Matsu Biennial 2023 Festival Seni by Chun Ming Wang, Hou ching Lee and Han Wu

Matsu Biennial 2023 Festival Seni by Chun Ming Wang, Hou ching Lee and Han Wu is a highly esteemed winner of the very prestigious 2024 A' Design Award Wesi in Desain Adicara lan Kelakon Competition Category.

WesiAdicara· 2024

Matsu Biennial 2023 Festival Seni

by Chun Ming Wang, Hou ching Lee and Han Wu

Client: Lienchiang County Government and The General Association of Chinese Culture

A' Design Award Wesi Winner in Adicara Category

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Verified Award Winner

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Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Matsu Biennial 2023 Festival Seni

Matsu Biennial minangka rencana aspirasional 10 taun, 5 bagean kanggo nyedhiyakaké pondasi sing langgeng kanggo desain sosial. Kanthi 70 karya seni media campuran lan kreasi lintas disiplin ing 9 proyèk kuratorial, ngadhepi tantangan pangembangan regional sing lestari. Terowongan jaman Perang Dingin Matsu, arsip zona perang, tradisi Eastern Min, arsitektur, lan basa nudhuhaké 200 rumah tangga sing nglakoni tradisi nggawé anggur, menehi inspirasi tema Ruby Red After Summer. Biennial iki ngowahi seni dadi ragi kanggo ngundhakake swara sing dibungkem lan ngowahi Matsu dadi basis kanggo seni lan desain.

The Recognition

About the A' Design Award Wesi

Matsu Biennial 2023 Festival Seni menang A' Design Award Wesi, pangenalan sing prestisius sing diparingake marang desain sing apik sing nyukupi kabutuhan profesional lan industri sing dikarepake saka ciptaan sing dirancang kanthi apik. Pemenang Wesi nuduhake katrampilan sing gedhe, spesialisasi sing dhuwur, pangerten ahli lan kapasitas kreatif para penciptane. Matsu Biennial 2023 Festival Seni dikarepake dadi ciptaan sing dihargai banget, dikagumi lan ditresnani sing praktis lan inovatif. Desain sing menang A' Design Award Wesi iki nggabungake praktik industri sing paling apik lan nduweni ciri teknis sing kompeten sing disambung karo kawruh lan bakat. Matsu Biennial 2023 Festival Seni diajeni amarga ketelitiane lan dirancang kanggo nyedhiyakake paningkatan kualitas urip sing mbiyantu ndadekake donya panggonan sing luwih apik.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Dimensions & Packaging: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Tags: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Production Technology: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Design Challenge: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Research: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Inspiration: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Project Duration: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Operation Flow: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Patents: Copyrights belong to Matsu Biennial
Team Members: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Image Credits: Matsu Biennial