Fara beint í efni
Looping Flower Ikebana menningarrými eftir Ni Jie Guo

Hönnunarverkið Looping Flower Ikebana menningarrými eftir Ni Jie Guo er hávirt verðlaunaverk sem hlaut hin virtu 2024 A' Design Award í bronsi verðlaun í keppnisflokknum Innanhúss- og sýningarhönnun.


BronsInnanhúss· 2024

Looping Flower Ikebana menningarrými

eftir Ni Jie Guo

Viðskiptavinur: Blankspace

Handhafi A' Design Award í bronsi í flokknum Innanhúss

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Litir

Hönnunin

Um Looping Flower Ikebana menningarrými

Listgrein ikebana er íhugun á lífinu í flæði fjögurra árstíðanna, þar með talin fullkomin töfrun skammvinnra augnablika í japanskri fagurfræði, endurbygging lífs blóma og greina, og nýsköpunarfull samruna burðarvirkis og fagurfræði. Hönnun alls rýmisins byggir á anda Kusatsuki-ryu skólans, dregur þætti úr hefðbundinni japanskri byggingarlist og umbreytir þeim í nútímalegt byggingarlistarmál, og kannar sambandið milli samtímahönnunar og fagurfræði með óhlutbundnum japönskum þáttum.

Viðurkenningin

Um A' Design Award í bronsi

Looping Flower Ikebana menningarrými vann A' Design Award í bronsi, mjög virta viðurkenningu sem veitt er framúrskarandi hönnunarverkum sem einkennast af sköpunargáfu, hugvitssemi og skarpskyggni. Sigurvegarar í bronsi eru ríkulega leiknir og áberandi skapandi gripir sem staðfesta víðtæka reynslu, ímyndunarafl og útsjónarsemi hönnuða sinna. Þess er vænst að Looping Flower Ikebana menningarrými sé mjög metinn, dáður og elskaður hlutur sem er einstaklega fagmannlegur og nýstárlegur. Þetta hönnunarverk sem vann A' Design Award í bronsi felur í sér bestu starfsvenjur í list, vísindum, hönnun og tækni og er framúrskarandi fyrir athygli sína á smáatriðum. Looping Flower Ikebana menningarrými fullnægir þörfum á dásamlegan hátt, snertir langanir, heillar tilfinningar og vekur forvitni.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar
This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Stærðir og umbúðir
Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Merki
Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Framleiðslutækni
In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Hönnunaráskorun
Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Rannsóknir
The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Innblástur
In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Lengd verkefnis
The project started in August 2022 and finished in December 2022 in China .
Verkflæði
To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Liðsmenn
NI JIE GUO
Myndheimildir
BLANKSPACE

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