プラチナ 建築 · 2021
Tianjin Zarsion 展示センター
- A' Design Award プラチナ賞 2021 in 建築
- CLIENT: RUF Architects
- Estimated Number of Design Views: 221,114
- Verification code 3CFCF78C07 · Verify this award
Colors
About Tianjin Zarsion 展示センター
天津ザルシオンは、中国・天津の永定河支流のほとりに建てられた展示センターである。平面計画は敷地に対して斜めに配された水滴形状を採用し、都市の縁部からエントランスに至るアプローチを長く伸ばしている。深い軒と大きなガラス面が、浮遊しているかのような軽やかな屋根を生み出す。構造は木造を主体とし鉄骨で補完され、放射状に配された68本の赤松の梁が傘形のアーチ架構を構成している。室内の8本の木柱により、広々とした無柱空間のホールを実現した。葉の形をしたトップライトは、室内の光を柔らかく静謐に保つ寸法に設定されている。
About the A' Design Award プラチナ賞
Tianjin Zarsion 展示センターは、真に卓越し、エレガントで壮麗なデザインに授与される、きわめて権威ある評価である A' Design Award プラチナ賞の受賞作品です。プラチナ賞の受賞作品は、創造の驚異であり、知的創造性の限界を示す証であり、デザイナーの比類なきプロフェッショナリズムと天才性を示しています。これらのデザインは、時代の美学を定義し、社会の幸福に貢献し、芸術・科学・デザイン・技術の境界を前進させる、最も名高い作品であることが期待されます。Tianjin Zarsion 展示センターは、超越的な卓越性の水準を示し、有益で価値ある特性によって、疑いなく世界をより良い場所にします。Tianjin Zarsion 展示センターは、欲求を呼び覚まし、インスピレーションを与え、胸を躍らせ、喜ばせ、大きな喜びを生み出す、A' Design Award プラチナ賞受賞作品です。
Press Kit
- Unique Properties
- Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.
As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees. - Dimensions & Packaging
- The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.
The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress. - Tags
- Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
- Production Technology
- The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.
The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect. - Design Challenge
- The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
- Research
- At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
- Inspiration
- The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.
The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges. - Project Duration
- The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
- Operation Flow
- The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.
To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside. - Image Credits
- Photo Credits: Hu Yijie