Shany Abdallah Naji Grafísk listaröð by Shany Dvora is a highly esteemed winner of the very prestigious 2021 A' Design Award í silfri in Grafík, myndskreytingar og sjónræn samskiptahönnun Competition Category.
SilfurGrafík· 2021
Shany Abdallah Naji Grafísk listaröð
by Shany Dvora
A' Design Award í silfri Winner in Grafík Category
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About Shany Abdallah Naji Grafísk listaröð
Shany Abdallah Naji er röð grafískra verka sem endurvekur nafnahefð innan fjölskyldu. Hefðin, sem lagðist af þegar fjölskyldan flutti frá Írak til Ísraels, veitti nýfæddu barni fornafn sem fylgt var eftir með nöfnum föður og afa. Röðin var sköpuð eftir að gömul innflytjendaskjöl fjölskyldunnar fundust. Fimm blönduð efnisverk, fjögur sem mælast 50 sinnum 70 sentímetrar og eitt sem mælist 75 sinnum 70 sentímetrar, flétta myndmál inn í hebreska skrautskrift innblásna af hebreskum handritum frá Írak, Jemen og Marokkó sem gerð voru á milli 12. og 15. aldar.
The Recognition
About the A' Design Award í silfri
Shany Abdallah Naji Grafísk listaröð vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að Shany Abdallah Naji Grafísk listaröð sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. Shany Abdallah Naji Grafísk listaröð er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
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- Image Credits
- Shany Dvora
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