Ihe emepụtara bụ Tokyo Oche Ezumike nke Isabelle De Mari bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ngwá Ụlọ.

ỌlaọchaNgwá Ụlọ· 2026

Tokyo Oche Ezumike

nke Isabelle De Mari

Onye Ahịa: Olho Moveis Autorais

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ngwá Ụlọ

20,377

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #181979

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Tokyo Oche Ezumike

Tokyo bụ oche ezumike e ji osisi sucupira siri ike nke Brazil mee. E gosipụtara etiti oche ahụ n'uju, na-egosi njikọ osisi na akụkụ osisi ndị a kpụrụ akpụ. A na-eji igwe lathe a na-eji aka achịkwa tụgharịa aka oche na ihe nkwado azụ, nke nwere nhazi gbadara mgbada na nsọtụ ha. E tinyere akpụkpọ anụ eke n'ime aka oche ọ bụla ma jiri akwa dụrụ adụ mechie ya. Kushọn oche na nke azụ jikọtara foom polyurethane a doro n'ọkwa n'ọkwa na mjuputa ábụ́bà, nke e ji ákwà linen na-acha aja aja kpuchie. E ji aka gbaa elu ya niile ma jiri vanish na-adịghị egbuke egbuke mechaa ya. Nhazi a na-etinye ụkpụrụ ịkwa osisi ndị Japan n'ọrụ na vật liệu Brazil.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Tokyo Oche Ezumike meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Tokyo Oche Ezumike ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Tokyo Oche Ezumike bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Nha & Mkpuchi: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Mkpado: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Teknụzụ Mmepụta: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Ịma Aka Imepụta: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
Nchọpụta: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Mkpali: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Oge Ọrụ: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Usoro Ọrụ: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Ndị Otu: Designer: Isabelle De Mari
Designer: Filipe Melo