Bronzo Computer Grafica · 2020
3D Visualization of Victoria Calvatone Visualizzazione 3D
- A' Design Award di Bronzo 2020 in Computer Grafica
- CLIENT: Larisa Zolotova
- Estimated Number of Design Views: 33,902
- Verification code 4240D22990 · Verify this award
Colors
About 3D Visualization of Victoria Calvatone Visualizzazione 3D
La Visualizzazione 3D della Victoria di Calvatone è un progetto di computer grafica che presenta un'antica statua bronzea romana all'interno di un ambiente romano del Museo dell'Ermitage. La statua è stata dapprima scansionata, quindi modellata, texturizzata, animata e renderizzata con software di scultura digitale e di rendering. Il lavoro riproduce la superficie bronzea invecchiata e il colore della figura originale, alta 170 centimetri. Sono stati prodotti sia immagini fisse sia file video. La visualizzazione si inserisce in un processo di ricerca e restauro.
About the A' Design Award di Bronzo
3D Visualization of Victoria Calvatone Visualizzazione 3D ha vinto l'A' Design Award di Bronzo, un riconoscimento altamente prestigioso conferito a design eccezionali che si distinguono per creatività, ingegno e astuzia. I vincitori di Bronzo sono manufatti ampiamente abili e sorprendentemente creativi che autenticano la vasta esperienza, l'immaginazione e l'intraprendenza dei loro designer. Ci si aspetta che 3D Visualization of Victoria Calvatone Visualizzazione 3D sia un oggetto molto apprezzato, ammirato e amato, notevolmente professionale e innovativo. Questo design vincitore dell'A' Design Award di Bronzo incorpora le migliori pratiche dell'arte, della scienza, del design e della tecnologia, ed è eccellente per l'attenzione al dettaglio. 3D Visualization of Victoria Calvatone Visualizzazione 3D soddisfa splendidamente i bisogni, tocca i desideri, affascina i sentimenti e attira la curiosità.
Press Kit
- Unique Properties
- 3D renders and 3D animation of the CAD model aim to represent a real bronze statue of Victoria Calvatone in a showroom of The Hermitage Museum with a unique Roman atmosphere. It represents Victoria Calvatone's present to its Roman origin and the victory gained by the co-emperors Marcus Aurelius and Lucius Verus over barbarian tribes. 3D visualisation of Victoria Calvatone is the part of the research and restoration process.
- Dimensions & Packaging
- 1920*1080 MPG and 2400*2400 pixel 600 pixels/inch. The statue is 170 cm high
- Tags
- statue, haritage, 3d model, visualization, cad, victoria
- Production Technology
- The statue was scanned first. Then 3D animation, modeling, simulation, and rendering software were used during the creation of this 3D visualization, renders, and videos. Geomagic Design, Zbrush were used for the sculpting and rendering process together with Photoshop for creating some parts of images of the interior and Filmora for a video edit.
- Design Challenge
- Creating the texture and similar color of the real bronze statue followed by complex research for accuracy of the final images from historical perspective.
- Research
- The Victoria Calvatone has been never created as a 3D model with visualization
- Inspiration
- The ancient Roman Victoria Calvatone statue with wings attached by the Berlin restorers in the 19th is inspired me to create a 3D visualization of the statue inside the Roman interior composition. The statue was found broken into three pieces in 1836, in the village of Calvatone in the Northern Italian region of Lombardy. The sculpture was dated to the 2nd century AD and interpreted as the goddess Victoria. In the early 1840s, the statue was sold and German restorers recreated what they believed to be the missing elements and added wings.
- Project Duration
- The Hermitage Museum, August-September 2019
- Operation Flow
- The viewer notices the image on a screen and their interest is immediately captured by the true realistic image of the Victoria Calvatone Statue. The 3D visualisation consists of cad model with texture, together with numerous renders and video files
- Patents
- Copyrights belong to The Hermitage Museum, 2019
- Image Credits
- Copyrights belong to The Hermitage Museum, 2019