Suwen Guqin nke Shanghai Yitong Cultural Communication Co.,Ltd.

Ihe emepụtara bụ Suwen Guqin nke Shanghai Yitong Cultural Communication Co.,Ltd. bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Egwu.

BronzNgwá Egwu· 2026

Suwen Guqin

nke Shanghai Yitong Cultural Communication Co.,Ltd.

Onye Ahịa: Shanghai Yitong Cultural Communucation Co.,Ltd.

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Egwu

15,175

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180049

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Suwen Guqin

Suwen bụ guqin, ngwá egwú ụdọ ọdịnala ndị China, nke a tụgharịrị maka ịkpọ egwú nke oge a. Ọdịdị ya na-agbaso qin nke usoro eze Tang nke edobere n'Ụlọ Nsọ Horyuji. E ji cedar ma ọ bụ paulownia mere agadi mee osisi ụda ahụ, e jikwa catalpa mee azụ ya. Oyi akwa ala ya na-agwakọta ntụ mpi ele na lacquer amịghị amị. Oghere ime nke e mere nke ọma maka ụda na-enye ahụ obere ahụ ụda na oke ụda nke ngwá egwú zuru oke. Njedebe lacquer nwere ọdịdị matte na-emepụta elu kpọrọ nkụ nke na-adịghị amị amị. Ebe njide ụdọ gbasapụrụ agbasapụ na ọdụ ya na-eme ka mmegharị mkpịsị aka dịrị ndị mbido mfe nakwa ndị na-akpọ egwú nwere aka pere mpe.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Suwen Guqin meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Suwen Guqin ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Suwen Guqin na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Nha & Mkpuchi: 1100mm*150mm*45mm
Mkpado: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Teknụzụ Mmepụta: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Ịma Aka Imepụta: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Nchọpụta: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Mkpali: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Oge Ọrụ: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Usoro Ọrụ: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Ndị Otu: Ding Liang