Keun Young ShimによるA House in the Landscape 個人住宅

Keun Young ShimによるA House in the Landscape 個人住宅は、建築・建物・構造物デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 銅賞の優れた受賞作品です。

銅建築· 2020

A House in the Landscape 個人住宅

デザイナー： Keun Young Shim

クライアント: Architects601

建築カテゴリーのA' Design Award 銅賞受賞者

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デザイン

A House in the Landscape 個人住宅について

「風景の中の家」は、大韓民国・板橋（パンギョ）に建てられた一戸建ての個人住宅である。この住宅は、周辺の建物から際立つことよりも、不整形な敷地との調和を築くことを意図して設計されている。連続する大きな窓が周囲の自然を切り取り、韓国の伝統的な「借景」の思想を受け継いでいる。廊下は移行空間として機能し、移ろいゆく眺めの連なりを生み出す。構造は鉄筋コンクリート造。外装は古い白レンガ、亜鉛板、ウエスタンレッドシダー、割石で仕上げられている。再生レンガが穏やかで自然な質感をもたらしている。

受賞

A' Design Award 銅賞について

A House in the Landscape 個人住宅は、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。A House in the Landscape 個人住宅は、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。A House in the Landscape 個人住宅は、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Appropriative Scenery Sequence

Ancestors kept the natural scenery near them in hanok (Korean house) through the window by regarding it as the picture frame showing the live scenery of nature instead of leaving it as a simple window. The appropriative scenery in the space where they enjoyed the change of seasons by opening and closing windows and doors is about borrowing the scenery as it literally means.
寸法とパッケージ: Site area: 282.70 m² (85.6py)
Building area:141.14 m² (42.7y)
Gross floor area: 327.55 m² (99.2py)
Building scope: B1, 2F above ground
Height: 10.4m
Parking: Two parking
Building to land ratio: 49.93% (Legal50%)
Floor area ratio: 93.78% (Legal80%, 100% or less when implementing the recommendation)
Structure: Reinforced concrete
Exterior finish: White brick,Zinc, Western Red Cedar,Broken stone
Interior finish: Unsawn timberfloor,unsawn timber, Eco-friendly painting onplaster board(Benjaminmoore),Imported tiles
Insulator: outside/T120, XPS(Extruded Polystyrene Sheet),inside/ T30,180 XPS(Extruded Polystyrene Sheet)
Window material: Gonggan system window Co., Ltd.
Metal hardware: DOMUS METAL Inc.
Structural Engineer& Supervision (advice):Hyun and Jeon Architectural Office
Mechanical engineer: BGS Consulting Co., Ltd
Electrical engineer: Geumjeong Engineering Co., Ltd.
Design period: 2017.06~2017.09
Construction period: 2017.11~2018.06
Photographer: Young-Chae Park
Construction: Construct ownerdirect management
Architectural design, interior design and construction: Architects601 (www.architects601.com)
タグ: Earth, adaptation, light, opening, natural, differential, Korean, Harmony, balance, totality, naturalness, timeliness, sequence, experience, world view, purity, geometry, variations,
製造技術: Brick House – Made with Warm and Solid Earth.

The housing site in Pangyo shows strong characteristics of the planned housing complex and the sharing space unique to the housing, the yard, is not sufficiently playing its role in most of the buildings in it due to theses characteristics such as floor area ratio and land area.
Another peculiar scenery of this area is that there is no harmony between the buildings as if the ‘housing exhibits’ created by architects are boasting of their own respective appearances due to the floor area ratio that exceeds half of the narrow land.
We considered the context with neighboring buildings while thinking about which house with which scenery should fit into this environment, and our solution was to build a ‘house that forms a balance with the land in the most natural way.’
This meant a house that is not too strong but also not too weak to maintain its presence, and it was also about the form as well as the material.
We imagined the image of ‘earth’ which means the land and approached the sensitivity of the material, and the bricks baked with earth was close to the solution we were looking for. Also, the old white bricks were the regenerated and preserved bricks from actual buildings in China that were dismantled (removed) and their unique milky earth texture give the calm impression alongside the material’s unique naturalness and history, differentiating them from other brick constructions.
The old white brick constructions will manifest greater values with time for they maintained their first appearance without being washed by the uselessness through time by enduring the weight of time.
デザインの課題: The atypical land close to the trapezoid was enough to give us a new creative form and a design approach. The form of architecture naturally varies along the nature of the earth, showing colorful facades.
However, atypical moonshine land required workers to conduct high-level due diligence and construction methods in order to elicit precision and thus could not prevent the occurrence of invisible incidental costs. Of course, the economy for timeliness has not declined.
リサーチ: We wanted to fuse landscape with architecture. It may seem as if it is a direct display of the architectural manifestation open to nature as modern architecture talks. There's a big window, so if you open it wide in the afternoon or in the summer and fall, the whole room will become a courtyard and wind, touching something deep in your mind. While there is an open feeling due to the overall continuous windowing, the way the sequence is given through the corridor, which is a transitive space, is sufficient to give a variety of empirical benefits.
I wanted to convey the value not as the greatness of architecture born with the concept of architect or the concentration of capital, but as a human being who resembles human warmth and experiences the timeliness of trees in a simple way.
It was hoped to be expressed not as dealing with the world seen by the eyes, but as the essence of human spirituality, and, furthermore, indulgence in the infinite spiritual world of architecture, as its essence.
In addition, space and furniture were combined organically to be delivered in a single atmosphere to become a very human architecture with use and emotional joy.
I don't think it's much of an architecture that doesn't connect with our values, because there are all the details that our way of life, our sensibility, and our values want.
Our journey toward a pure language toward nature, the most natural state to ourselves, is only the beginning.
インスピレーション: Read the earth
Architecture resembles the earth. It means that the architecture is compatible with the environment in harmony with the land.
A design that takes into account the best flooring rate and building area for a moan site resembling a triangle looks like a ground.
Fassard was born with the free exterior of architecture.It's as if, like, a variation of music, the rhythm under a free-spir
The shape of the cladding that feels rhythmical harmonizes.
プロジェクト期間: Design period: 2017.06~2017.09
Construction period: 2017.11~2018.12
LOCATION : Pangyo-dong, Republic of Korea
オペレーションフロー: It is an inspirational residential space that brings out something from within a human being in a universal experience. The nature of architecture will deepen with new experiences, with space time and light.
チームメンバー: keun young Shim, Dong Won Chung
画像クレジット: Photographer is Young chea, Park