Ihe emepụtara bụ Wave Table nke Attila Stromajer bụ onye meriri a na-asọpụrụ nke ukwuu nke 2017 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ngwá Ụlọ.

ỌlaedoNgwá Ụlọ· 2017

Wave Table

nke Attila Stromajer

Onye Ahịa: Stroo Design, Attila Stromajer

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #50937

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Nhazi a

Maka Wave Table

Wave is a coffee table made of ash wood. It combines opposites in many ways. The shape of the table resembles the stairs of the pyramids and the form of waves. So, it displays man-made and natural forms at the same time. The softness of the wave counterparts the angularity of the structure. Beside being a static object, it also gives the impression of dynamic motion by the fan-like rotation of the parts. Wave provides a new visual sight from every angle. By this it symbolizes the variety of nature. Wave does not contain any fittings or stiffeners. It holds itself.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Wave Table meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Wave Table ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Wave Table na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The shape of the table resembles the stairs of the pyramids or the form of waves. Beside being a static object, it also gives us the impression of dynamic motion by the fan-like rotation of the parts. It provides a new visual experience from every different angle. Another unique attribute of the piece is that it does not contain any fittings or stiffenings. It holds itself. It unites angularity and softness. The sights of this table is different from every pespective symbolize varied of nature.
Nha & Mkpuchi: Size: Width 1500 mm x Depth 780 mm x Height 360 mm
Mkpado: Wave, stairs, pyramids, table, airiness, dynamism, rotation, stability, natural
Teknụzụ Mmepụta: The table was made of ash wood. Natural colour varnish was applied on the surface. The wooden structure and the large tempered glass top meet only on a thin surface. It was made without the use of any fittings or stiffenings. The structure holds itself. It gives stability and at the same time strengthens its lightness and airiness. The bright natural colouring gives the structure lightness, which balances the stability and rigidness of the angular forms.
Ịma Aka Imepụta: Only two materials, wood and glass are used. To create an airy and natural effect we had to avoid using any supporters or mounts. Finding the precise joining points and the object’s fulcrum was also challenging. Besides, we had to find the ideal size and place the glass top exactly horizontally. We needed to find the balance between the angular shapes and the lightness of the object to reach its harmony.
Nchọpụta: I have done some research in modular, modularity design and paper (pop) up, paper folding techniques. As for design techniques I've tried to experiment a lot with modularity in design technique and read many articles about it. I tried to use smaller parts, modules or skids to create a more multiple and novel object. I experimented with many shapes and sizes of simple moduls, units and then I multiplied and rotated them in several ways. I always experimented with the paper folding techniques in asimilar way.
Mkpali: I was inspired by the architecture of pyramid stairs and the movement of the waves. I wanted to create interesting and original 3D structures by using simple geometric forms. I multiplied and then rotated the frames. My objective was to build a static object in which the steps of transformation can be traced so that it incorporates and expresses the dynamism of change. I was also inspired by organic principles that can be static and dynamic at the same time, like water.
Oge Ọrụ: The project started in February 2016 in Budapest and finished in September 2016 in Budapest.
Usoro Ọrụ: This is a table around which people can gather and enjoy themselves while appreciating the sight of it. You can put all sorts of objects on or in it, e.g. magazines, newspapers, cups, glasses, etc. I think what particularly distinguishes this table from other tables is the intresting, suprising perspective, the technical solutions, background work, process of the design, the quality of the ash wood and the execution.
Patentị: Patent, copyright No.
Ndị Otu: Designer: Attila Stromajer
Joiner, constructor: Miklós Sárácz
Asistant, coordinator, adviser: Melinda Kalcsó
Asụsụ Foto: All images: Photographer Marcell Mizik, Norbert Szilas, Wave, 2016.