Interview with Chiun Ju interior design

My love for design stems from my deep feeling for space and aesthetics. I have been interested in architecture and interior layout since I was a child. I chose to become a designer because I believe good design can change the quality of life. I have over 23 years of professional experience. Founding Qunzhu Interior Design Co., Ltd., I am committed to combining modern classic and modern styles to create unique and soulful spaces. My design philosophy is to let every space tell a story and enhance people's life experience.

In my design process, I prioritize functionality, aesthetic balance, and spatial emotion. My work emphasizes human-space interaction, utilizing refined materials and lighting design to create immersive experiences. I specialize in modern classical and contemporary styles, integrating digital tools, 3D rendering, and hand sketches to refine details. I also develop physical models and material prototypes to ensure authenticity. When starting a new project, I focus on user needs, blending technology with craftsmanship to create unique and soulful spaces.

Design fills me with excitement, challenge, and fulfillment. The most thrilling phase is concept development and storytelling, where ideas transform into tangible designs, igniting my passion. I enjoy exploring possibilities, refining details, and shaping spaces that evoke emotions. The greatest satisfaction comes from seeing the final realization of a project. To me, design is more than work—it’s an emotional expression and a way of life. Through design, I give spaces a soul, creating environments that influence emotions and daily experiences, which brings me the greatest joy.

Beyond design skills, observation, communication, and business acumen are crucial for designers. Keen observation enhances my understanding of space and human interaction, effective communication ensures my design vision is clearly conveyed, and business thinking helps me balance budget and aesthetics. I am deeply influenced by architectural masters and the humanities, shaping my unique style through continuous learning and practice. My design journey has been one of exploration and growth, where each project presents a new challenge, driving me to constantly innovate and push boundaries.

My growth goal is to enhance brand influence, explore furniture and décor design, and bring CHIUN JU Interior Design to the international stage. In the future, I aspire to design a landmark space that integrates art, culture, and sustainability, creating works that balance aesthetics and functionality. I also plan to develop a budget-tiered design system, helping designers create high-quality projects within clients' financial constraints. I strive to be a designer who bridges innovation with practicality, continuously pushing the boundaries of design and leaving behind remarkable works in my professional career.

For aspiring designers, my advice is to stay passionate, embrace challenges, and develop business acumen. Design is not just about creativity; it also requires budget management and balancing client needs. Young designers should participate in competitions, gain hands-on experience, and study market trends. I have faced conflicts between budget and creativity, but through continuous learning and adaptation, I found optimal solutions. The best advice I received is: "Design is not about pleasing yourself; it’s about solving problems." Only through constant learning and practice can one achieve long-term success in the design industry.

Successful design is about balancing creativity, execution, and business strategy. Designers should continuously refine their skills, understand market trends, and build a personal brand. Avoid focusing solely on aesthetics while neglecting functionality and user needs. When communicating with clients, clearly convey the value of design, rather than just fulfilling requests. I encourage designers to participate in international competitions, broaden their perspectives, and collaborate across disciplines for fresh insights. Most importantly, design is not just creation; it is the art of problem-solving—maintaining a learning mindset is key to thriving in a competitive industry.

My day starts with reading design trends and international architecture news, followed by team meetings to discuss project progress and client requirements. I spend time sketching concepts and refining 3D renderings to ensure aesthetics and functionality align. Afternoons often involve client meetings or site visits to oversee execution details. The most fulfilling moments are when creative inspiration strikes and seeing designs come to life. Even on busy days, enjoying a good cup of coffee and reflecting on new ideas are the little things that keep my passion alive.

I stay updated with global design trends but do not blindly follow them. Instead, I integrate them into my personal style, creating timeless designs that embody contemporary spirit. My inspiration comes from architecture, art, fashion, and nature, and I stay ahead by engaging in competitions, exhibitions, and industry forums. I believe that design should go beyond trends and focus on spatial essence and user experience. Therefore, I strive to blend classic and modern elements, ensuring that my work remains both aesthetically and functionally relevant across generations.

Good design embodies functionality, aesthetic balance, and emotional resonance. When evaluating a project, I first assess whether it meets user needs and enhances experience, then examine materials and detailing for quality and longevity. A design is successful when it achieves depth in simplicity and maintains timeless value through innovation. Common mistakes include over-decoration, neglecting usability, or lacking a compelling narrative. For me, the essence of design lies in harmonizing beauty with function while creating a lasting emotional impact.

For me, design is never truly "finished"; rather, I stop refining when functionality, aesthetics, and details reach their optimal balance. A design is ready when it perfectly meets user needs, showcases impeccable craftsmanship, and conveys a clear design narrative. However, I believe design should continuously evolve, so even after a project is completed, I reflect on ways to enhance spatial experiences. True success is when users emotionally connect with the space, and the design remains timeless and relevant over time.

My most proud design project is a luxury residence blending modern classical style, where aesthetic and functionality reach a perfect balance. Inspired by European classical architecture and modern minimalism, I used refined materials and lighting design to create an immersive spatial experience. The biggest challenge was achieving a high-end look within a limited budget, which I overcame through meticulous budget management and innovative design solutions. Currently, I am exploring furniture and décor design, expanding my brand influence to create more impactful works.

I deeply admire Louis Kahn for his mastery of light, space, and materials, creating designs that are both aesthetic and philosophical. If I could speak with one deceased designer, it would be Le Corbusier, whose work reshaped modern architecture by redefining function and form. I also believe Mies van der Rohe had a profound impact on contemporary design with his "less is more" philosophy, influencing minimalism and architectural purity. These masters have greatly shaped my design perspective, inspiring me to balance function, beauty, and meaning in every project.

I love exploring urban cultures, and Paris and London are my favorite cities for their seamless blend of history and modern design, constantly inspiring me. Music, especially classical and jazz, is an essential part of my creative process, helping me focus and reflect. I believe design shapes lifestyles, transforming human behavior and emotions through space. Currently, I am working on furniture and décor design, aiming to integrate design into everyday life. Small design details—lighting, materials, and proportions—enhance my own living experience and strongly influence my design philosophy.

