Haragana ラウンジチェア by Tobias Kappeler is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅賞 in 家具デザイン Competition Category.
銅家具· 2022
Haragana ラウンジチェア
Client: Tobias Kappeler Design
A' Design Award 銅賞 Winner in 家具 Category
Verified Award Winner
Verify Award Status for #127610The Design
About Haragana ラウンジチェア
Haraganaは、曲げ加工したスチールパイプとコルクのディスクで構成されたラウンジチェアである。椅子は本質的な構造だけに削ぎ落とされており、クッションや張り地は一切使用していない。輪郭はアームチェアを思わせるが、肘掛けは設けられていない。28センチメートルという低い座面高は、人々に背をあずけ、より長い時間をかけて周囲を眺めることを促す。開かれたフレームは椅子を視覚的に軽やかに保ち、過度に主張することなく室内空間に溶け込ませる。シンプルなコルクのディスクは、曲線を描くパイプ構造と対比をなしている。一脚ごとに、曲げ、溶接、研磨のすべてが手作業で行われている。
The Recognition
About the A' Design Award 銅賞
Haragana ラウンジチェアは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Haragana ラウンジチェアは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Haragana ラウンジチェアは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
- Dimensions & Packaging
- The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
- Tags
- Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
- Production Technology
- The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
- Design Challenge
- The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
- Research
- The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
- Inspiration
- We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests. - Project Duration
- The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
- Operation Flow
- Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
- Team Members
- Tobias Kappeler
Sponsored
Explore Beyond Designers.org
Discover products, services and opportunities from our advertising partners.
More to Explore
Related Designs
Explore more award-winning designs from the same category, selected by merit.
