Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa nke Kodai Fukuchi

Ihe emepụtara bụ Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa nke Kodai Fukuchi bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu Ngosipụta Azụmaahịa, Ime Ụlọ na Ngosipụta.

ỌlaọchaNgosipụta Azụmaahịa· 2026

Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa

nke Kodai Fukuchi

Onye Ahịa: Carrier Japan Corporation

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ngosipụta Azụmaahịa

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180535

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa

Ederede Akwụkwọ: Igwe na-emepụta ikuku dị mma dị mkpa nye ndụ oge a, ma ọ ka na-anọ na-adịghị ahụ anya n'ụzọ ebum n'obi. Ngosi a na-eweghachi usoro igwe site n'akụrụngwa zoro ezo gaa n'ihe ndị bụ isi n'ebe. Echere ya dị ka obodo mmadụ nwere ike ịga ije, ihe owuwu a na-etinye ngwaahịa n'ime nnukwu ihe owuwu ụlọ, na-enye ndị ọbịa ohere ịchọpụta usoro site na mmegharị kama site na ntụziaka. Ka ihe owuwu ụlọ na-alaghachi n'azụ, igwe na-apụta dị ka ndị na-arụ ọrụ a na-ahụ anya na-ahazi ntụ ahụ nke obodo. Ọrụ a na-eweghachi teknụzụ ụlọ ọrụ dị ka ọnụnọ dị mkpa nke a kpakọtara n'ime gburugburu ebe ndụ kwa ụbọchị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Find Carrier Ọrụ Bụ Isi: Ebe Ngosi Ngwaahịa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This exhibition booth transforms the invisibility of air conditioning into a tangible urban experience. A walkable city embeds products within architectural volumes, allowing visitors to discover systems through movement rather than explanation. Each building differs in form, representing diverse environmental conditions and applications. By shifting air conditioning from background utility to visible infrastructure, the project redefines its presence within professional exhibition environments.
Nha & Mkpuchi: Exhibition booth size: approximately 15,000 mm x 15,000 mm x 6,000 mm (H).
Venue: Tokyo Big Sight, Japan.
Exhibited at HVAC&R Japan 2026, January 27-30, 2026.
The booth was planned as a large-scale walk-through configuration with uniform illumination to ensure consistent product visibility.
Mkpado: Exhibition booth, Trade show design, Spatial design, Immersive environment, Urban metaphor, Professional exhibition, Brand experience, Infrastructure design, Air conditioning
Teknụzụ Mmepụta: The booth was realized through a high-density construction combining custom lighting units and handcrafted elements. A total of 212 custom LED light boxes in varied sizes expressed irregular urban light patterns. In contrast, 610 individually cut 3 mm plywood panels with a paper-mounted surface finish represented unlit building windows, forming the city’s background density. Production was divided between off-site fabrication and on-site assembly. Lighting and structure were designed as independent systems for flexibility within a temporary exhibition environment.
Ịma Aka Imepụta: The main challenge was determining whether a large-scale, immersive cityscape could function within a B2B-focused trade show. There was concern that the scale, density, and number of elements—particularly the 212 illuminated light boxes—might overwhelm visitors or distract from the products. Construction complexity, time constraints, and high labor costs also posed risks. The project moved forward by trusting the concept and committing to its spatial intensity. As a result, the booth achieved strong visitor engagement and became one of the most visited spaces at the exhibition.
Nchọpụta: This project was conducted as a spatial experiment to examine whether immersive design could communicate the social role of air conditioning to a professional trade audience. The objective was to test whether an experiential urban environment could replace conventional product-focused displays. A walkable city was constructed, embedding mechanical systems within architectural volumes to enable discovery through movement. The results showed strong visitor engagement, repeated circulation, and increased product inquiries. The research demonstrates that immersive spatial strategy can shift perception, strengthen brand recognition, and generate tangible impact within professional exhibition environments.
Mkpali: The project began with a fundamental question: why does air conditioning, despite being essential to contemporary life, remain largely unnoticed? Mechanical systems are intentionally designed to disappear so comfort can exist without awareness. As urban environments grow increasingly complex, air conditioning becomes ever more critical to daily life. This design challenges that invisibility and explores how spatial experience can reveal the hidden infrastructure supporting everyday environments.
Oge Ọrụ: The project was developed from July 2025 to January 2026 and exhibited at HVAC&R JAPAN 2026, held from January 27 to January 30, 2026, at Tokyo Big Sight in Tokyo, Japan.
Usoro Ọrụ: Visitors enter the booth through a central pathway designed as an urban street and encounter the main air-conditioning product at the city’s center. As they move through the space, visitors naturally stop in front of the machines without signage. Products are discovered by chance within the urban environment. Many visitors complete a full circuit and return. Through immersion in Carrier’s blue city, perceptions of air conditioning shift from an unnoticed background system to an indispensable presence supporting everyday life.
Patentị: Copyrights belong to Kodai Fukuchi, 2026.
Ndị Otu: Designer: Kodai Fukuchi
Project Management: Daiki Handa
Product Management: Nozomi Kurumizawa
Production: Maki Furukawa
Production: Akira Miyajima
Production: Ryosuke Suzuki
Creative Direction: Kei Iwamitsu
Creative Direction: Sachiyo Nishida
Asụsụ Foto: Image #1: Photographer Akira Arai (Nacasa & Partners), Find Carrier, 2026.
Image #2: Photographer Akira Arai (Nacasa & Partners), Find Carrier, 2026.
Image #3: Photographer Akira Arai (Nacasa & Partners), Find Carrier, 2026.
Image #4: Photographer Akira Arai (Nacasa & Partners), Find Carrier, 2026.
Image #5: Photographer Akira Arai (Nacasa & Partners), Find Carrier, 2026.