Sonal TuliによるJaipur 家具コレクションは、家具デザインコンペティションカテゴリーにおける非常に権威ある2023 A' Design Award 金賞の優れた受賞作品です。

金家具· 2023

Jaipur 家具コレクション

デザイナー： Sonal Tuli

クライアント: Within

家具カテゴリーのA' Design Award 金賞受賞者

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デザイン

Jaipur 家具コレクションについて

「ジャイプール」は、インドのジャイプール市に着想を得た7点からなる家具コレクションである。コレクションはコンソール、クレデンツァ、ミラー、サイドボード、ラグ、シャンデリア、ペンダントランプで構成される。フォルムはハワー・マハルの蜂の巣状のファサードから引き出され、パターンはこの地域のブルーポッタリー(青陶器)の工芸を想起させる。白大理石とラピスラズリは、ストーンインレイとストーンオーバーレイという、手仕事によるインドの二つの伝統工芸を通して組み合わされている。サイドボードは解体可能で、各脚は天板に固定される構造とすることで、運搬を容易にしている。

受賞

A' Design Award 金賞について

Jaipur 家具コレクションは、まさに素晴らしく傑出した第一級のデザインに授与される、計り知れないほど権威ある評価である A' Design Award 金賞の受賞作品です。金賞の受賞作品は、きわめて革新的で、先見性に富み、きらびやかに輝く創造物であり、デザイナーの天才性、叡智、卓越した技量を映し出しています。Jaipur 家具コレクションは、最も称賛される、流行を牽引する記念碑的な発明であり、前例のない価値をもたらすことが期待されます。この A' Design Award 金賞を受賞したデザインは、壮観で尊敬されるプロジェクトであり、芸術・科学・デザイン・技術の境界に大きく寄与し、それを前進させます。Jaipur 家具コレクションは、強い欲求を生み出し、情熱を呼び覚まし、創造性を促し、私たちを引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Each of the seven pieces of the Jaipur collection is an out-and-out reflection of the culturally rich city. Encapsulating the essence of the forms of the splendid city palace and the hues and motifs of the traditional craft of blue pottery, the collection is a spectacular unison of tradition with modernity. Handcrafted impeccably, each piece is made in India and finished to perfection. Jaipur is a work of art, a collector's reverie.
寸法とパッケージ: Jaipur Console - Length 2190mm x Depth 510mm x Height 950mm Jaipur Credenza - Length 2380mm x Depth 525mm x Height 900mm Jaipur Mirror - Width 800mm x Depth 65mm x Height 1600mm Jaipur Rug - Length 1676mm x Width 2438mm
タグ: Indian craft, Craftsmanship, Contemporary design, Art furniture, Art
製造技術: The purity of white marble and the beautiful blue of lapis lazuli come together with India's extraordinary and timeless crafts - stone inlay and stone overlay. Stone inlay is a traditional craft of India, in which delicate precious stones are inserted into the base stone to create a pattern. Stone overlay, on the other hand, uses slivers of stone that are pasted on any surface to create patterns. Both these crafts require expert hand skill, which is a legacy passed on from generations of master craftsmen.
デザインの課題: In the early stages of design development, blue pottery was chosen not only as the inspiration, but the tiles were also conceptualized as a part of the material board. But, after numerous rounds of prototyping, we found the tiles to be too fragile , and hence, white marble, a stronger material that would give the same ethnic feel as pottery was chosen and in the process, another traditional craft technique of inlay and overlay work (Parchinkari) was used.
Another challenge we faced was the weight of the Jaipur console due to the heavy brass framework. This too would be a hurdle in the transportation of the piece. Hence, the Jaipur sideboard was redesigned such that it could be dismantled and each leg could be assembled and fixed at the top.
The inlay and overlay work on the curvature of the knobs and bowls has been painstakingly elaborate, and added many more weeks to the completion of the pieces.
リサーチ: A field trip to Jaipur was the beginning of the research for the Jaipur collection, to enable us to breathe in the context and its true spirit. The vibrant culture has so much to offer and the aim was to experience it directly. The Mughal and Rajput Architecture of the region was truly inspiring, but the geometry and proportions of the Hawa Mahal left the team in awe. The form of the collection has been derived from the honeycombed structure of the Hawa Mahal façade. We were mesmerized by the colors and patterns of blue pottery and so followed a visit to the local craft village of Kot Jewar to understand the process of blue pottery. Many samples were brought back to the studio to study its strengths and shortcomings. While in Jaipur, we witnessed a surprisingly huge number of peacocks in the Rambagh Palace, where we stayed, and that too inspired the motifs of the collection. Bringing back photographs and videos depicting colors, motifs, architecture, and samples of local crafts such as blue pottery tiles, knobs and bowls, inlay work, Tarkashi, sandstone and white marble ( local stones ) helped us put together the concepts and material board in the very beginning. Dialogues with local craftsmen helped with the understanding of crafts, techniques and materials. Once the early sketches were ready, we ordered blue pottery tiles for the collection, but during the design development, white marble and lapis lazuli were preferred to fit the narrative.
インスピレーション: The Jaipur collection, a design narrative by Within is an untold story of the vibrant pink city of India. It celebrates the spirit and heritage of the city, drawing inspiration from its architecture and blue pottery - a traditional craft of Jaipur.
プロジェクト期間: The project started in June 2020 in Delhi and finished in April 2021 in Delhi and was exhibited in India Design ID in May 2021.
オペレーションフロー: All the pieces of the luxury collection Jaipur, are designed as pieces of art used to enhance any entrance way, foyer space or any other luxury space. These art pieces are interactive in their own ways.
The Jaipur sideboard surprises us with a glimpse of pink when one peeps inside the shutter, reminding of the pink sandstone of Jaipur.
The Jaipur chandelier and pendant, when lit bring alive the traditional patterns crafted with lapis lazuli on the glowing white marble.
The Jaipur mirror comes with an option of backlit knobs.
Also, the Jaipur sideboard is designed such that it can be dismantled and each leg can be assembled and fixed to the top.
チームメンバー: Sonal Tuli
Sanjana Dawani
画像クレジット: Image #1 : 3D Visualiser Sushant Verma, 2022.
Image #2 : 3D Visualiser Sushant Verma, 2022.
Image #3 : Photographer Sohel Ahmed, 2022.
Image #4 : Photographer Sohel Ahmed, 2022.
Image #5 : Photographer Sohel Ahmed, 2022.
Video Credits : Videographer and Editor : Raoul Tandon, 2022.