My work culture emphasizes creativity, professionalism, and collaboration. I believe teamwork and open communication lead to better design solutions. I work closely with skilled partners and artisans, selecting team members based on attention to detail, problem-solving ability, and passion for design. I value innovation, responsibility, and adaptability in colleagues. The biggest challenge in design is balancing budget, functionality, and aesthetics. A great designer must be observant, patient, and committed to continuous learning, ensuring they create impactful and meaningful designs that improve everyday life.

I believe design should serve society and improve lives. I actively engage in pro bono design and education initiatives, mentoring young designers and providing growth opportunities. I have participated in community renovation projects and affordable housing improvements, using design to enhance living conditions. I also advocate for sustainable design and circular economy principles to promote responsible resource use. I encourage designers to join humanitarian projects, as good design shapes not only spaces but also society. Through lectures and competitions, I support emerging designers, fostering innovation and creating more opportunities for them.

Participating in A’ Design Award has been an invaluable experience, providing me with international recognition, brand exposure, and professional growth. The three key benefits of design competitions are: enhancing global influence, expanding professional networks, and opening market opportunities. These competitions validate my design skills and motivate me to constantly innovate and refine my craft. Winning design awards brings greater career opportunities and increases design value. Being selected as Designer of the Day is a great honor, allowing my design philosophy to reach a wider audience and inspiring me to create even more impactful works in the future.

I became a designer because I believe design has the power to transform lives and spaces. From an early age, I was fascinated by how environments affect human emotions and behaviors. What motivates me is the ability to create spaces that not only meet functional needs but also evoke feelings of comfort, inspiration, and beauty. For me, design is more than aesthetics—it is about crafting experiences, preserving cultural memory, and bringing harmony between people and their environments. Every project is an opportunity to turn challenges into meaningful solutions that enrich daily life.

I chose to become a designer entirely out of passion and conviction. Design was never something I was forced into; it was a natural path for me. From a young age, I found joy in observing spaces, details, and the emotions they create. Over time, this fascination grew into a deep desire to dedicate my life to transforming environments and enriching people’s experiences. Choosing design was choosing a way of life—one that allows me to express creativity, solve problems, and connect meaningfully with people through space.

I specialize in interior design projects that range from private residences and apartment renovations to commercial spaces such as salons, wellness centers, and public areas. My design language blends modern and neoclassical aesthetics with a focus on storytelling, sustainability, and emotional resonance. In the future, I wish to design more cultural and experimental spaces—projects that integrate architecture, interior design, and art installations. These types of works allow me to push the boundaries of creativity, participate in international competitions, and create designs that not only serve function but also inspire dialogue and reflection.

To become a design legend, young designers must cultivate three qualities: passion, persistence, and purpose. Passion keeps creativity alive; persistence allows them to overcome challenges; and purpose gives meaning to their work. I encourage them to stay curious, embrace cross-disciplinary learning, and never be afraid to take risks. They should aim not only to create beautiful spaces but also to tell stories, respond to social and cultural needs, and contribute to sustainability. Entering international competitions and engaging with global communities can also broaden their perspective and sharpen their design voice. Ultimately, legends are not born overnight—they are built through years of dedication, reflection, and a relentless pursuit of excellence.

A good designer creates functional and aesthetically pleasing spaces, but a great designer goes further—infusing design with cultural depth, emotional resonance, and a vision for change. For example, my project Framed Time, which received international recognition from the A’ Design Award and the New York Architecture Design Award, was not only about renovating an old residence, but about transforming memory and light into a poetic living experience. Similarly, Satin Hair and Sunshine Rhythm, both honored in global design competitions, demonstrate how design can bridge lifestyle, sustainability, and artistry. Good design solves problems; great design inspires transformation. What truly distinguishes a great designer is not only skill, but vision—the ability to create works that touch hearts, tell stories, and leave a lasting legacy.

A good design becomes a truly great design when it goes beyond solving problems and starts to inspire, connect, and endure. For me, the evaluation of good design lies in three dimensions: human experience, cultural resonance, and sustainable impact.

For example, my project Realm of Floating Silence was recognized not only for its aesthetic qualities but for its ability to transform a ruined chapel into a poetic space that engages memory, community, and ecological awareness. Similarly, Meet Purple and Sunshine Rhythm, both awarded internationally, were praised because they created emotional bonds with users while addressing functionality and sustainability.

I evaluate good design by asking: does it improve lives? Does it tell a story? Does it leave a lasting positive impact on people and the environment? When the answer is yes to all three, then a good design becomes a truly great one.

The value of good design lies in its ability to improve quality of life, create emotional resonance, and generate long-term cultural and economic impact. Unlike trends that fade quickly, good design endures because it is rooted in human needs, sustainable thinking, and timeless aesthetics.

Everyone should invest in good design because it is not an expense, but an investment in the future. For individuals, it shapes healthier, more inspiring living environments. For companies, it builds stronger brands and lasting trust with clients. For society, it preserves cultural identity and promotes sustainability.

In my projects such as Framed Time and Realm of Floating Silence, the investment in thoughtful design has proven to elevate not only the space but also the sense of belonging, memory, and well-being of the users. This is the true return on investing in good design.

If I had more time, I would love to design cultural and spiritual spaces that connect people with nature and memory, such as a mountain retreat, a pavilion in a forest, or the transformation of abandoned historical buildings into poetic living spaces. These projects allow design to go beyond functionality and become a dialogue between history, culture, and human emotions.

I would especially like to design for local communities, indigenous groups, or organizations that value sustainability and cultural preservation. Creating spaces that honor tradition while embracing modern aesthetics is my way of giving back to society and leaving something meaningful for future generations.

One of my dream projects that I have not yet realized is the creation of a cultural and spiritual retreat in the deep mountains, blending contemporary architecture with poetic narratives. I imagine a place where architecture interacts with nature—floating pavilions, reflective water surfaces, and spaces that allow silence to become a form of design.

Another dream is to transform abandoned historical sites, such as old churches or heritage walls, into modern cultural and artistic spaces. This type of project would not only preserve collective memory but also give new life and meaning to forgotten places. It is a way of connecting history with the future through design.

My secret ingredient in design is the ability to transform constraints into creativity. Every project comes with limitations—budget, space, or client expectations—but I see these as opportunities to innovate.

Another essential element is my insistence on storytelling. For me, design is not only about form and function but also about creating an emotional journey. By blending cultural narratives, personal memories, and the rhythm of light and shadow, I aim to design spaces that people can feel, not just see.

