The Metamorphosis Ilsas sɣur Yingyi Chen

The Metamorphosis Ilsas sɣur Yingyi Chen d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Tmuḍa, Iselsa d Iceṭṭiḍen.

UzzalTamuḍa· 2021

The Metamorphosis Ilsas

sɣur Yingyi Chen

Amsaɣ: Sculpture studio

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tamuḍa

19,461

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #106017

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef The Metamorphosis Ilsas

Amcabbeh d ilsas i d-yettwaxedmen s ufus, i d-yekkan seg tikti n usnifel akked useεdi. Aselkin-a yebna ɣef leɛḍam n lḥiwanat yettwaseεɣen ɣef wudem imzuran akken ad naɣlagen d lǧețța n umdan. Tiskiwin i d-yeffɣen weγlagent s tugna n uɛeqqel gar umdan d lḥiwan. Amcabbeh-agi yettwaxdem s pilastik yettarran d asaḍas, aglim d ucceɣ. Pilastik d ayen i d-yeqqimen n umahil, ittusekkes s wusigna akked ucceɣ akken ad d-yili d lqumac. Aglim d ucceɣ ttwarran-d s tuɣalin seg wayen i d-yeqqimen deg ustidyu d wayen ttarran ineggaren n ucciḍ. Igezmuren n idis, n ufus, n zdat, n deffir akked wuḍar zemren ad ttwakksen syen ad ttwarnun tikkelt-nniḍen i wakken ad yeεted uwet-agi d wamek ara t-ttwabeddlen swaswa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

The Metamorphosis Ilsas d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. The Metamorphosis Ilsas ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: In concepts of mutation and evolution,this design are based on exaggerated animal skeletons and designed to fit the body which is grounded in a unique visual interpretation of animal anatomy, building upon existing skeleton structures to create it that appear as natural properties of the human body, suggesting strength, power and sensuality—a cross-image of human and animal, an atemporal, supreme creature, beyond past and future.The design was handcrafted with degradable plastic, leather, hair.
Tigejdiwin & Akemmus: 520mm Width x450mm Depth x 1200mm Height
Tibzimin: Mutation, Metamorphosis, Leather, Plastics, Body
Tasnakta n Ufares: The metamorphosis of human was made of degradable plastic, leather and hair. Biodegradable plastics are scrap materials provided by relevant manufacturers.Then apply the hot pressing technique and add the hair to form the fabric; Leather is the leftover material in the daily use of the studio, which is stitched after recycling. Hair comes from barbershop waste. As time went by, the work was finally broken down completely.
Asewḥel n Usnulfu: First, how to express the texture of human skin in the future is an important problem. Second, the joints of the fingers, the part of the tail, the bulging part of the back, these details are a polyhedron, the model is more difficult to make.
Anadi: The production process of this work is just like that of sculpture. In the process of human birth-development-metamorphosis, it is continuously ground, bent and processed. This process is the transformation from the original ape-man to the "synthetic material" of modern man. I have studied the medical aspects of the human body, and I have learned about the evolution of human beings in various ways in ancient times, such as the stage from crawling to standing upright. These studies and experiments laid the foundation for the project.
Aseḥbiber: "What began as such a simple form has evolved, and continues to evolve, into the most beautiful and wonderful of infinitely many forms." Charles Darwin said.Concepts of mutation and evolution are explored in order to develop a contemporary cross-image of human and animal, an atemporal, supreme creature, beyond past and future.All of the objects were handcrafted.Leather and hair are form recycling. Eventually this design was broken down into a new cycle.
Tanzagt n Usenfar: The project started in January 2020 and finished in March 2020 in China.
Tanila n Umahil: Each part of The metamorphosis of human could be disassembled and reassembled, for example, The arms, hands, front, back, and foot ornaments. This is for ease of wear and tear, freedom of movement, and the ability to replace or add parts in the future, thus achieving a process of constant renewal and evolution.
Ibrivan: Copyright to Yingyi Chen
Imsuren n Tugniwin: Image #1: photographer Zhiming Li, Model Quansi Liu, 2020
Image #2: photographer Zhiming Li, Model Quansi Liu, 2020
Image #3: photographer Zhiming Li, Model Quansi Liu, 2020
Image #4: photographer Zhiming Li, Model Quansi Liu, 2020
Image #5: photographer Zhiming Li, Model Quansi Liu, 2020