Xubai LiによるUni ユニサイドテーブルは、家具デザインコンペティションカテゴリーにおける非常に権威ある2026 A' Design Award 銅賞の優れた受賞作品です。

銅家具· 2026

Uni ユニサイドテーブル

デザイナー： Xubai Li

クライアント: Xubai Li

家具カテゴリーのA' Design Award 銅賞受賞者

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カラー

デザイン

Uni ユニサイドテーブルについて

ユニは内側と外側の表面を統合し、型破りなフォルムを生み出します。折り紙とネガティブスペースに着想を得て、Xubai Liは平らなアルミニウムシートを三次元のボリュームへと成形することでデザインしました。16分の1モデルから実物大プロトタイプへとスケールアップされ、折りを基盤とした幾何学によって安定性を実現しています。都市環境を想定したユニは、テーブルと自立型オブジェクトの両方として機能し、控えめな佇まいを保ちながら、現代のスタジオ生活に遮るもののないネガティブスペースと可動性をもたらします。

受賞

A' Design Award 銅賞について

Uni ユニサイドテーブルは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Uni ユニサイドテーブルは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Uni ユニサイドテーブルは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Uni is a singular, continuous form that transmutes a flat aluminum sheet into a sophisticated, freestanding volume. By blurring the line between interior and exterior, the design achieves a structural duality where the tabletop and base exist as one uninterrupted gesture. Its innovation lies in this seamless geometry, offering a sculptural aesthetic that redefines traditional furniture assembly through minimalist rationale. This piece was designed by Xubai Li and manufactured by Bestcase in New York, United States, in a collaboration program, led by Rhode Island School of Design.
寸法とパッケージ: 533 mm × 508 mm × 457 mm
タグ: industrial decor, aluminum furniture, minimalist design, side table, sheet metal, sculptural furniture, origami
製造技術: Uni is made with 5052 Aluminum sheet in .25-inch thickness. The process can be divided into three simple stages: 1. Roller Bending and Brake Press Bending 2. Edge Welding 3. Sand and Standard Waxed Finish to preserve the original aesthetic of the raw material.
デザインの課題: The main challenge was finding a form that elegantly embodies the essence of origami while adapting to harsh sheet metal processes. Every additional pressed piece introduced unwanted aesthetic noise. To solve this, we minimized assembly to a singular, continuous form. We also bypassed standard industry powder coating; instead, a simple waxed finish preserved the aluminum's subtle shine, reducing maintenance while celebrating the material's raw, industrial elegance.
リサーチ: The research for Uni was a hybrid of theoretical exploration and material investigation. The primary objective was to subvert traditional expectations of furniture by blurring the boundaries between interior and exterior spaces. The study sought to translate the philosophical principles of origami—transforming a flat, meaningless plane into a meaningful 3D volume—into a functional furniture silhouette.

The methodology employed a "form-from-flatness" approach, utilizing comparative analysis of contemporary sheet metal furniture and traditional origami techniques. Data collection included a literature review of origami philosophy and an analysis of Asian aesthetic principles regarding "negative space" as a poetic element. Additionally, market data from furniture e-commerce platforms was analyzed to identify consumer trends in urban high-density housing.

Technical feasibility was established through consultations with manufacturing specialists to define production constraints. Physical experimentation involved a rigorous iterative prototyping process:

Initial Phase: One-sixteenth and one-quarter scale models were used to test folding geometry.

Testing Phase: Full-scale models were constructed from plastic and strength-enhanced corrugated boards (0.25-inch thickness) to simulate final material behavior.

Review Phase: Interviews with design professionals were conducted to evaluate the aesthetic impact and functional utility of the prototypes.

The research revealed a market gap for pieces that balance "visual openness" with sculptural presence. A key insight was that studio and condo dwellers increasingly prioritize furniture that provides "breathing room" through negative space without sacrificing artistic permanence. Uni impacts the design field by offering a dual-purpose solution: a minimalist utility surface and a monumental sculpture. By utilizing blank space as a functional element, the design addresses the need for openness in small architectural footprints.
インスピレーション: Inspired by origami, Uni explores the transformation of a two-dimensional aluminum plane into a self-supporting, multi-dimensional volume. The design utilizes fundamental roller bending techniques to transform a single sheet into a sophisticated, freestanding object. By eliminating traditional joinery in favor of a singular, continuous gesture, Uni achieves structural integrity.
プロジェクト期間: The project started its design process in February 2024 in Providence, Rhode Island, United States, and finished its first edition for manufacturing in May 2025 in New York, United States, and was first exhibited in International Contemporary Furniture Fair 2025 in New York City, United States, and the Convention Center in the same month, in Rhode Island, United States.
オペレーションフロー: Uni isn't just a table; it's functional art. You interact with it by placing items on its surface or simply admiring it. As you walk around the room, its folded metal design visually transforms from a solid block into an airy, open sculpture. It performs better than standard furniture because it serves dual purposes: it provides a handy resting spot for everyday objects while elevating your space as a beautiful, free-floating centerpiece that doesn't need to be hidden away.
画像クレジット: Image #1: Photographer Jonah Takagi, Uni, 2025.
Image #2: Creator Xubai Li, Uni, 2025.
Image #3: Creator Xubai Li, Uni, 2025.
Image #4: Creator Xubai Li, Uni, 2025.
Image #5: Creator Xubai Li, Uni, 2025.