Finally, humility and perseverance are crucial. I constantly learn from each project, refine my craft, and never stop challenging myself to reach international standards.

I have been inspired by many design masters, especially Peter Zumthor and Frank Gehry. Zumthor’s work reveals a deep sensitivity to atmosphere and materials, teaching me how architecture can evoke emotions and connect with memory. Gehry’s bold, sculptural forms remind me of the power of creativity to break boundaries and redefine what architecture can be.

Together with influences from Tadao Ando’s play of light and shadow and Kelly Hoppen’s timeless balance of modern and classic aesthetics, these masters shaped my approach to create spaces that are poetic, human-centered, and internationally relevant.

One of my favorite designs is Peter Zumthor’s Therme Vals in Switzerland. I admire how he uses natural stone, light, and silence to create an atmosphere that feels both spiritual and deeply human. The project shows me how architecture can touch emotions through material and atmosphere.

Another work I admire is Frank Gehry’s Guggenheim Museum Bilbao, a masterpiece that demonstrates the power of creativity and boldness. Its sculptural form reshaped the identity of an entire city, proving how architecture can go beyond functionality and become cultural transformation.

I am also drawn to Tadao Ando’s Church of Light, where minimalism and light create a sacred experience. These projects inspire me to design spaces that are not only functional but also poetic, emotional, and transformative.

At this stage, one of my most complete works is “Framed Time”, a residential project that has gained international recognition such as the A’ Design Award. I consider it a milestone because it reflects a balance between client needs, limited budgets, and the high standards of global competitions.

The design merges modern and neoclassical elements with natural light and customized details, creating a timeless yet personal atmosphere. It is meaningful not only for its aesthetics but also for its ability to narrate life moments and integrate sustainable values.

However, I see design as an ongoing journey. While “Framed Time” represents my present achievement, I am continuously pushing boundaries. My upcoming work, “Realm of Floating Silence”, carries my expectations for the future—it explores poetic architecture, cultural depth, and AI-assisted innovation. This combination of current accomplishment and future vision is what makes me feel my path as a designer is still evolving.

To become a better designer, one must cultivate curiosity, resilience, and a willingness to constantly learn. Design is not only about aesthetics but also about understanding people, culture, and technology. I believe designers improve by observing daily life, embracing failures as lessons, and seeking inspiration beyond their own discipline.

For myself, I have continuously pursued higher education, such as my Master’s research at National Taipei University of Technology, which deepens my theoretical foundation while reflecting on practical work. I also challenge myself by participating in international design competitions, where I can test ideas against global standards and learn from peers worldwide.

Most importantly, I never stop experimenting—whether through traditional craftsmanship, sustainable materials, or AI-assisted design. This openness to exploration keeps my creativity alive and pushes me to evolve as a designer.

If I hadn’t become a designer, I believe I would have pursued a career in education or cultural research. I have always been fascinated by how spaces influence human behavior and emotions, and I would have enjoyed sharing that knowledge with others through teaching and academic exploration.

Alternatively, I might have worked in art and architecture writing, documenting and analyzing how design shapes society. In many ways, these roles share the same spirit as design—seeking meaning, inspiring people, and creating value.

Becoming a designer allowed me to merge creativity, research, and practice, but my path would always revolve around culture, aesthetics, and human experience.

For me, design is not just the creation of forms or spaces, but the translation of human emotions, culture, and life into tangible experiences. It is a dialogue between people and their environment, where aesthetics, functionality, and sustainability come together in harmony.

I define design as a bridge between imagination and reality—a process that turns abstract ideas into meaningful spaces that inspire, heal, and connect people. Each design decision carries responsibility, reflecting respect for history, culture, and the environment.

My international award-winning projects have further shaped this definition, showing me that design must reach beyond borders and cultures to be truly timeless and influential. Likewise, my academic research deepens this perspective, allowing me to analyze how budget, competition standards, and cultural narratives can shape design outcomes.

Ultimately, design is both my language to tell stories and my way to leave a positive mark on the world—where practice and research meet, and where creativity transforms into lasting value.

I owe my achievements to the unwavering support of my family, who always encouraged me to pursue my passion for design even during difficult times. My professors and mentors also played a vital role, guiding me with wisdom and inspiring me to push the boundaries of creativity.

Equally important are my team members at Chiun Ju Interior Design, who have stood by me through countless projects, transforming challenges into opportunities. Their dedication and trust have allowed me to realize visions that would have been impossible alone.

Ultimately, it is this collective strength—family, mentors, and colleagues—that has given me the courage to pursue international recognition and continue contributing to the design community.

What helped me become a great designer was an unwavering passion for transforming spaces into meaningful experiences. I have always believed that design is not just about aesthetics, but about creating harmony between people, space, and culture.

Continuous learning also played a vital role—I pursued academic research at National Taipei University of Technology while participating in international design competitions, which sharpened my creativity and expanded my vision.

Most importantly, perseverance and resilience have been the foundation. Every challenge, from limited budgets to high expectations, became an opportunity to innovate and prove that design can transcend constraints.

Before becoming recognized as a design master, I faced several obstacles. Early in my career, limited budgets and resources often forced me to be extremely creative in order to achieve high-quality results.

Another challenge was gaining recognition in a highly competitive industry where international exposure is essential. Entering global competitions and presenting my works abroad required not only courage but also financial and emotional investment.

Finally, balancing clients’ practical needs with my own design philosophy was not always easy. These challenges, however, taught me resilience and pushed me to innovate within constraints, shaping the designer I am today.

I believe designers should present their work as more than just visuals; it should be a story that communicates the intention, process, and emotional connection behind the design.

Clear visuals, supported by concise explanations, allow the audience to understand not only what the design looks like but also why it exists and how it improves lives.

A good presentation balances technical details with human emotion, making the work accessible to both professionals and the general public.

My next design project will continue exploring the dialogue between nature, culture, and contemporary living. I am currently developing “Realm of Floating Silence”, an architectural and interior design project that integrates sustainability, poetic spatial narratives, and human well-being.

In the future, you can expect more works that experiment with hybrid approaches—combining traditional craftsmanship with AI-assisted design—to create innovative spaces that inspire reflection, connection, and a sense of belonging.

