Fengsheng CaiによるObjects Come Alive アンビエンス照明システムは

Fengsheng CaiによるObjects Come Alive アンビエンス照明システムはは、照明製品・器具デザインコンペティションカテゴリーにおける非常に権威ある2023 A' Design Award 銀賞の優れた受賞作品です。

銀照明· 2023

Objects Come Alive アンビエンス照明システムは

デザイナー： Fengsheng Cai

クライアント: Musashino Art University

照明カテゴリーのA' Design Award 銀賞受賞者

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A' Design Awardで見るプレスリリース受賞バッジ

カラー

デザイン

Objects Come Alive アンビエンス照明システムはについて

照明器具は、生物親和性のデザインと運動感覚の共感に焦点を当てた研究に基づいて設計されています。照明器具の動きは植物の成長習慣、動きのパターン、リズムを模倣しており、照明器具をより親しみやすくしています。製品の方向を見ることで、不安、緊張、疲労などの感情が和らぎます。環境（気温、風）に応じて照明が変化するので、雰囲気を演出しながら日常使いしやすくなります。

受賞

A' Design Award 銀賞について

Objects Come Alive アンビエンス照明システムはは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Objects Come Alive アンビエンス照明システムはは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Objects Come Alive アンビエンス照明システムはは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The luminaires are designed with a research focus on Biophilic design and kinesthetic empathy. The movement of the luminaires mimics the growth habits, movement patterns and rhythms of the plants, making the luminaires more relatable. Viewing the direction of the product relieves anxiety, tension, fatigue and other emotions. The luminaires change according to the environment (temperature, wind), making them more accessible for everyday use while creating a sense of atmosphere.
寸法とパッケージ: Floor Lamp of Wheat (rising H250mm X W780mm X D405mm, falling H475mm X W600mm X D405mm); Table Lamp of Dandelion (shrinking H545mm X W350mm X D350mm, swelling H545mm X W350mm X D350mm), each component has been designed to be sophisticated, stylish, and modern without much visual burden.
タグ: Lighting, Lighting System, Interior Design, Biophilic Design, Bio-likeness, Alive, Movement, kinesthetic Empathy
製造技術: Firstly, we have recreated the miniature silent motor and electronic components for the mechanical design to form a compact and stable light structure. And we combined this with programmable materials, thus ensuring the overall sensitivity and fluidity of the movement. Secondly, we analysed the rhythm of the activity of natural plants. We programmed the luminaire to move at a rhythm like the plants. We also use self-developed sensors to capture changes in the environment constantly.
デザインの課題: The challenge regarding its overall structure and programming. 1. to design robust, quiet and compact hardware and to use programming techniques to enable the luminaire to adapt to the changing environment at any given moment and perform rhythmic movements like a plant. 2. to make the product exist like a living creature that can read environmental changes and simultaneously become a new interface to inform people of impending dangers such as earthquakes.
リサーチ: This research began to address how to bring products closer to people, to feel the interaction with them naturally and to have a positive psychological effect on humans. In this research, we found that "signs of life and intelligence" were often found in artefacts of autonomous movement. Still, there had been little attempt or study into the psychological effects of "Bio-likeness" in artefacts on people. We then analysed and systematised the abstract concept of "Bio-likeness' into products that give companionship to evoke hidden feelings. From this, we found that the images produced by the movement of natural objects have a positive psychological impact on humans. Therefore, in this design, I designed with a research focus on biophilic design and kinesthetic empathy, and through statistical analysis, found that this interaction by mimicking the movement of plants and changing according to the environment has a positive impact on the aesthetic and sensory feelings of the observer and can effectively relieve people's anxiety, tension, fatigue and other emotions.
インスピレーション: Inspired by poetry, the beauty of movement is created by the plants described in the haiku as they change in response to their environment. In such an interactive way, the luminaire is considered alive, giving a sense of companionship. The luminaires mimic the forms (wheat grown with the sunlight, dandelions fluttering in the wind), the way they move and their rhythm. The move immerses people in nature, eases their mood, and increases creativity and well-being.
プロジェクト期間: The project started in 2021, and after multiple prototypes and refinements, it was completed in 2022. The first version was exhibited at the international luxury exhibition at the Shanghai exhibition centre in 2021. All development was done in Tokyo.
オペレーションフロー: The work combines programmable and natural materials to simulate as realistically as possible the effects of plants, such as the swaying of the sheaves of wheat and the softness of the dandelions and lamps depending on the environment (temperature, wind) or the behaviour of the person (body temperature when touched, blowing). The interactions are 1. the light of the wheat ears increases and decreases with the ambient temperature, and 2. the light of the dandelion contracts and expands with the breeze in the room.
特許: Patented By Fengsheng Cai
チームメンバー: Creative Director [Fengsheng Cai]
画像クレジット: Fengsheng Cai, 2022.