Porous Manifold Ụlọ Tea Japanese nke Ryumei Fujiki and Yukiko Sato

Ihe emepụtara bụ Porous Manifold Ụlọ Tea Japanese nke Ryumei Fujiki and Yukiko Sato bụ onye meriri a na-asọpụrụ nke ukwuu nke 2019 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

ỌlaọchaNkà Mma· 2019

Porous Manifold Ụlọ Tea Japanese

nke Ryumei Fujiki and Yukiko Sato

Onye Ahịa: F.A.D.S + Fujiki Studio, KOU::ARC

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nkà Mma

41,472

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #72501

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Porous Manifold Ụlọ Tea Japanese

Nke a bụ ọnụ ụlọ tea Japan nwa oge gosipụtara na Echigo-tsumari Art Triennale 2018 ma nwee ihe arụrụ arụ nke nwere oghere tatami abụọ agbakwunyere n'ụkwụ iri. N'ihe ngosi a, a gwara ndị na-ese ụkpụrụ ụlọ ka ha zaghachi n'isiokwu nke otu a ga-esi merie echiche nke oghere imekọ ihe bụ nke na-achị na narị afọ nke 20. Ejiri usoro enweghị usoro nke a na-akpọ Voronoi Division iji mebie ọkpụkpụ ahụ. Ma a tụrụ aro ka ụlọ ahụ nwere ọnụ ọgụgụ buru ibu nke oghere ihe nwere ike imeghe na mechie dị ka ọ dị mkpa iji kparịta ụka n'èzí dị ka ihe dị ndụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Porous Manifold Ụlọ Tea Japanese meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Porous Manifold Ụlọ Tea Japanese ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Porous Manifold Ụlọ Tea Japanese bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Nha & Mkpuchi: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Mkpado: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Teknụzụ Mmepụta: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Ịma Aka Imepụta: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Nchọpụta: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Mkpali: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Oge Ọrụ: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Usoro Ọrụ: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patentị: F.A.D.S + Fujiki Studio, KOU::ARC
Ndị Otu: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Asụsụ Foto: Masahiro Hoshida, Fujiki Studio, KOU::ARC