My ultimate goal as a designer is to create timeless works that bridge culture, nature, and humanity. I aspire to design spaces that not only fulfill functional needs but also inspire emotions, encourage reflection, and promote sustainable living. Ultimately, I hope my work can leave a positive legacy—where design becomes a dialogue between generations, shaping how people live, feel, and connect with the world.

People expect me to bring not only aesthetic excellence but also a deeper vision that integrates culture, sustainability, and human emotion into design. They look for originality, responsibility, and authenticity in my work, as well as the ability to inspire younger generations of designers. I believe my role is not just to deliver projects, but to create meaningful experiences and contribute to the dialogue between design, society, and the future.

Design helps create a better society by improving the quality of life, fostering inclusivity, and addressing social and environmental challenges. Through thoughtful spaces and products, design connects people, preserves culture, and encourages sustainability. A well-considered design not only meets functional needs but also inspires empathy, dialogue, and collective growth in communities.

I am currently working on “Realm of Floating Silence”, a poetic architectural and interior design project that integrates AI narratives with sustainable strategies. It reflects my vision of creating spaces that touch emotions while embodying environmental responsibility. Preparing this project for international competitions excites me, as it challenges me to push design beyond aesthetics into a dialogue with the future.

At the same time, I am deeply engaged in a residential renovation project in Taoyuan, transforming a 35-year-old house into a modern living space with flowing curves, natural materials, and enhanced functionality. This project allows me to bring design closer to people’s everyday lives, experimenting with new aesthetics while responding to practical needs.

Together, these two works represent the dual path I value most: pursuing innovative, poetic visions for the future while staying grounded in the reality of human life and daily experiences.

One of the projects that gave me the greatest satisfaction is “Framed Time”, a residential design that won the A’Design Award. This work balanced neoclassical elegance with modern simplicity, creating a living space that not only impressed the jury but, more importantly, deeply resonated with the client’s lifestyle and emotions.

Another project that continues to inspire me is “Realm of Floating Silence”, an ongoing experimental work that integrates AI, architecture, and poetic narratives. It excites me because it represents the future direction of design—where creativity, technology, and sustainability converge.

These projects satisfy me in different ways: one for its recognition and human connection, the other for pushing boundaries and shaping the future.

In the coming years, I would like to see the design industry place greater emphasis on sustainability, social responsibility, and human well-being. Good design should not only create beauty but also address environmental concerns and improve people’s lives.

I also believe the integration of technology, such as AI, with human creativity will become a powerful tool to push design beyond current boundaries. However, I hope this evolution never replaces the designer’s emotional depth and cultural sensitivity, but instead becomes a partner to amplify them.

Ultimately, I want to see a design industry that is more collaborative, ethical, and future-oriented, shaping spaces and objects that inspire both individuals and society.

I believe the design field is moving toward a deeper integration of sustainability, technology, and human experience. The future of design will not only focus on aesthetics, but also on creating meaningful solutions that respond to climate challenges, urban lifestyles, and cultural identities.

AI and digital tools will accelerate the process, but the heart of design will remain in storytelling, emotion, and human connection. The next era of design will be about creating spaces and objects that are not only functional and beautiful, but also socially responsible and inspiring for future generations.

The time it takes to finalize a design project varies depending on the scale and complexity. A small residential renovation may take 3–4 months, while larger or more customized projects, such as villas or public spaces, may require 4–6 months.

Beyond construction, I also dedicate time to concept development, client communication, and fine-tuning details, which ensures that each project is not only completed on time but also aligned with international design standards.

When I start a new design project, I always begin with listening and understanding. I take time to learn about the client’s lifestyle, preferences, and aspirations, as well as the practical needs of the space. Then, I carefully study the site conditions — light, circulation, proportions, and cultural context — which often reveal unique design opportunities.

From there, I move into conceptual sketches and storytelling, gradually transforming abstract ideas into spatial solutions. This process allows me to build a strong foundation, ensuring the final design is both functional and emotionally resonant.

空間專屬，生活有詩。
Designing spaces, defining lives.

I believe design both shapes and responds to trends. Great design often sets new directions by capturing timeless values, while also reflecting the cultural and social context of its era. My approach is to create works that transcend temporary fashion, carrying lasting meaning and poetic resonance.

Technology plays the role of an enabler in my design process. From digital modeling and visualization to AI-assisted creative tools, it allows me to explore forms, materials, and emotions with greater precision and imagination. However, I see technology not as a replacement for creativity but as a bridge that connects human intuition with innovative possibilities, bringing poetic concepts into reality.

I combine traditional design tools such as AutoCAD, SketchUp, and 3ds Max with AI platforms like Stable Diffusion. Supported by high-performance NVIDIA RTX 4090 workstations, my workflow ensures both precision and innovation.

Color, materials, and ambient are the emotional language of design. Color sets the psychological tone, materials define texture and authenticity, while ambient light creates the atmosphere that connects people with space. Together, they transform a structure into an experience of life and emotion.

I hope people ask about the story and emotions behind my design, not only the visual form. I want them to be curious about how the space connects with life, memory, and culture, and how design can inspire a sense of belonging and future possibility.

When I see a great design or product, my first thought is to understand its story—what challenges it solves, what emotions it conveys, and how it pushes the boundaries of creativity. It inspires me to reflect on my own practice, reminding me that design is not only about form and function, but also about vision, responsibility, and the ability to create meaningful connections between people and spaces.

My ideal design partner is someone who shares the same passion for beauty, functionality, and storytelling, while bringing a different perspective that challenges and enriches my ideas. I strongly believe in co-design, because design is never created in isolation—it grows through dialogue, collaboration, and the exchange of visions. Whether with clients, craftsmen, or even emerging technologies like AI, co-design allows us to create works that are more meaningful, human-centered, and future-oriented.

The people who influenced me the most are my professors and mentors who shaped my academic foundation, my clients whose real needs pushed me to find creative solutions, and my design idols such as Peter Zumthor and Frank Gehry, who taught me how to balance emotion with innovation. Every interaction—whether with craftsmen, students, or peers—enriches my design philosophy and reminds me that design is ultimately about people.

