Kouunji Kyakuden Móttökuhöll musturs eftir Hiroaki Iwasa

Hönnunarverkið Kouunji Kyakuden Móttökuhöll musturs eftir Hiroaki Iwasa er hávirt verðlaunaverk sem hlaut hin virtu 2025 A' Design Award í bronsi verðlaun í keppnisflokknum Arkitektúr, bygginga- og mannvirkjahönnun.

BronsArkitektúr· 2025

Kouunji Kyakuden Móttökuhöll musturs

eftir Hiroaki Iwasa

Viðskiptavinur: Hiroaki Iwasa Architects Workshop

Handhafi A' Design Award í bronsi í flokknum Arkitektúr

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Hönnunin

Um Kouunji Kyakuden Móttökuhöll musturs

Verkefnið var endurbygging á 140 ára gömlu móttökuhöllinni, sem var hluti af aðstöðu búddhamusterisins Kouunji. Gamla móttökuhöllin hafði verið ástkær heimabyggðinni í langan tíma, en vegna alvarlegra skemmda í gegnum árin þurfti að endurbyggja hana. Arkitektinn leysti þessi vandamál með því að uppfæra og samræma hönnunina, auk þess að móta kerfi til að miðla minningum heimabyggðarinnar til næstu kynslóðar. Þar af leiðandi náði ný móttökuhöllin ekki aðeins að vekja nostalgíska tilfinningu heldur einnig viðveru í sögulegu samhengi.

Viðurkenningin

Um A' Design Award í bronsi

Kouunji Kyakuden Móttökuhöll musturs vann A' Design Award í bronsi, mjög virta viðurkenningu sem veitt er framúrskarandi hönnunarverkum sem einkennast af sköpunargáfu, hugvitssemi og skarpskyggni. Sigurvegarar í bronsi eru ríkulega leiknir og áberandi skapandi gripir sem staðfesta víðtæka reynslu, ímyndunarafl og útsjónarsemi hönnuða sinna. Þess er vænst að Kouunji Kyakuden Móttökuhöll musturs sé mjög metinn, dáður og elskaður hlutur sem er einstaklega fagmannlegur og nýstárlegur. Þetta hönnunarverk sem vann A' Design Award í bronsi felur í sér bestu starfsvenjur í list, vísindum, hönnun og tækni og er framúrskarandi fyrir athygli sína á smáatriðum. Kouunji Kyakuden Móttökuhöll musturs fullnægir þörfum á dásamlegan hátt, snertir langanir, heillar tilfinningar og vekur forvitni.

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Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Stærðir og umbúðir: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Merki: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Framleiðslutækni: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Hönnunaráskorun: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Rannsóknir: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Innblástur: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Lengd verkefnis: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Verkflæði: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Myndheimildir: Photographer Kozo Takayama