Daxi Daxi Festival Budaya Lokal dening BIAS Architects and Associates

Karya Daxi Daxi Festival Budaya Lokal dening BIAS Architects and Associates minangka pemenang sing diajeni banget saka A' Design Award Perak 2021 sing bergengsi ing Kategori Kompetisi Desain Adicara lan Kelakon.

PerakAdicara· 2021

Daxi Daxi Festival Budaya Lokal

dening BIAS Architects and Associates

Klien: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Pemenang A' Design Award Perak ing Kategori Adicara

45,374

Pemenang Penghargaan Terverifikasi

Verifikasi Status Penghargaan kanggo #123023

Kunjungi Situs Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Daxi Daxi Festival Budaya Lokal

Wiwit 2018, BIAS wis ngembangake lan ngetrapake festival kutha kanggo mbantu kutha Daxi nyiapake upacara religius utama ing papan kasebut. Biasane, upacara Taiwan konservatif lan adhedhasar tradhisi deso sing ndhikte aturan sing ketat. Kanggo nuduhake pesona kapercayan rakyat karo masyarakat kutha, BIAS mediasi tradhisi kasebut kanthi serangkaian intervensi desain lan aktivitas strategis sing nyedhiyakake getaran budaya pop kanggo acara kasebut. Utamane, BIAS dadi kurator lan ngundang macem-macem seniman lan desainer enom kanggo kerja sama karo wong-wong sing njaga tradhisi lawas.

Pangakuan

Babagan A' Design Award Perak

Daxi Daxi Festival Budaya Lokal menang A' Design Award Perak, pangenalan sing prestisius banget sing diparingake marang desain tingkat dhuwur, endah lan nggumunake. Pemenang Perak iku karya sing sumunar banget lan kreatif banget sing nggambarake kaprigelan, bakat lan kaweruh para desainer. Daxi Daxi Festival Budaya Lokal dikarepake dadi karya sing nggumunake, conto teladan, profesional banget lan inovatif banget. Desain sing menang A' Design Award Perak iki iku panemuan sing luar biasa banget lan dikagumi sing paring manfaat lan nyurung maju wates seni, sains, desain lan teknologi. Daxi Daxi Festival Budaya Lokal iku ciptaan sing akeh sing ngirenake sing nggugah kekarepan, nggawa perasaan positif lan nuwuhake gumun lan kagum.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Ukuran & Kemasan: Total event area: 121,000 sqm
Tag: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Teknologi Produksi: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Tantangan Desain: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Riset: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Inspirasi: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Durasi Proyek: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Alur Operasi: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Anggota Tim: Main Curator: BIAS Architects & Associates
Kredit Gambar: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018