Several books have deeply influenced my design thinking. Thinking Architecture by Peter Zumthor helped me understand the emotional power of space; Complexity and Contradiction in Architecture by Robert Venturi opened my eyes to the richness of layered meanings; and The Poetics of Space by Gaston Bachelard inspired me to see interiors as places of memory and imagination. These readings shaped my philosophy of blending functionality, emotion, and cultural narratives in every project.

I developed my skills through a balance of formal education, hands-on practice, and constant reflection. Years of leading real projects—from small-scale renovations to international award-winning works—trained my ability to integrate design vision with practical execution. I constantly study art, architecture, and philosophy, and embrace new technologies like AI visualization to refine my expression. Most importantly, I see every project as a dialogue with clients, culture, and the environment, which continually sharpens my craft.

If I could transcend time and space, I would wish to converse with Antoni Gaudí, Albert Einstein, and Tadao Ando. From Gaudí, I would learn the poetry of organic forms; from Einstein, the infinite curiosity that reshaped our view of the universe; and from Ando, the silent dialogue between light, nature, and the human spirit. Together, their voices would guide me to design not only spaces, but also meanings that transcend eras.

Awards and recognition are affirmations, but I do not see them as the ultimate destination. Each honor reminds me of the responsibility to stay humble, to keep learning, and to continue creating with sincerity. Fame is never my pursuit—what matters most is whether my design can truly touch lives and inspire new possibilities.

My favorite color is a deep, elegant blue with a touch of calmness, which I often call my "Chiun Ju Blue."
My favorite places are European streets, especially in France and the UK, where classical architecture meets everyday life.
I enjoy gourmet food, especially coffee and afternoon tea—it gives me time to slow down and reflect.
My favorite season is spring, when everything feels renewed, much like the spirit of design.
Among things, I treasure my sketchbook the most—it is where ideas first take shape.
As for brands, I admire Chanel for its timeless elegance and Mercedes-Benz for its precision, sophistication, and enduring design language.

One of the most memorable and funny moments in my career happened when a client gave me full trust and only saw the space after the project was completed. When they walked in, their eyes filled with tears of joy because the design was beyond their imagination. That moment reminded me why I became a designer – to create spaces that touch people’s hearts.

Another lighthearted story took place at a construction site. I carefully explained to the workers that I wanted a smooth curve on a wall, but they misunderstood and thought I meant a “wave effect.” When I returned the next day, the wall looked like an ocean wave! We laughed together and then corrected it, but it became a story I still share with a smile. It taught me that clear communication is just as important as creativity in design.

A great day for me as a designer begins when I see how my ideas gradually transform into spaces that people can truly live in and feel connected with. The biggest motivation comes from clients’ genuine emotions—whether it’s a smile, a word of gratitude, or the sparkle in their eyes when they see the finished work.

To motivate myself, I constantly seek inspiration from travel, art, and nature, but most importantly, I remind myself that every project is an opportunity to create something meaningful. Even on challenging days, I hold onto the belief that design has the power to improve lives, and that keeps me moving forward with passion.

Since childhood, I have always loved drawing. I remember covering the walls of my own room with sketches, and even in church, when I freely filled the classroom walls with drawings, the teachers didn’t scold me—instead, they encouraged me. During my school years, I participated in countless painting and sketch competitions, often placing in the top three, which further strengthened my passion and confidence in creativity. Perhaps no one at the time thought I would become a designer, yet I was always curious about shapes, spaces, and how objects could be transformed. I loved drawing houses and constantly rearranging the things around me. Looking back, these small habits were the earliest traces of my design journey, and for all the encouragement along the way, I remain deeply grateful to God.

When I think about the future, I believe design will continue to shape how humanity lives, connects, and dreams. A thousand years from now, technology may blur the boundaries between the physical and the virtual, but the essence of design will still be about creating meaning and harmony. I imagine cities that coexist seamlessly with nature, spaces that adapt to human emotions, and architecture that reflects both memory and innovation. Even across millennia, I hope design remains a bridge between human spirit and the environment.

At the end of the day, what truly matters to me is not only creating beautiful spaces but also touching hearts through design. Every project is a dialogue between my passion, the client’s story, and God’s grace. I am deeply thankful for all the people who have supported me along the way—my clients, colleagues, teachers, and friends. Without you, my journey would not be the same. I hope my works continue to bring joy, comfort, and inspiration into your lives.

CHIUN JU Interior Design is a studio specializing in modern and modern-classical interior design, dedicated to integrating aesthetics, functionality, and innovation to create refined and unique living spaces. Our design philosophy focuses on the harmonious blend of spatial atmosphere and human emotion, utilizing materials, lighting, and structure to achieve both practicality and artistic value.

Our projects range from residential and commercial spaces to boutique clubs and exhibition areas. We actively participate in international design competitions to bring Taiwanese design to the global stage. We believe design is not just about spatial planning but about crafting unique experiences and value for users. Through the A' Design Award, we hope to share our vision with a global audience and continue expanding our international influence.

To me, design is an interpretation and creation of life—it is not only about aesthetics but also the fusion of functionality and emotion. At its core, design is about solving problems, enhancing experiences, and giving spaces unique value.

At CHIUN JU Interior Design, we believe that design should be human-centered, responsive to the environment, and sustainable. Every space tells a story, and as designers, we bring these stories to life through light, materials, and structure, creating an atmosphere of comfort, balance, and beauty.

Design is more than creation; it is a form of communication that connects people with spaces. Through the A' Design Award, I hope to share our design philosophy with a global audience and explore how design can transcend cultural and geographical boundaries to create a lasting impact.

I enjoy designing modern and modern-classical spaces because they strike a perfect balance between heritage and innovation. I specialize in blending classic elements with contemporary design language, utilizing materials, lighting, and proportions to create spaces that are rich in cultural depth yet suited for modern living.

My favorite designs are those that seamlessly blend historical elegance with modern innovation, particularly in modern and modern-classical interior design. I appreciate designs that harmonize aesthetics, functionality, and emotional connection, creating spaces that are not only visually striking but also enhance the quality of life.

At CHIUN JU Interior Design, I especially enjoy using material details, lighting dynamics, and well-balanced proportions to craft sophisticated and multi-layered spaces. I believe that great design goes beyond visual appeal—it should resonate with users, creating meaningful experiences and lasting impressions.

