Looping Flower Ruang Budaya Ikebana dening Ni Jie Guo

Karya Looping Flower Ruang Budaya Ikebana dening Ni Jie Guo minangka pemenang sing diajeni banget saka A' Design Award Perunggu 2024 sing bergengsi ing Kategori Kompetisi Desain Ruang Njero lan Pameran.

PerungguNjero Griya· 2024

Looping Flower Ruang Budaya Ikebana

dening Ni Jie Guo

Klien: Blankspace

Pemenang A' Design Award Perunggu ing Kategori Njero Griya

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Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

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Babagan Looping Flower Ruang Budaya Ikebana

Seni ikebana minangka semedi babagan urip ing aliran patang mangsa, kalebu penangkepan wektu cekak ing estetika Jepang, rekonstruksi uripe kembang lan pang, sarta tabrakan inovatif antara struktur lan estetika. Desain kabeh papan iki adhedhasar semangat Kusatsuki-ryu, njupuk unsur saka arsitektur tradisional Jepang lan ngowahi dadi basa arsitektur modern, njelajah hubungan antara konstruksi kontemporer lan estetika kanthi unsur abstrak Jepang.

Pangakuan

Babagan A' Design Award Perunggu

Looping Flower Ruang Budaya Ikebana menang A' Design Award Perunggu, pangenalan sing prestisius banget sing diparingake marang desain sing luar biasa sing dicirikake dening kreativitas, kapinteran lan kaweruh sing landhep. Pemenang Perunggu iku artefak sing trampil banget lan kreatif banget sing mbuktekake pengalaman sing jembar, imajinasi lan kapinteran para desainer. Looping Flower Ruang Budaya Ikebana dikarepake dadi barang sing dihargai banget, dikagumi lan ditresnani, profesional lan inovatif banget. Desain sing menang A' Design Award Perunggu iki ngemot praktik sing paling apik ing seni, sains, desain lan teknologi, lan apik banget ing perhatiane marang rincian. Looping Flower Ruang Budaya Ikebana nyukupi kabutuhan kanthi apik, nutul kekarepan, ngaya rasa lan narik rasa pengin weruh.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Ukuran & Kemasan: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Tag: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Teknologi Produksi: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Tantangan Desain: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Riset: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspirasi: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Durasi Proyek: The project started in August 2022 and finished in December 2022 in China .
Alur Operasi: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Anggota Tim: NI JIE GUO
Kredit Gambar: BLANKSPACE