Ọlaedo Ime Ụlọ · 2020
ERC Cafe Nhazi Ime Ụlọ Cafe
by Ya Wun Yang and Yun Fang Huang
- Ihe Nrite A' Design Award nke Ọlaedo 2020 in Ime Ụlọ
- CLIENT: Homker Design Co.,Ltd.
- Estimated Number of Design Views: 20,114
- Verification code 1F7C26B792 · Verify this award
Colors
About ERC Cafe Nhazi Ime Ụlọ Cafe
ERC Cafe bụ nhazi ime ụlọ cafe nke gbasara 218 square mita n'elu ọkwa abụọ. Nhazi ahụ gụnyere ọnụ ụzọ mbata dị n'ihu, counter, kichin, na ebe nnọdụ nwere sofa, oche bar, tebụl obodo na tebụl kọfị nkịtị. Brik uhie, ọrụ ígwè, nkume igwe ihe, iko, osisi na agba mineral na-enye oghere ahụ ọdịdị loft. A na-akpụbi ákwà n'ime iberibe ma kwụba ha n'elu ụlọ n'ụdị arch, nke na-eme ka elu ndị siri ike dị nro ma gbasaa ìhè na ikuku. Ọnụ ụzọ mbata nwere ịdị elu okpukpu abụọ na windo ndị ruru ogologo niile na-emeghe ime ụlọ ahụ n'okporo ụzọ ma na-echetara mmadụ greenhouse.
About the Ihe Nrite A' Design Award nke Ọlaedo
ERC Cafe Nhazi Ime Ụlọ Cafe meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na ERC Cafe Nhazi Ime Ụlọ Cafe ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. ERC Cafe Nhazi Ime Ụlọ Cafe na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.
Press Kit
- Unique Properties
- In this Loft styled cafe, it was filled with classic elements such as red bricks, metal work, cement finished surfaces, etc., along with an outstanding design feature of fabric. As the design team believed that this cafe has a wide range of consumer segments which warranted a free flowing and soft texture fabric to soften up such rustic and hard spatiality with a feminine touch.
- Dimensions & Packaging
- The design area of the two levels is of 218 square meters in total, mainly comprised of front entrance, counter, kitchen, and seating areas such as sofa area, bar stool area, community table, and normal coffee table area, etc.
- Tags
- Fabric, Light and Shadow, Screen, Flowing, Greenhouse, Cafe Design
- Production Technology
- Fabric, Metal Work, Vintage Red Tiles, Grinding Stone, Glass, Timber, Mineral Paint
- Design Challenge
- As much fabric was used in the space, on one hand, the replacement of fabric in maintenance shall be considered, and on the other hand, the fabric shall be hung in seemingly effortless fashion so as to articulate the envisaged arch shape, which also led to its installation technique that was also challenging.
- Research
- In echoing with the unique styling of the architectural form of the building, as well as the tree plantation on the street, the spatial planning anchored on theme of infusion into the building while accentuating the serenity of cafe. In material selection, the solid and robust metal work was complemented by soft and translucent fabric material, as well as by the authentic red brick wall, for a balanced spatial quality.
In referencing the formal vocabulary of greenhouse arch, fabric was cut into segments and hung from the ceiling as light and air diffuser, as well as serving as spatial demarcation in an ever changing forest environment. - Inspiration
- As this Cafe must echo the creative aspiration of Infusion of red brick wall and plant, as well as new visuals, as requested by the client, along with its corner location and curtain wall glass windows, the design of the overall space was anchored on a greenhouse filled with trees, wind, light, i.e. a domain of enriched dynamic visual experiences.
- Project Duration
- The project was finished in February, 2019 in New Taipei City, Taiwan.
- Operation Flow
- In terms of spatial layout, it was about expanding the double ceiling height area at the building entrance, which increased the vertical spatial connection with transparent spatial quality, and the kitchen was moved to the same side as the counter so as to create a more functional and flowing working circulation, as the original kitchen was designated as a shared seating area with unobstructed window view out.
- Image Credits
- Sam Siew Shien, 2019
