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Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi nke Lampo Leong, Yanxiu Zhao and Haozheng Wu

Ihe emepụtara bụ Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi nke Lampo Leong, Yanxiu Zhao and Haozheng Wu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Nkà Egwu, Ụlọ Egwu, Ụdị na Ihe Nlere Anya.


ỌlaọchaNkà Egwu· 2026

Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi

nke Lampo Leong, Yanxiu Zhao and Haozheng Wu

Onye Ahịa: Centre for Digital Arts, Department of Arts and Design, University of Macau

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nkà Egwu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180788

Agba

Nhazi a

Maka Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi

Ederede Akwụkwọ: Ọrụ a na-enyocha oge ahụ mgbe ndụ sitere n'okike na-ezute ụdị adị nke silicon na-apụta ọhụrụ, gụnyere AI na sistemụ algorithm. Iji Singularity dị ka ihe atụ echiche, ọ na-enyocha otú njikọta a si emegharị echiche banyere ndụ, njirimara, na ọntọlọji. Kama ịgosi silicon dị ka ihe nnọchi maka okike, ọrụ a na-emesi ike na ngwakọta, ịnọkọ ọnụ, na imetụta ibe. N'isi ya, ọ na-ewepụta mkparịta ụka na-aga n'ihu n'etiti carbon na silicon, na-eche banyere ọdịnihu nrọ nke ọtụtụ ohere ọhụrụ nke ịbụ anụ ahụ na-akpụzi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Carbon Silicon Singularity Ọrụ Bụ Isi: Imepụta Ọdụ Ihe Ngosi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche
The work explores coexistence, convergence, and hybridization of distinct life forms. When humans project perception and emotion onto algorithmic systems, these entities operate as reflection that refract and complicate our understanding of human essence. The motif of a "dialogue between carbon and silicon" constitutes a conceptual axis: two forces simultaneously resisting, permeating, and co-constituting one another. Their intersection illuminates a speculative and fantastic future.
Nha & Mkpuchi
This immersive installation measures 3.2m x 3.2m x 3.7m and features a digital ink generative video displayed on an LED panel. Acrylic mirrors line the walls, ceiling, and floor, creating a reflective environment that also functions as a stage for modern dance performance.
Mkpado
Immersive Stage Design, Dance Performance, Immersive Installation, Interaction between Calligraphy and Body Movement
Teknụzụ Mmepụta
This work begins with hand painted ink artworks and calligraphy on rice-paper. These physical pieces are then digitized using a high-resolution scanner. Using multiple tools and software, the images are transformed into dynamic, generative video compositions. Ultimately, the resulting immersive fine art installation becomes the stage environment for a modern dance performance.
Ịma Aka Imepụta
Transforming classical and contemporary ink painting and calligraphy into postmodern, digitally generated video art presents significant creative and technical challenges. Additionally, the video work also functions simultaneously as an immersive installation and as stage design for modern dance performance, further expanding the complexity and innovation of the project.
Nchọpụta
This work explores the transitional moment in which humanity confronts the emergence of silicon based forms of existence such as artificial intelligence and computational systems alongside traditional carbon based life. Using the Singularity as a conceptual metaphor, the work examines how this shift re-configures established understandings of life, identity, and ontology. Rather than depicting silicon as a replacement for organic existence, the work emphasizes hybridization, coexistence, and mutual influence. As humans project perception and emotion onto machinic entities, these systems reflect and complicate our understanding of human essence. Central to the series is the evolving dialogue between carbon and silicon - two forces that resist, permeate, and co-constitute one another - pointing toward a speculative future defined by hybridity and expanded possibilities of embodiment and being.
Mkpali
This series adopts the Singularity as a conceptual metaphor to examine the transitional moment in which humanity stands between carbon based life and emerging silicon based modes of existence. This shift signals a fundamental redefinition of life, self awareness, and embodiment. As carbon and silicon converge within shared temporal and spatial conditions, the boundaries of life become increasingly porous, allowing new ontological configurations to emerge.
Oge Ọrụ
The project started in September 2025 in Guangdong and finished in December 2025 in Beijing, and it was exhibited in The 10th Beijing International Art Biennale in 2025.
Usoro Ọrụ
An immersive, digitally generated video art installation that serves as the stage environment for a modern dance performance. As the dancer moves through the space, she interacts with evolving calligraphic strokes, generating imagery that signifies an ongoing dialogue between carbon based life and emerging silicon based forms of existence.
Patentị
Copyrights belong to Lampo Leong, 2025.
Ndị Otu
Lampo Leong
Yanxiu Zhao
Haozheng Wu
Dan Wang
Shiyun Wan
Li Lin
Asụsụ Foto
Image #1: Lampo Leong, 2025
Image #2: Lampo Leong, 2025
Image #3: Lampo Leong, 2025
Image #4: Lampo Leong, 2025
Image #5: Lampo Leong, 2025

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