The first project I designed for CHIUN JU Interior Design was a residential space that blended modern and modern-classical styles. This project was not just an execution of design principles but also a foundation for shaping our brand identity.
In this design, I focused on spatial proportions, lighting dynamics, and material details, aiming to create a sophisticated yet highly livable environment. By incorporating refined lines, rich textures, and soft lighting, I achieved a balance between elegance and comfort.
This project became a signature representation of CHIUN JU Interior Design, establishing our commitment to high-quality, refined, and multi-layered designs

My favorite materials include natural stone, metal elements, and wood, as they bring depth, texture, and timeless beauty to a space. Natural stone, such as marble, enhances elegance with its unique patterns; metal accents add a modern and refined touch through precise craftsmanship; and wood provides warmth, making spaces feel more inviting and human-centric.

In terms of technology, I focus on smart control systems and sustainable materials, integrating innovation with design to improve functionality and environmental responsibility. Additionally, I utilize 3D rendering and VR technology to create immersive visual experiences, allowing clients to better understand design concepts in the early stages.

I feel most creative when I am reflecting and observing the world around me. Walking through the streets of France or the UK, where historical architecture blends seamlessly with modern design, or enjoying a coffee by a sunlit coastline, often sparks my imagination. These moments allow me to step outside daily routines and explore how design interacts with its environment, culture, and future trends.

Additionally, engaging in deep conversations with clients, understanding their needs and lifestyles, often inspires fresh design concepts. I believe that design is not just about creating—it is about responding to human emotions and spatial experiences.

In the design process, I focus on balancing spatial atmosphere, functionality, details, and material selection. Design is not just about aesthetics; it is about enhancing user experience and creating emotional resonance.

At Qun Zhu Interior Design, we emphasize the interplay of light and spatial proportions, using natural and artificial lighting to add depth and warmth to an environment. I also prioritize material details, carefully selecting wood, stone, and metal to craft a sophisticated and textured space.

Most importantly, I believe that design should connect with people. Every project is deeply tailored to user needs, ensuring that spaces are both visually appealing and highly functional.

When designing, I experience a mix of excitement, focus, challenge, and fulfillment. Inspiration sparks a sense of creative passion, driving me to shape spaces into meaningful experiences. As I explore materials and lighting, I enter a state of deep concentration, refining every detail for harmony.

However, challenges arise in balancing aesthetics, functionality, and client needs. Yet, when the design comes to life and users connect with the space, I feel a profound sense of accomplishment, which fuels my continuous pursuit of innovation.

When my design is realized, I feel joy, accomplishment, and deep satisfaction. Seeing a concept evolve from sketches into a tangible space, with every detail and atmosphere brought to life, is truly exhilarating.

The most rewarding moment is witnessing users engage with the space, feeling comfort and connection. It reaffirms that design is more than aesthetics—it is the fusion of emotion and function. This fulfillment fuels my passion, inspiring me to create even more impactful designs in the future.

A successful design must balance aesthetics, functionality, and emotional connection, ultimately enhancing the user experience and adding value. Design is not just about visual appeal—it must showcase uniqueness through spatial atmosphere, material selection, and meticulous detailing, ensuring users feel both comfort and connection.
Additionally, great design should respond to its environment and market needs, incorporating sustainability and innovation to remain valuable over time. At CHIUN JU Interior Design, we strive to create designs that evoke emotion, transform spaces, and enrich lives, making every project a meaningful and timeless experience.

When evaluating a design, I first consider functionality, user experience, and overall aesthetics. A great design should not only be visually appealing but also practical and comfortable, allowing users to engage naturally with the space.
Next, I assess attention to detail and material selection, as these elements define the design’s depth and refinement. Additionally, innovation and sustainability play a crucial role—a successful design should respond to contemporary needs while maintaining long-term value in both the market and environment.
At CHIUN JU Interior Design, we uphold these principles to ensure every project delivers beauty, function, and emotional connection.

A designer's responsibility to society and the environment is to create designs that integrate aesthetics, functionality, and sustainability, improving lives while minimizing environmental impact. We must carefully consider material choices, long-term usability, and energy efficiency, ensuring that designs not only meet present needs but also remain responsible for the future.
Additionally, design should be inclusive and socially impactful, addressing diverse user needs and fostering more welcoming and harmonious spaces. At CHIUN JU Interior Design, we are committed to enhancing quality of life through thoughtful design while embedding sustainability into every project, ensuring that our work contributes positively to both society and the environment.

The design field is evolving towards technology integration, sustainability, and personalized experiences. Digital innovations like AI, VR, and parametric design are reshaping how we create, making design more precise and adaptable. Meanwhile, the rise of sustainable materials and circular economy is pushing design beyond aesthetics toward greater environmental responsibility.
The future of design will be more human-centered and diverse, emphasizing emotional connections and local cultural influences to create meaningful spaces. At CHIUN JU Interior Design, we continuously explore these trends, striving to develop impactful designs that shape future lifestyles and redefine spatial experiences.

My latest works have been showcased in international design competitions and industry exhibitions, providing a platform to share CHIUN JU Interior Design’s philosophy and creations. These exhibitions allow us to connect with global designers and receive valuable market insights, further expanding our brand presence.
In the future, I aim to hold exhibitions at Milan Design Week, Maison & Objet, or Tokyo Design Week, presenting our unique interpretation of modern and modern-classical styles. Additionally, I look forward to leveraging A' Design Award to gain more exposure and promote the beauty of Taiwanese design on a global scale.

My design inspiration comes from urban architecture, art, nature, and observations of lifestyle trends. Walking through the streets of France or the UK, I am inspired by the interplay of history and modernity in architecture, which influences my approach to spatial proportions and material selection. Additionally, contemporary art, fashion, travel, and gastronomy help me explore new perspectives on aesthetics and culture.
To continuously fuel creativity, I engage with international design exhibitions, competitions, and literature, while exchanging ideas with industry professionals. At CHIUN JU Interior Design, we constantly challenge innovation, ensuring that every project tells a unique story and delivers a globally inspired spatial experience.

My design style blends modern and modern-classical elements, emphasizing spatial proportions, material details, and layered lighting to create elegant and sophisticated environments. I chose to explore this style because it harmonizes historical depth with contemporary functionality, allowing spaces to be both culturally rich and suited for modern living.

