Marko StanojevicによるRestless Chopsticks は台所用品

Marko StanojevicによるRestless Chopsticks は台所用品は、ベイクウェア・テーブルウェア・ドリンクウェア・クックウェアデザインコンペティションカテゴリーにおける非常に権威ある2023 A' Design Award 銅賞の優れた受賞作品です。

銅キッチン用品· 2023

Restless Chopsticks は台所用品

デザイナー： Marko Stanojevic

クライアント: UMA Network Ltd

キッチン用品カテゴリーのA' Design Award 銅賞受賞者

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デザイン

Restless Chopsticks は台所用品について

Uma は、創造的な経済に焦点を当てた香港のベンチャーキャピタル会社です。落ち着きのない箸は、変化を起こすためにリソースを投資するという企業の価値を表す記念品としてデザインされました。会社のロゴは、平らな線のパルスに似ており、平らな線の箸に埋め込まれています。常に箸の前部分を持ち上げてテーブル面から遠ざけるため、箸置きが不要になります。パルスは、常に十分な距離を保ち、衝突しないように設計されており、最も要求の厳しい小さな一口に至るまで、食べ物を拾うのに機能的に有効です。

受賞

A' Design Award 銅賞について

Restless Chopsticks は台所用品は、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Restless Chopsticks は台所用品は、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Restless Chopsticks は台所用品は、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The body of a chopstick is divided into sections: one at top is held by hand and the other one at the tip comes in contact with food and mouth, with an overlooked neutral zone between them. This zone is where the design intervention took place - a ‘distancer’ shaped like the company logo (a Pulse on the flat line) was inserted, elevating the tip of the chopstick away from the surface however it dropped down, eliminating the need for a chopstick rest. This is done, regarding the positioning and size, so that the chopsticks remain functional and do not collide when in use.
寸法とパッケージ: The product is 260mm long, with 7.5mm width at the back end and 3.5 at the front. The Pulse segment itself is 25mm long and 13.5mm wide between the maximum-distance points. This makes the front end always elevated from the surface by a minimum of 5.5mm.
タグ: Tableware, chopsticks, utensils, tradition, narrative design, memento object
製造技術: The product is made of titanium with bi-color titanium coating (dark gray and gold), all food-grade. Surface is polished in two steps allowing for two finishes.
デザインの課題: It was a challenge to transform an ordinary object, a pair of chopsticks, into a future-proofing tradition and contemporized heritage. Their beautiful simplicity is only disturbed by the fact that a third object is actually needed in the etiquette of how they are used - a chopstick rest. This contradiction of “clean two that actually need a third” to work properly made the design direction clear: find a way for the purpose that the chopstick rest is for to be fulfilled, but without the rest.
リサーチ: Remaining true to East Asian heritage, the Pulse (life) segment is titanium coated in golden color with polished surface finish, while the straight parts (flat line) of the chopstick are titanium coated in matte dark gray with brushed finish to create contrast between the two. Each polishing and titanium-gold coating of the Pulse is on purpose done in a low controlled manner against highly controlled and repetitive-mass-production feel of the brushed, dark-gray flat line parts of the object. Allowing shiny, golden randomness to happen is in tune to the actual beauty of randomness of a real life. Finally, on a very concrete level, it makes each chopstick piece unique and special.
インスピレーション: UMA is a Hong Kong venture capital company focused on creative economies. The task was to design a multi-facetted communication object representing the company's values (invest resources to make a change), but also to be able to function independently in a retail environment. A set of chopsticks, iconic and recognizable, culturally relevant, was a chosen as a topic. UMA logo, a Pulse on the flat line, was embedded into a flat-lined chopstick becoming its' functional, aesthetical and communication core, all in one stroke.
プロジェクト期間: Hong Kong SAR, China
オペレーションフロー: Chopsticks with no rest :)
特許: UMA Network Limited
画像クレジット: UMA Network Limited