Interview with Takatoku Nishi

In my childhood, I was in a family environment where we moved very often. I was looking at architectural drawings all the time and became very particular about buildings. Because of this influence, I dreamt of becoming an architect when I was nine years old.
After entering university, I had the opportunity to learn about light. From there, I was fascinated by the space of light and have been pursuing it ever since.

I am continuing my research on the subject of 'light space'. My idea of light is light produced by natural phenomena. To achieve this, I focus on optical phenomena. Another important element is the force of nature. The space I create uses optics, structural science and meteorology.

It is exciting when you find an idea. I feel alive when I am creating. And when I am finished, I just immerse myself in the work.

It is shaped by all of its previous experiences.

I now want to stay and do research abroad. I am particularly interested in Finland and the Netherlands. In these countries, I would like to research sunlight to make the natural environment and architectural spaces resonate with each other.

If you think you are right, you should go ahead with it.

I believe that originality is lost if it becomes trendy.

When I don't have deadlines, I study, sketch ideas and experiment. And When I have a deadline, I work on it from morning till night.

My inspiration comes from the forces of nature. I always want to keep my own style.

For me, good design is first and foremost about clarity. I don't believe in the power of design if it requires a long explanation. Another important criterion is whether the theme or concept is consistent with the actual product.

When it is made public, it should be presented as completed. However, if you find improvements or discoveries, you can remake them again.

At the moment, it is 'Ripple'. This is because it is completely personal and has created the ideal light architecture. And the fact that this work has won various prizes is a sign that it is changing the concept of architecture in Japan.

It is Peter Zumthor, Carlo Scarpa, Alvar Aalto, and more. Particularly, Bruder-Klaus-Feldkapelle by Peter Zumthor.

My lifestyle is always connected to my work. for example, I spend time in nature, watch films and read books. I am also constantly studying. Recently, I have been focusing on studying meteorology. When I am working, I always listen to music. My favourite is Red Hot Chili Peppers.

I basically research and work individually. I have also set up a duo, so in some cases I also work there.

I believe that design and art have the power to move people. Using that power to lead them in the right direction is something we can do.

For an individual like me, winning an award has a role to play in ensuring that my brand strength is enhanced. It can be a major turning point, especially if you are a young person.

In my childhood, I was in a family environment where we moved very often. I was looking at architectural drawings all the time and became very particular about buildings. Because of this influence, I dreamt of becoming an architect when I was nine years old.

I was only thinking about space creation.

I am continuing my research on the subject of 'light space'. My idea of light is light produced by natural phenomena. To achieve this, I focus on optical phenomena. Another important element is the force of nature. The space I create uses optics, structural science and meteorology.

That is what time tells us.

It's all about first impressions.

If I had money and land at my disposal, besides time, I would realise the proposed works I am considering.

It is Atmosphere.

Peter Zumthor, Carlo Scarpa, Alvar Aalto, and more.

Bruder-Klaus-Feldkapelle by Peter Zumthor

A wide range of experiences is needed.

carpenter specializing in temple, shrine, etc. construction

Design is an act of purpose.

Based on previous experience, the minimum time required is two weeks. The longest is two years.

Location information gathering.

Ensure that the concept is not blurred.

It varies according to the field of design. My idea of space is that it has a different dimension to trends.

My mentor Satoshi Uchihara

I think so.

Takatoku NISHI | Constructor・Phenomenon Creator・Ph.D.
Takatoku Nishi is captivated by the transitory yet intense beauty of nature's ever-changing, fleeting scenes. He identifies atmospheric optical phenomena within these scenes and reconstructs them through 'materials' and 'structures'. This approach creates a unique space of light, offering a spatial experience unlike any other. One characteristic of his work is that it does not simply imitate nature but uses geometric forms to evoke a different impression from nature's organic shapes. Additionally, Nishi incorporates natural forces such as sunlight and wind into his artworks, collaborating with nature to create new scenes.

Nishi consistently engages with the mystique of light while keeping in mind the 'Atmosphere' that emanates from his work. This atmosphere is interpreted as the true nature of the unique qualities of space that cannot be captured through paintings or videos. It is created by harmonizing the artwork with its surrounding environment. His artworks serve as a medium to bring the spectacle of nature closer to us, reminding us of the events occurring in the here and now and the concept of time, thereby evoking the beauty of familiar reality.

For me, design is an act of purpose. It is about creating meaningful connections between the environment, human behavior, and the ever-changing world around us. My inspiration often comes from the natural world, where I observe the intricate and harmonious designs that exist in nature. Design, to me, is a way to translate these observations into structures and spaces that resonate with people on a deeper level.

I especially enjoy designing works where the natural environment and the space resonate with each other. These projects allow me to blend natural elements with architectural forms, creating spaces that feel both harmonious and dynamic. I find great satisfaction in integrating sunlight, wind, and natural materials into my designs, as these elements bring a unique, ever-changing quality to the space. By doing so, I aim to create experiences that connect people more deeply with their surroundings and highlight the beauty of the natural world within built environments.

One of my favorite designs is Peter Zumthor's "Bruder Klaus Field Chapel" and Juha Leiviskä's "Church of the Good Shepherd." These buildings have allowed me to experience the poetic essence of light and spatial atmosphere firsthand.

My first design project involved lighting fixtures. It was intended to create a dramatic effect by enhancing shadows and contrasts, effectively sculpting the darkness within a space.

Wood, acrylic, glass, etc.

Atmosphere.

Whether there are differences between the theme of the work and the actual.

It is inspired by the scene created by natural phenomena.

I am continuing my research on the subject of 'light space'. My idea of light is light produced by natural phenomena. To achieve this, I focus on optical phenomena. Another important element is the force of nature. The space I create uses optics, structural science and meteorology.

I live in Tokyo, Japan. What I am aware of as my influences are the world of Japanese gardens and tea houses. In particular, I actually incorporate the 'MITATE' method into my work.
One of the advantages of living in Tokyo is the easy and immediate access to high quality materials. Also, various books are translated into Japanese and I have almost no trouble with my work.
The disadvantage is that Japan does not place much importance on art and research. You can get a glimpse of this compared to other countries.

Repeat research and experimentation.

Repeat research and experimentation.

Based on previous experience, the minimum time required is two weeks. The longest is two years.

I prefer to be contacted via my website or via Facebook.