Myriad Circles Nhazi Ime Ụlọ Obibi nke Xishun Tan

Ihe emepụtara bụ Myriad Circles Nhazi Ime Ụlọ Obibi nke Xishun Tan bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2026

Myriad Circles Nhazi Ime Ụlọ Obibi

nke Xishun Tan

Onye Ahịa: Vanke

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180277

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Myriad Circles Nhazi Ime Ụlọ Obibi

Myriad Circles bụ nhazi ime ụlọ obibi emechara na Sichuan, China. Nhazi ya sitere na mkpali sitere n'obodo Linpan nke Ọdịda Anyanwụ Sichuan na ụlọ osisi Chuandou ha ejiri omenala rụọ. Ọrụ njikọ osisi walnut America emere maka ya kpọmkwem na-atụgharịkwa usoro njikọta na ndọpụ nke ụlọ ndị a n'ụzọ ọhụrụ. Nkwado ígwè zoro ezo n'ime njikọ osisi ahụ na-ebu ibu nke nchịkọta ihe nlereanya. E jikọtara ígwè na-adịghị agba nchara na enyo na osisi ahụ. Ihe walnut ndị kwụsiri ike na-enye ime ụlọ ahụ omimi omenala, ebe ihe ndị na-agbanwe agbanwe na-eme ka ohere ahụ jee ozi maka ojiji dị iche iche na-agbanwe agbanwe.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Myriad Circles Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Myriad Circles Nhazi Ime Ụlọ Obibi ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Myriad Circles Nhazi Ime Ụlọ Obibi na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
Mkpado: Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
Teknụzụ Mmepụta: To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
Ịma Aka Imepụta: The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
Nchọpụta: This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
Mkpali: A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
Oge Ọrụ: The project started in April 2024 in China and finished in August 2025 in Sichuan China.
Usoro Ọrụ: The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
Ndị Otu: Design Director：FIONA LIU and Project Director：TIM TAN
Asụsụ Foto: Photographer：Kong studio