Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs by Tomohiro Katsuki is a highly esteemed winner of the very prestigious 2020 Ihe Nrite A' Design Award nke Bronz in Nhazi Ime Ụlọ na Ngosipụta Competition Category.
BronzIme Ụlọ· 2020
Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs
Client: Prism Design
Ihe Nrite A' Design Award nke Bronz Winner in Ime Ụlọ Category
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The Design
About Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs
Ederede Akwụkwọ: Fontworks Inc. Tokyo bụ ime ụlọ isi ọfịs maka ụlọ ọrụ na-emepụta ụdị mkpụrụ okwu (type foundry), dị na nkuku ise nke ụlọ dị na Minato-ku, Tokyo. Ọfịs a kpuchiri mita square 431 ma haziere ya gburugburu ijikọ ọrụ analog na nke dijitalụ ọnụ. Tebụl e wuru n'ụdị mkpụrụedemede "C" na-akwado ọrụ okike na mmekọrịta n'etiti ndị ọrụ. Ihe ngosi (display) buru ibu e dobere n'etiti mgbidi na-anọgide na njikọ na Creative Lab dị na Fukuoka, ka ebe abụọ a wee nwee ike izikọrịta ozi site na ịntanetị. Oche e wuru n'ụdị steepụ nke dị nso n'ọnụ ụzọ mbata na-enye ohere maka nzukọ efu efu na ndị ọbịa. Ihe ndị e ji rụọ ọrụ gụnyere kapeeti tiles, osisi, Corian, igwe na bọọdụ cork.
The Recognition
About the Ihe Nrite A' Design Award nke Bronz
Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Fontworks Inc. Tokyo Ọrụ Ime Ụlọ nke Isi Ọfịs na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” - Dimensions & Packaging
- AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900ｍm（slab:H4100ｍｍ） - Tags
- Interior, Office, Design ,Font
- Production Technology
- From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.
MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC ＆ Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint ＆Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK ＆ WHITE Writing Laminated Sheets
12.Steel（BLACK ＆ WHITE Paint）
13.Cork board - Design Challenge
- In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval. - Research
- We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard. - Inspiration
- On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
- Project Duration
- ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019. - Operation Flow
- The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font. - Team Members
- 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU - Image Credits
- All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi
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