Changes Cycles and Shapes Seni Digital dening Yuko Suzuki

Karya Changes Cycles and Shapes Seni Digital dening Yuko Suzuki minangka pemenang sing diajeni banget saka A' Design Award Emas 2025 sing bergengsi ing Kategori Kompetisi Desain Generatif, Algoritmik, Parametrik lan Dibantu AI.

EmasGeneratif· 2025

Changes Cycles and Shapes Seni Digital

dening Yuko Suzuki

Klien: Feral File

Pemenang A' Design Award Emas ing Kategori Generatif

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Verifikasi Status Penghargaan kanggo #170864

Kunjungi Situs Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Changes Cycles and Shapes Seni Digital

Karya iki njelajah pitakonan, Apa iku lukisan? kanthi mratelakake sirkulasi ekspresi visual. Diilhami dening transisi ing lukisan-lukisan Mondrian, adhedhasar diagram komponen lukisan, ing ngendi wujud obah antarane figuratif lan abstrak, sarta antarane noise lan linearitas - gagasan sing diterapake marang werna. Karya iki nggugah kahanan owah-owahan materialitas digital, nandheske yen wujud-wujud ing antarane owah-owahan iku intine. Kanthi nggabungake tekstur sing dicithak nggunakake baren, iki nggambarake identitas seniman minangka printmaker ing wujud digital.

Pangakuan

Babagan A' Design Award Emas

Changes Cycles and Shapes Seni Digital menang A' Design Award Emas, pangenalan sing prestisius banget sing diparingake marang desain kelas siji, nggumunake lan unggul. Pemenang Emas iku ciptaan sing inovatif banget, visioner lan sumunar nggumunake sing nggambarake kejeniusan, kawicaksanan lan kaprigelan para desainer. Changes Cycles and Shapes Seni Digital dikarepake dadi panemuan sing dipuji banget, pelopor tren lan monumental sing nyedhiyakake nilai sing durung tau ana. Desain sing menang A' Design Award Emas iki iku proyek sing nggumunake lan dihormati sing paring manfaat gedhe lan nyurung maju wates seni, sains, desain lan teknologi. Changes Cycles and Shapes Seni Digital nuwuhake perasaan kekarepan sing kuwat, nggugah semangat, nyengkuyung kreativitas lan narik kawigaten kita.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Ukuran & Kemasan: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tag: Generative Art, Coding
Teknologi Produksi: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Tantangan Desain: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Riset: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspirasi: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Durasi Proyek: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Alur Operasi: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Kredit Gambar: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.