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Nature Canvas 販売センター by Hsin Hung Wu

Nature Canvas 販売センター by Hsin Hung Wu is a highly esteemed winner of the very prestigious 2021 A' Design Award 銀賞 in 建築・建物・構造物デザイン Competition Category.


銀建築· 2021

Nature Canvas 販売センター

by Hsin Hung Wu

Client: Evermore International Design

A' Design Award 銀賞 Winner in 建築 Category

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The Design

About Nature Canvas 販売センター

「Nature Canvas」は、台中に位置する延床面積495.86平方メートルの販売センターである。デザインの着想は、オーストラリアのウルルと、古代の洞窟住居から得られた。建物は巨大な岩塊のようなボリュームを形づくり、外装には繊維強化セメントボードを用い、セラミック塗料で仕上げることで粗い岩肌の質感を再現するとともに、耐候性と防汚性を高めている。白いボリュームは、陽光と影を映し出すキャンバスとして機能する。デジタル・ダイカットによりモジュール化された、金属フレームを嵌め込んだ六角形の開口部と菱形格子は、移ろう光とともにその表情を変化させる。

The Recognition

About the A' Design Award 銀賞

Nature Canvas 販売センターは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Nature Canvas 販売センターは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Nature Canvas 販売センターは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
As the designer holds the chance of planning the marketing reception center, the cogitation about how to correspond to the concept of construction from the perspective of figuration and imagery, so that the building volume would not shape as an icy concrete mass, but rather to bring about the humanistic implication and natural green of the space.
Dimensions & Packaging
Total 495.86 square meters.
Tags
Sales center, Design, Nature, Building, Shadow
Production Technology
The appearance of the building is clad with fiber cement board, and construct a huge stone shape, thence emit an image of living in the cave; painted with ceramic paint, which imitates the rough surface of rocks, and as well as having the affection of weather resistance and anti-fouling. The large-scale volume of pure white is just like a canvas, and the nature is its painter. By way of sunlight projection, delicately depicted light and shadow.
Design Challenge
There’s a challenge of module processing, which has to repeatedly test in order to control the deviation, and reserve enough space for each metal hanger, so as to create a vivid dynamic landscape.
Research
The facade of the volume is assembled with rhombus lattice, which modularized via digital die cutting segmentation approach. The metal material glaring in the sunshine, which generate the delineation of staggered crown.
Inspiration
Initiate from the inspiration of "embracing and enjoying the nature".
The designer pulls space-time back to the cave dwelling patterns of the ancient times, which get back to the simple state that requires by modern people.
The notion of the design is originated from Uluru (Ayers Rock) in Australia. The figuration of the gigantic rock, which like the constructed appearance of caves that, symbolized the stability and reliability of home. Gently situated in the plantation of harmony and serenity.
Project Duration
The project started in March 2019 in Taichung and finished in July 2019 in Taichung.
Operation Flow
Reference to the land features and weather of Uluru, it would present different scenes s of depending on different seasons and climatic conditions, even at different times of a day, changing with the light.
Accordingly, the designer chiseling the hexagonal holes and inlaying the metal frame, while the sunlight shins and the clouds roam, and then it becomes a landscape of its own.
Patents
Copyrights belong to Hsin Hung Wu, 2019.
Image Credits
Image #1: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #2: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #3: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #4: Photographer LDK Photography Studio, Nature Canvas, 2019.
Image #5: Photographer LDK Photography Studio, Nature Canvas, 2019.

Main image is Image #1, Optional Image #1 is Image #2, Optional Image #2 is Image #3, Optional Image #3 is Image #4, Optional Image #4 is Image #5.

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