Interview with Meng Ling Chung
Being a fashion designer, Meng Ling sees beauty in every moment that people usually ignore. Meng Ling wants her works not just a wearable garment, she aims to make wearer has deeper emotional…
Designer Interview
30 June 2026
I studied Fashion Design at Parsons School of Design in New York and currently work in couture fashion. I am fascinated by the expressive potential of textiles, exploring how draping, craftsmanship, and material innovation can transform fabric into sculptural, wearable forms.
My design practice is rooted in craftsmanship, material exploration, and sculptural storytelling. I transform textiles into expressive forms through draping and handcraft techniques, creating work that bridges fashion, art, and innovation.
To me, design is the process of transforming ideas into meaningful experiences. It is where creativity, functionality, and craftsmanship come together to solve problems while creating emotional connections. Good design should not only serve a purpose, but also tell a story, evoke curiosity, and inspire people through thoughtful details and lasting value.
I enjoy designing concept-driven collections that combine original print development, textile experimentation, sculptural draping, and meticulous craftsmanship. I love creating whimsical yet thought-provoking worlds where every detail, from surface patterns to garment construction, contributes to a meaningful story.
My favorite design is Crash because it represents the balance between concept and craftsmanship that I strive for in my work. It challenged me to integrate original print design, sculptural draping, and couture techniques into a single narrative, making it one of my most meaningful and rewarding creations.
I feel most creative when I stop trying to control the outcome. Creativity begins when intuition takes over and materials are allowed to respond freely. In those moments, design becomes less about making and more about discovering something that was waiting to be revealed.
I focus on the harmony between concept, material, and craftsmanship. Every decision—from print development and textile selection to draping and construction—should support the story I want to tell. I believe the smallest details often have the greatest emotional impact.
When I design, I feel a balance of curiosity, joy, and quiet anticipation. Every project begins with uncertainty, but through experimentation and craftsmanship, ideas gradually reveal themselves. The moment a concept finally comes to life is both deeply rewarding and endlessly inspiring.
When a design is finally realized, I feel a quiet sense of wonder. Seeing an idea become something tangible reminds me that imagination alone is never enough—it is patience, craftsmanship, and countless thoughtful decisions that bring a vision to life.
A successful design is one that connects with people beyond its appearance. It should communicate an idea, evoke emotion, and remain memorable, while reflecting thoughtful craftsmanship and a clear purpose behind every detail.
I first look for a genuine point of view. A successful design reflects the designer's own perspective rather than following trends. When an idea is expressed with clarity, supported by thoughtful craftsmanship, the design naturally becomes memorable.
I believe designers have the responsibility to create with intention. Beyond solving problems or creating beauty, we should preserve craftsmanship, encourage thoughtful consumption, and inspire people to see the world from new perspectives. Meaningful design should create lasting value—for both people and culture.
I think design is becoming more connected across different fields. Technology is opening up new possibilities, but craftsmanship and human creativity will always remain important. In the future, I hope to see design that not only embraces innovation but also preserves culture, tells meaningful stories, and creates lasting value.
For my next exhibition, I hope to explore the beauty of traditional Chinese craftsmanship through a contemporary lens. Inspired by Chinese ink painting, I want to create an immersive exhibition where fashion, textiles, and art come together to celebrate cultural heritage in a new way.
My inspiration comes from many places, especially nature, architecture, traditional Chinese art, and craftsmanship. I stay creative by observing the world with curiosity, traveling, visiting museums, and experimenting with materials. Every new experience has the potential to become the starting point of a new design.
I would describe my style as sculptural, whimsical, and concept-driven. I enjoy combining original prints, textile experimentation, and draping to transform ideas into wearable forms. My approach always begins with a story, allowing materials and craftsmanship to shape the design naturally throughout the creative process.
Every project begins with curiosity. I start by researching and collecting visual references, then explore ideas through sketching, print development, textile experimentation, and draping. The process is highly hands-on, allowing each material to shape the design as it evolves.
My favorite design pieces at home include my collection of handcrafted tiles, a papier-mâché solar system hanging from my ceiling, and pressed flowers that I made myself. I also treasure art books and handmade ceramics. Each object reminds me that beauty can be found in craftsmanship, curiosity, and the stories behind everyday things.
Stay curious and be patient with your creative journey. Don't rush to find your style—instead, keep exploring, experimenting, and learning. Your unique voice will naturally develop through the experiences, mistakes, and discoveries you make along the way.
Stay curious and let the concept lead the process. I believe the strongest designs are created when every decision is guided by purpose rather than trends.
Curiosity is the most important skill for any designer. It encourages continuous learning, experimentation, and new ways of thinking. Combined with strong craftsmanship, observation, and problem-solving, it allows designers to create work that is both meaningful and original.
The question I hear most often is, "How did you make this?" People are often curious about the craftsmanship and techniques behind my work, which gives me the opportunity to share the value of experimentation, patience, and handmade processes.
Working in couture has been the most influential experience in my career. It strengthened my technical skills, taught me the value of collaboration, and deepened my appreciation for craftsmanship. It continues to shape the way I approach every design today.
I enjoy design work that tells a story and invites people to see familiar things in a new way. The process of turning an idea into something tangible through materials and craftsmanship is what inspires me the most.
My goal is to continue creating concept-driven fashion that bridges craftsmanship, art, and culture. I hope to develop my own collections, present exhibitions inspired by traditional Chinese art, and share my work with audiences around the world while continuing to grow as a designer.
I'm currently developing a new body of work in collaboration with a traditional Chinese ink painting artist. The project explores how the expressive language of ink painting can be translated into contemporary fashion through textiles, print development, and sculptural craftsmanship. I'm excited to share more when it's ready.
People can reach me through my website and social media, where I regularly share my latest projects and creative journey. I always enjoy connecting with fellow designers, collaborators, and anyone interested in my work.
Interview about Crash Womenswear Grand Interview