Prologue in Ink Nhazi Ime Ụlọ Obibi nke Yi Hsuan Lee

Ihe emepụtara bụ Prologue in Ink Nhazi Ime Ụlọ Obibi nke Yi Hsuan Lee bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Prologue in Ink Nhazi Ime Ụlọ Obibi

nke Yi Hsuan Lee

Onye Ahịa: Yan Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

5,647

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #182055

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Prologue in Ink Nhazi Ime Ụlọ Obibi

Prologue in Ink bụ nhazi ime ụlọ obibi maka ụlọ mkpakọrịta nwere 132.2 square mita dị n'elu ụlọ nke iri na isii n'ime ụlọ elu dị ogologo. Agba ya gbadoro ụkwụ na veneer osisi nwere agba inki nke a na-ahụ anya usoro eke ya, nke ejikọtara ya na nkume, titanium, iko na akpụkpọ anụ. Mgbidi ihe ngosi telivishọn na-etinye nkume ya na nchọmụma ígwè, ebe mgbidi ọnụ ụlọ ọgụgụ na-ejikọta shelf gbara ọchịchịrị na panel dị ọkụ. Ọnụ ụlọ ọgụgụ ghere oghe jikọtara ya na ime ụlọ obibi, na-emepụta ahịrị na-aga n'ihu nke na-ejikọta ebe obibi, ebe ọgụgụ, ebe iri nri na kichin. Ọkụ kwụ ọtọ na nke na-apụtaghị ìhè ozugbo na-akọwapụta nsọtụ ma na-eme ka agba ọchịchịrị ndị ahụ dị nro.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Prologue in Ink Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Prologue in Ink Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Prologue in Ink Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The home's personality is embodied in the TV feature wall and open study backdrop. The TV wall combines bold stone with titanium, glass, and leather, creating a layered, sleek facade. The study wall pairs dark display shelving with light panels, balancing rationality and curiosity. Linear lighting highlights edges, while a minimalist ceiling with grooves and negative space emphasizes the walls’ presence, giving the space refined order and dimensional focus.
Nha & Mkpuchi: The 132.2 m2 16th-floor residence integrates social areas for fluid daily use. The open study connects to the living room, creating shared zones for work, reading, and interaction. Expanded kitchen storage and prep areas form a continuous axis linking living, study, dining, and kitchen spaces. The layout balances solitude and interaction, achieving both practical usability and visual refinement.
Mkpado: Dark Tone, Material Contrast, Open Study, Modern Design, Smart Home, Cool Tone, Eco-Friendly Materials
Teknụzụ Mmepụta: The palette centers on ink-toned wood veneer, preserving natural grain to reveal layered depth under reflected light. Stone, titanium, glass, and leather add material complexity, while selective warmer tones and bright finishes balance cooler hues. Linear and indirect lighting subtly defines boundaries, creating gentle grayscale transitions. The resulting interior feels composed, intellectual, and restrained, projecting refinement without coldness.
Ịma Aka Imepụta: Construction focused on precise interface integration and tolerance control. The TV wall demanded coordination of heavy stone, structural supports, and AV systems, balancing aesthetics, safety, and function. Study sliding cabinetry required meticulous hardware and panel alignment for a seamless façade. Flooring was corrected on-site to match the intended tone and texture, ensuring the ground plane reinforced the designed spatial atmosphere.
Nchọpụta: The 132.2 m2 residence uses 'ink' as a thematic framework, combining deep wood, stone, metal, glass, and leather to filter visual noise and clarify spatial order. The living room integrates an open study for reading, work, and social interaction along a shared axis, while kitchen storage and prep are optimized. Linear lighting layers dark tones, balancing refinement and warmth. 'Ink' grounds the space, 'prologue' organizes it, and daily life becomes its expressive language.
Mkpali: 'Prologue in Ink,' a 132.2 m2 high-rise residence, uses 'ink' as a design foundation, guiding materials, light, and lines with disciplined order. Daylight illuminates deep wood veneer and stone textures forming the structural framework, while metal, glass, and leather provide refined accents. The design achieves composure and gravitas, creating a space that feels present and elegant without heaviness, balancing material richness with everyday livability.
Oge Ọrụ: The project finished in June 2023 in Taiwan.
Usoro Ọrụ: Occupants' feedback most clearly emphasizes flexibility. The ink-toned environment does not feel rigid or cold. Instead, through calibrated material warmth and layered light transitions, it overturns conventional perceptions of dark interiors. In daily life, the social area can shift between calm and lively states. Whether reading alone, hosting friends, or simply reclining on the sofa, the atmosphere adapts naturally. The space maintains quality and composure without feeling formal. It understands how to allow life to enter.
Ndị Otu: Wei-Hsuan Chan
Asụsụ Foto: Yan Design