lead viewers from visual seduction to psychological unease, and the answer lay in color use. A rational turquoise blue base is invaded by lush pink accents that embody swelling desires, while traces of sickly yellowish green underneath hint at decay and exposure. The contrast between high saturation and low brightness, paired with matte and pearly finishes, creates a tension between a sweet appearance and hidden unease, turning initial allure into disquieting reflection.
Nchọpụta: This work critiques the consumerist era by framing its core maladies: swelling desires and inner voids. Using the structure of seventeenth century aristocratic attire, the piece presents bloated, bubble like forms that symbolize a body consumed by insatiable desires. Jarring color combinations then guide viewers from visual seduction to psychological disquiet, ultimately revealing the spiritual barrenness hidden behind a luxurious facade.
Mkpali: This piece takes its cue from Epicure Mammon, an embodiment of insatiable desires in the play The Alchemist. It deconstructs the symbolic language of seventeenth century aristocratic attire to pose a question about beauty in excess. Each element becomes a visual narrative around the body, speaking of desires that swell, promises that prove false, and the inescapable reality of decay.
Oge Ọrụ: The project commenced in October 2023 in London, United Kingdom. The initial toile was completed in December 2023, and the project concluded in March 2024 with the completion of the final garment.
Usoro Ọrụ: This work redefines clothing from a mere covering for the body into an aggressive entity that devours it. The doublet, with its dramatically exaggerated chest and shoulders, achieves a swollen, voluptuous contour that makes inner desires visibly manifest in the flesh. The asymmetrically reshaped ruff collar, when illuminated, casts an encircling shadow, mirroring the confinement in a prison built from greed and vanity.
Ndị Otu: Kaiqi Zhang