Ihe emepụtara bụ Conflict Ihe Owuwu nke Marc Kelly bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2020

Conflict Ihe Owuwu

nke Marc Kelly

Onye Ahịa: Marc Kelly Sculpture

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

13,676

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #99592

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Conflict Ihe Owuwu

Esemokwu bụ ihe owuwu nkume mere site na nkume marble Carrara na nkume aja Kilkenny. E jikọtara oyi ọcha marble na ọjii nkume aja ka agba ha dị iche iche zute n' akụkụ ndị a wapụtara. E kpụziri ntọala nkume aja ahụ ka ọ nabata ọdịdị marble ahụ, ma agba aja nke ntọala ahụ na-apụta ìhè n'ebe ha na-emetụ n'ahụ. N'ebe e bipụtara ọdịdị marble ahụ, otu akụkụ dị n'ime ya nke nwere nsọtụ kwụ ọtọ na-apụta ìhè. Eji igwe na-egwuzu nkume bipụta ma nyụọ ọdịdị ndị a mma, ebe ụfọdụ akụkụ ka e ji aka wa. Ihe owuwu a dị elu santimita 54, dị obosara santimita 44, ma dị omimi santimita 20.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Conflict Ihe Owuwu meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Conflict Ihe Owuwu ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Conflict Ihe Owuwu na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N\'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This sculpture has bold properties seen through line, tone and texture, it is also aesthetically very appealing. The strong contrast of colours between the 2 stone forms reels the eye closer for inspection. Upon closer viewing the contrasting tones of the mediums is executed brilliantly through textures which change dramatically where the various forms meet. The Irish Limestone base earthen colour is revealed where the contour of the beautiful Carrara Marble's form collide with it. At the point where the Carrara's shape is dissected it reveals an inner square edged secret, providing us with the knowledge a darker beauty lies within.
Nha & Mkpuchi: 54cm High x 44cm Wide x 20cm Deep (at base)
Mkpado: art, design, sculpture, stone, abstract, irish, contrast, marble, carved
Teknụzụ Mmepụta: Carrara Marble - (White), Kilkenny Limestone - (Dark). Hand carved textured areas, the forms are all grinder cut and polished with grinders.
Ịma Aka Imepụta: The challenge with sculptural work like this is marrying them togther successfully whilst allowing your voice to be heard throw the work. I wanted to convey a strong sense of emotional conflict here through the colours, form and techniques used. The creative/ technical challenge is ever present to also ensure the work as by my own wish that it is aesthically pleasing as much as thought evoking.
Nchọpụta: Research for this work was conducted initially with medium studies to see what materials suited the concept best while revealing strong striking colours that speak the artists mind aloud.

Studies of various carving/ sculpting techniques were also carried out from past masters, also seen in buildings and books every. I tried to use these techniques to convey emotions also in the Marble and Limestone.

The political and emotional senses were present and used to merge these mediums together through form and technical skill.
Mkpali: This work is inspired by the political landscape and environment in which the artist grew up in. Born just 2 kilometers from the Irish border the harsh realities of the 1980's and 1990's are bore here - a moment of conflict captured through colour and form speaking volumes of the torn senseless sadness seen in that region for many decades. The religious divide and separation revealed through bold contrasting colour and form.
Oge Ọrụ: Made in 2017
Usoro Ọrụ: The work is an evocative piece, designed and made to be aesthetically appealing while being a striking/ moving sculpture. When viewed under lights the contrasting colours and sharp form evokes the senses. The technical execution on sculpture has been expertly carried out by the artist.
Ndị Otu: Marc Kelly
Asụsụ Foto: Gabriel Murphy