Changes Cycles and Shapes Arte Digitale di Yuko Suzuki

Il progetto Changes Cycles and Shapes Arte Digitale di Yuko Suzuki è un vincitore molto stimato del prestigioso 2025 A' Design Award d'Oro nella categoria Design Generativo, Algoritmico, Parametrico e Assistito dall'IA.

OroGenerativo· 2025

Changes Cycles and Shapes Arte Digitale

di Yuko Suzuki

Cliente: Feral File

Vincitore del premio A' Design Award d'Oro nella categoria Generativo

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Il Design

Informazioni su Changes Cycles and Shapes Arte Digitale

Quest'opera esplora la domanda "Cos'è la pittura?" esprimendo la circolazione delle espressioni visive. Ispirata dalle transizioni nei dipinti di Mondrian, si basa su uno schema compositivo della pittura, dove la forma si muove tra figurativo e astratto, e tra rumore e linearità - un'idea applicata al colore. L'opera evoca lo stato mutevole della materialità digitale, sottolineando che le forme in transizione sono l'essenza. Integrando texture stampate con un baren, riflette l'identità dell'artista come incisore in forma digitale.

Il Riconoscimento

Informazioni sul A' Design Award d'Oro

Changes Cycles and Shapes Arte Digitale ha vinto l'A' Design Award d'Oro, un riconoscimento immensamente prestigioso conferito a design di primissima qualità, meravigliosi e straordinari. I vincitori d'Oro sono creazioni estremamente innovative, visionarie e di un fascino abbagliante che riflettono il genio, la saggezza e l'abilità dei loro designer. Ci si aspetta che Changes Cycles and Shapes Arte Digitale sia un'invenzione molto elogiata, all'avanguardia e monumentale che offre un valore senza precedenti. Questo design vincitore dell'A' Design Award d'Oro è un progetto spettacolare e rispettato che giova grandemente ai confini dell'arte, della scienza, del design e della tecnologia e li fa avanzare. Changes Cycles and Shapes Arte Digitale crea intensi sentimenti di desiderio, risveglia la passione, incoraggia la creatività e ci affascina.

Dietro il Design

Press Kit

Crediti, membri del team e dettagli tecnici forniti dal designer.

Proprietà Uniche: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensioni e Confezionamento: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tag: Generative Art, Coding
Tecnologia di Produzione: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Sfida Progettuale: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ricerca: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ispirazione: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Durata del Progetto: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Flusso Operativo: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Crediti Immagini: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.