My approach focuses on user experience and emotional connection. By carefully selecting natural stone, metal, and wood, along with refined lighting compositions, I craft spaces that feel both luxurious and inviting. At Qun Zhu Interior Design, this philosophy drives our mission to create aesthetic yet functional, globally inspired designs, transforming spaces into immersive and timeless experiences.

I live in Taiwan, a place where Eastern and Western cultures blend, deeply influencing my design approach. I incorporate Eastern aesthetics with Western spatial proportions and material selection, creating designs that balance cultural richness with a global perspective.

Taiwan's strength lies in its openness and innovation, allowing us to quickly absorb global design trends and integrate them with local craftsmanship. However, challenges arise in budget constraints and cost management, requiring creative solutions to achieve high-quality design within limited resources.

At CJIUN JU Interior Design, our collaboration with companies is built on clear communication, strategic planning, and design innovation. We deeply understand the brand identity and market needs to ensure that our designs not only align with corporate values but also enhance brand presence.
We follow a customized design process, from concept development to execution, ensuring that every detail meets both functional and aesthetic expectations. Additionally, we emphasize close collaboration with suppliers and construction teams to ensure seamless project delivery. Through this professional yet flexible approach, we create unique and impactful spaces that help brands stand out in a competitive market.

When selecting a designer, companies should consider design philosophy, professional experience, and communication skills. First, the designer’s style should align with the brand identity, ensuring consistency in aesthetics and messaging. Additionally, past projects and industry reputation reflect the designer’s expertise and execution capabilities.
Successful collaboration requires clear communication and trust. Companies should engage in open discussions with designers to ensure alignment on project goals. At CHIUN JU Interior Design, we prioritize close collaboration, ensuring that designs are not only visually compelling but also strategically aligned with the brand’s vision and market needs, ultimately enhancing business value.

At CHIUN JU Interior Design, our design process revolves around deep understanding, strategic planning, and meticulous execution. We begin by engaging in in-depth discussions with clients to analyze their brand identity or lifestyle needs, ensuring that our design aligns with their vision.
Next, we develop concepts and spatial planning, utilizing sketches, 3D renderings, and material testing to refine every detail. During execution, we collaborate closely with construction teams and suppliers to bring the design to life. Our approach prioritizes not only aesthetics but also creating emotionally resonant and functionally efficient spaces, delivering internationally refined designs.

My favorite design pieces not only possess aesthetic value but also reflect my design philosophy and lifestyle:

1.Italian designer furniture – A perfect blend of modern aesthetics and comfort, showcasing craftsmanship and material excellence.
2.Custom marble dining table – Unique textures enhance spatial depth and add a touch of luxury.
3.Classic modern chair – A functional and aesthetic statement piece that elevates the ambiance.
4.Handcrafted lighting fixtures – Thoughtfully designed to create dynamic lighting effects and enhance spatial depth.
5.Art pieces or sculptures – Adding personality and cultural richness, making the space more meaningful.
These pieces are not just decorations but also expressions of my appreciation for design details and refined living.

My day begins with morning reflection and gathering design inspiration. I spend time reading about design trends, architecture, and art, ensuring that I stay engaged with new concepts.
In the morning, I focus on team discussions and client meetings, reviewing design proposals and project progress to ensure that every detail aligns with our goals. Afternoons are dedicated to design ideation and development, where I refine concepts through sketching, 3D modeling, and collaborating with suppliers to perfect spatial details.
In the evening, I enjoy taking a walk or savoring coffee, allowing my thoughts to settle and drawing inspiration from everyday life. Nighttime is for strategic planning and international collaboration, exchanging ideas with design partners to keep creativity evolving. This routine enables me to continually create meaningful and valuable works at CHIUN JU Interior Design.

For young designers, my advice is to stay curious, keep learning, and explore constantly. Design is not just about aesthetics; it requires a deep understanding of space, materials, lighting, and human interactions. Observing the world and experiencing different cultures will expand creativity and perspective.

Additionally, patience and practice are essential. Great design comes from attention to detail and accumulated experience—don’t fear failure, but learn and grow from challenges. Most importantly, develop your own design language, stay true to your unique style, and use design as a way to express meaningful ideas.
At CHIUN JU Interior Design, we encourage young designers to embrace innovation and leverage international competitions like A' Design Award to gain broader recognition and opportunities.

The greatest advantage of being a designer is the ability to transform spaces and influence how people experience their surroundings. Design allows us to bring ideas to life, experiment with materials and lighting, and collaborate with professionals across various industries, expanding our creative perspectives.

However, challenges exist. Design requires meticulous attention to detail and cross-disciplinary collaboration. Projects often face budget constraints, time pressure, and evolving client demands, requiring designers to be adaptable and problem-solvers.

My golden rule in design is "balancing aesthetics, functionality, and emotion." A successful design should not only be visually appealing but also provide a comfortable user experience while creating a meaningful emotional connection.
At CHIUN JU Interior Design, we believe that attention to detail defines quality. By carefully considering spatial proportions, material selection, and lighting, we create designs that are not only layered and sophisticated but also tell a unique story. Each project should have its own identity while meeting the needs of its users—ensuring that design is not just decoration but an experience that enhances everyday life.
This philosophy ensures that spaces feel personal, functional, and timeless.

For a designer, the most essential skills are creative thinking, spatial awareness, attention to detail, and communication skills. Creativity allows designers to push boundaries and create unique experiences, while spatial awareness ensures that designs align with ergonomics, flow, and functionality.
Additionally, material selection and lighting application enhance the depth and quality of a design, while meticulous attention to detail ensures refinement and coherence. Strong communication skills are equally crucial, enabling designers to understand client needs, collaborate effectively with teams, and coordinate with contractors to bring designs to life.
At CHIUN JU Interior Design, we emphasize the integration of these skills to create designs that are not only aesthetically refined but also practical and immersive.

During the design process, I utilize a variety of tools, including digital software, physical materials, and sources of inspiration.
•Design Software: AutoCAD, SketchUp, 3ds Max, V-Ray, and Photoshop for spatial planning, 3D modeling, and visual rendering.
•Sketching & Notebooks: Hand sketches and design journals to quickly capture creative ideas.
•Material Samples: Stone, wood, and metal samples to ensure textures align with the design concept.
•Sources of Inspiration: Architectural and design books, international exhibitions (e.g., Milan Design Week), travel experiences, and art.
At CHIUN JU Interior Design, we integrate these tools to ensure that every project reflects precision, refinement, and a unique design language.

