Wonderland Desain Interior Pusat Pameran dening Chengzhe Zhang

Karya Wonderland Desain Interior Pusat Pameran dening Chengzhe Zhang minangka pemenang sing diajeni banget saka A' Design Award Perak 2020 sing bergengsi ing Kategori Kompetisi Desain Ruang Njero lan Pameran.

PerakNjero Griya· 2020

Wonderland Desain Interior Pusat Pameran

dening Chengzhe Zhang

Klien: Shanghai Hongshida Real Estate Development Co., LTD

Pemenang A' Design Award Perak ing Kategori Njero Griya

24,169

Pemenang Penghargaan Terverifikasi

Verifikasi Status Penghargaan kanggo #92667

Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Wonderland Desain Interior Pusat Pameran

Wonderland yaiku interior pusat pameran ing Shanghai, China. Desainé kailhamaké saka Taoyuan Wonderland, sawijining lukisan pemandangan déning pelukis dinasti Ming Qiu Ying, lan ngetrapaké warna ijo, jambon, lan putih ing papan kang tentrem. Tembok slate abu-abu pisanan ndhelikaké pandhangan, lan aula utama kang dhuwuré sepuluh meter kababar ing sadawané dalan. Lorong tengah nuntun menyang wewengkon konferensi, wewengkon pameran, lan ruang teh. Rak buku kang ngadeg ing lantai lan layar kothong geometris mbagi wewengkon-wewengkon kasebut. Instalasi kaca gumantung saka luwih saka 5.000 kelopak persik dipasang kanthi tangan.

Pangakuan

Babagan A' Design Award Perak

Wonderland Desain Interior Pusat Pameran menang A' Design Award Perak, pangenalan sing prestisius banget sing diparingake marang desain tingkat dhuwur, endah lan nggumunake. Pemenang Perak iku karya sing sumunar banget lan kreatif banget sing nggambarake kaprigelan, bakat lan kaweruh para desainer. Wonderland Desain Interior Pusat Pameran dikarepake dadi karya sing nggumunake, conto teladan, profesional banget lan inovatif banget. Desain sing menang A' Design Award Perak iki iku panemuan sing luar biasa banget lan dikagumi sing paring manfaat lan nyurung maju wates seni, sains, desain lan teknologi. Wonderland Desain Interior Pusat Pameran iku ciptaan sing akeh sing ngirenake sing nggugah kekarepan, nggawa perasaan positif lan nuwuhake gumun lan kagum.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Ukuran & Kemasan: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tag: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Teknologi Produksi: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Tantangan Desain: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Riset: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspirasi: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Durasi Proyek: The Project started in January 2018 in Shanghai China
Alur Operasi: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Anggota Tim: Mingxin Lu
Yunhui Tang
Kredit Gambar: Main Image: Photographer Hai Zhu, 2018