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Yan 美術館 by Guanyu Tao
Yan 美術館 by Guanyu Tao
Yan 美術館 by Guanyu Tao
Yan 美術館 by Guanyu Tao
Yan 美術館 by Guanyu Tao

金 建築 · 2025

Yan 美術館

by Guanyu Tao

  • A' Design Award 金賞 2025 in 建築
  • CLIENT: Gerry Tao
  • Estimated Number of Design Views: 91,380
  • Verification code F7F38D60A0 · Verify this award
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About Yan 美術館

燕美術館は、建築と自然の関係性を再定義し、地域の文化遺産を讃える文化拠点としての役割を果たす。山東省乳山市の険しい景観に位置し、その脱構築主義的デザインは石の質感と流動的な輪郭から着想を得ている。本美術館は、水に囲まれた広場、アーティストスタジオ、ダイナミックなギャラリー、パフォーマンススペースを備え、それらすべてが各階層を通じて相互に連結されている。テクスチャード・コンクリートが自然石を模倣することで、構造物を周囲の環境にシームレスに統合し、傾斜地を機能的な通路や広場へと変容させている。

About the A' Design Award 金賞

Yan 美術館は、まさに素晴らしく傑出した第一級のデザインに授与される、計り知れないほど権威ある評価である A' Design Award 金賞の受賞作品です。金賞の受賞作品は、きわめて革新的で、先見性に富み、きらびやかに輝く創造物であり、デザイナーの天才性、叡智、卓越した技量を映し出しています。Yan 美術館は、最も称賛される、流行を牽引する記念碑的な発明であり、前例のない価値をもたらすことが期待されます。この A' Design Award 金賞を受賞したデザインは、壮観で尊敬されるプロジェクトであり、芸術・科学・デザイン・技術の境界に大きく寄与し、それを前進させます。Yan 美術館は、強い欲求を生み出し、情熱を呼び覚まし、創造性を促し、私たちを引きつけます。

Press Kit

Unique Properties
Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Dimensions & Packaging
Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Tags
Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Production Technology
Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Design Challenge
Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Research
Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Inspiration
The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Project Duration
The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Operation Flow
Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Patents
Copyrights belong to Guanyu Tao, 2024
Image Credits
Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao

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