Design is a time-intensive process that requires focus and patience, making time management essential for maintaining efficiency. I ensure smooth progress through a structured workflow.
•Setting clear timelines: Breaking projects into phases with defined milestones for concept development, design refinement, and execution to keep track of progress.
•Efficient team collaboration: Maintaining real-time communication with team members and suppliers to enhance decision-making.
•Dedicated creative time: Allocating uninterrupted design sessions daily to maximize creativity.
At CHIUN JU Interior Design, we balance creativity and execution with these strategies, ensuring that our designs maintain both quality and efficiency.

The time required to design a project depends on the scale, complexity, and level of detail. At CHIUN JU Interior Design, a complete design process typically includes concept development, design refinement, material selection, technical testing, and final execution, which may take anywhere from a few weeks to several months.

Small-scale projects (furniture or single-space design): Approximately 4-8 weeks, covering initial design, adjustments, and production.
Medium to large-scale projects (residential or commercial spaces): Around 3-6 months, including space planning, detailed design, and construction coordination.
High-end custom projects: Typically 6-8 months or more, ensuring every detail is meticulously executed.
Design is a meticulous process, and we focus on balancing aesthetics and functionality, ensuring that every project achieves the highest quality standards.

As a designer, the most frequently asked question I receive is: “How can high-quality design be achieved within a budget?” Many clients want to create aesthetic and functional spaces while working within financial constraints, which is a core focus at CHIUN JU Interior Design.
Our approach involves strategic budget allocation, prioritizing key design elements such as material selection, lighting, and craftsmanship. Additionally, by incorporating innovative design solutions and efficient spatial planning, we enhance the overall aesthetic and user experience. Even within budget limitations, we ensure that designs remain elegant, layered, and enduring. This approach not only satisfies clients but also maintains the long-term value of the project.

One of my most significant job experiences was leading CHIUN JU Interior Design to participate in international design competitions and winning awards. This not only elevated our brand value but also gained international recognition for our design philosophy. Through this journey, I realized that great design is not just about aesthetics but also about integrating market trends, client needs, and a global perspective.
Additionally, collaborating with professionals from different fields, including architects, lighting designers, and craftsmen, taught me how to balance creativity with execution, ensuring that designs are successfully realized. These experiences have been invaluable in shaping my design career and continuously driving me toward excellence.

At CHIUN JU Interior Design, our clients range from high-end residential homeowners to luxury commercial spaces, corporate offices, and brand-exclusive clubs. We collaborate with discerning private homeowners who seek sophisticated, personalized living environments. Additionally, we design unique brand spaces for luxury retail, hospitality, dining, and premium office settings, enhancing both brand identity and user experience.
Our clients value not only aesthetics but also the balance between functionality and commercial impact. By deeply understanding their needs, we provide tailored spatial solutions that reflect both brand and personal identity, ensuring a lasting influence in the industry.

I enjoy designing high-end residential and luxury commercial spaces the most because these projects allow for in-depth exploration of materials, spatial proportions, and lighting dynamics, creating unique and storytelling environments.

In high-end residential design, I love working closely with clients to translate their personal style and lifestyle into a tailor-made space. Luxury commercial spaces, on the other hand, challenge me to materialize brand identity through design, crafting spaces that offer market competitiveness and immersive experiences. These designs not only enhance aesthetics but also foster deep emotional connections, which is what makes design truly captivating.

In the future, I plan to expand CHIUN JU Interior Design’s international presence and continue participating in global design competitions and exhibitions, introducing our design philosophy to a wider audience. I also aim to elevate high-end residential and luxury commercial design by exploring more refined and innovative solutions, incorporating sustainability and smart design concepts.
Additionally, I plan to venture into furniture and accessories design, creating distinctive pieces that add depth and elegance to spaces. Through these initiatives, I hope to not only advance my career but also bring greater recognition to Taiwanese design on the global stage.

At CHIUN JU Interior Design, we combine team collaboration with individual creativity. I personally oversee concept development, spatial planning, and aesthetic direction, ensuring that every project reflects our brand’s unique identity and high-quality standards.
At the same time, I work closely with a team of designers, architects, lighting specialists, and skilled craftsmen to bring every detail to life. This collaborative approach not only enhances design integrity but also allows for deeper creativity through interdisciplinary exchange. By leveraging the strengths of our team, we create spaces that seamlessly blend aesthetics, functionality, and market value.

Currently, CHIUN JU Interior Design is working on several exciting projects, including high-end residential and luxury commercial spaces. We are particularly focused on integrating smart technology and sustainable materials, creating spaces that are both aesthetically refined and highly functional.
One of our projects is a modern-classical luxury residence, where we use marble, metal, and custom-made furniture to craft a richly layered and narrative-driven space. Additionally, we are designing a luxury flagship boutique, incorporating an immersive experience to elevate the brand identity. These projects showcase our dedication to detail and innovation, and I look forward to seeing them gain international recognition in the near future.

People can reach CHIUN JU Interior Design through multiple channels. We are always open to collaborating with the global design community and providing professional design services.
•Official Website: https://www.chiun-ju.com/h/Index?key=922338119011
•Email: chiun_ju121101@yahoo.com.tw
•Social Media ( Facebook):
ohttps://www.facebook.com/chiunjudesign/
ohttps://www.facebook.com/chiunju2/
•International Design Exhibitions & Competitions: We regularly participate in major design events such as A' Design Award, where we look forward to connecting with designers worldwide.
We believe that design transcends cultures and geography. We welcome collaborations with professionals across various industries to create unique and meaningful spatial experiences.

Beyond the previous questions, I would like to emphasize the long-term impact of design. Design is not just about aesthetics; it should also address user needs, social trends, and sustainability. At CHIUN JU Interior Design, we strive to create spaces that are not only visually appealing but also enhance quality of life and strengthen brand identity.
Additionally, we aim to establish stronger international connections, collaborating with designers and brands from diverse cultural backgrounds to elevate Taiwan’s design presence in the global market. A' Design Award serves as a valuable platform for knowledge exchange, professional growth, and expanding the possibilities within the design industry.