Hönnunarverkið Blue Ants Fatalína eftir Yi Yin er hávirt verðlaunaverk sem hlaut hin virtu 2023 A' Design Award í gulli verðlaun í keppnisflokknum Tísku-, fatnaðar- og flíkjuhönnun.

GullTíska· 2023

Blue Ants Fatalína

eftir Yi Yin

Handhafi A' Design Award í gulli í flokknum Tíska

2,227,415

Staðfestur verðlaunahafi

Staðfesta verðlaunastöðu fyrir #147789

Skoða hjá A' Design Award Fréttatilkynning Verðlaunamerki

Litir

Hönnunin

Um Blue Ants Fatalína

Blue Ants er fatalína gerð úr umbreyttum gömlum flíkum. Dökkbláu efnin eru fengin úr bláum vinnusamfestingum og skrautmynstrin eru byggð á sögulegum matarmiðum. Prentmyndirnar eru framleiddar með sýanótýpu-ljósmyndun, þar sem sólarljós kemur í stað prentvélar. Leserskurður gefur efninu tvívítt og þrívítt áhrif sem fylgja línum líkamans. Klassíska samfestingssniðið er snúið og bundið. Fatalínan er í boði í breytilegum stærðum.

Viðurkenningin

Um A' Design Award í gulli

Blue Ants Fatalína vann A' Design Award í gulli, óendanlega virta viðurkenningu sem veitt er fyrsta flokks, dásamlegum og framúrskarandi hönnunarverkum. Sigurvegarar í gulli eru afar nýstárleg, framsýn og töfrandi glæsileg sköpunarverk sem endurspegla snilld, visku og hæfni hönnuða sinna. Þess er vænst að Blue Ants Fatalína sé mjög lofuð, brautryðjandi og stórfengleg uppfinning sem skilar fordæmislausu virði. Þetta hönnunarverk sem vann A' Design Award í gulli er stórbrotið, virt verkefni sem gagnast mörkum listar, vísinda, hönnunar og tækni mjög vel og færir þau fram á við. Blue Ants Fatalína skapar sterkar þráartilfinningar, vekur ástríðu, hvetur til sköpunar og heillar okkur.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: This project focuses on fashion and textile design using old clothes transformation, cyanotype photography and laser cutting. The designer hopes to connect the unique political function of clothing and break the stereotypes of the old times. In terms of materials, the designer has tried a variety of interdisciplinary textile design methods, striving to design clothing that is both environmentally friendly and fashionable.
Stærðir og umbúðir: Variable sizes
Merki: Fashion, Textile, Sustainable, Cyanotype, Design
Framleiðslutækni: All the redesigned dark blue fabrics in this project come from the old blue overalls during the Cultural Revolution. In addition, this project also used food stamps that were exclusive during the Cultural Revolution period to develop my design because the patterns and curves on them to be quite beautiful and attractive. Moreover,the laser-cut fabric has both a two-dimensional and three-dimensional transformation effect that follows the undulations and curves of the body.
In addition, in order to restore the sense of time during the Cultural Revolution and maintain the concept of sustainability, the prints in the Blue ants are all done using cyanotype photography. The traditional printing machine is replaced by sunlight to produce a unique printing and dyeing effect.
Hönnunaráskorun: Laser cutting was the hardest part of this project as it is challenging to find a suitable fabric. Because some fabrics are too soft to reveal the cut graphics, while others are too hard to make clothes.
Rannsóknir: This project was integrated the printing methods of visual communication design, cyanotype photography, and other techniques to complete my fabrics. The project also used a projector to assist me in the design of the silhouette. The designer intended to twist and bind the classic silhouette of blue overallsto disrupt the Cultural Revolution when everyone wore the same clothing.
Innblástur: Blue ants, was inspired by the famous historical event in China, the "Cultural Revolution". During this decade, people regardless of gender and age, completely spontaneously wore uniform blue overalls, so they were called “blue ants” by people in other countries. During this decade, clothing no longer only has the function of keeping warm, but has completely become a political tools of fanaticism and blind obedience.
Lengd verkefnis: The project started in January 2022 in Jinan,China and finished in November 2022 in Jinan,China.
Verkflæði: The laser-cut fabric has both a two-dimensional and three-dimensional translation effect that follows the undulations and curves of the body.
Myndheimildir: Copyright by Yi Yin,
Image #1: Photographer Yihao Huang，2022
Image #2: Photographer Yihao Huang，2022
Image #3: Photographer Yihao Huang，2022
Image #4: Photographer Yihao Huang，2022
Image #5: Photographer Yihao Huang，2022
Model: Wenxue Meng，2022