Plus 81 Ụlọ mmanya, Klọb abalị nke Takahiro Todoroki

Ihe emepụtara bụ Plus 81 Ụlọ mmanya, Klọb abalị nke Takahiro Todoroki bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2026

Plus 81 Ụlọ mmanya, Klọb abalị

nke Takahiro Todoroki

Onye Ahịa: Engine, Inc

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

6,585

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #183476

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Plus 81 Ụlọ mmanya, Klọb abalị

Plus 81 bụ ime ụlọ mmanya na klọb abalị nke dị n'ime nnukwu ụlọ ahịa merela agadi. Ihu ụlọ ahụ yiri ebe a na-arụ ọrụ nwa oge nke e ji akwụkwọ akụkọ ndị Japan machie, e zokwara ọnụ ụzọ mbata n'azụ otu ụlọ ahịa ihe oyiyi, nke na-emepụta mgbanwe nwayọọ nwayọọ ịbanye n'ime ụlọ ahụ. Ebe a na-ere mmanya dị n'etiti bụ isi ihe jikọtara nhazi ahụ, ebe akụkụ ndị gbara ya gburugburu na-akwado iri nri, oche izu ike, karaoke na nnọkọ nzuzo. Uko ụlọ e ji usoro grid rụọ nke nwere ọkụ RGB na-aza ajụjụ nke uko ụlọ dị ala ma na-atụkwasị ụda anya. Ihe ndị e ji rụọ ya gụnyere ígwè zinc-galvanized, enyo e serela ihe na ala resin nwere odide typography.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Plus 81 Ụlọ mmanya, Klọb abalị meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Plus 81 Ụlọ mmanya, Klọb abalị ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Plus 81 Ụlọ mmanya, Klọb abalị na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Nha & Mkpuchi: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Mkpado: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Teknụzụ Mmepụta: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Ịma Aka Imepụta: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Nchọpụta: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Mkpali: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Oge Ọrụ: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Usoro Ọrụ: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Asụsụ Foto: Photographer : Katsumi Hirabayashi