The Last Blooming Tiseṭṭatin timseddsin sɣur Qixin Wu

The Last Blooming Tiseṭṭatin timseddsin sɣur Qixin Wu d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Uẓeṭṭa, Adif, Timeẓra, Tiɣuniwin d Uselsu.

UzzalAẓeṭṭa· 2023

The Last Blooming Tiseṭṭatin timseddsin

sɣur Qixin Wu

Amsaɣ: EchoWu Design Studio

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Aẓeṭṭa

37,954

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #108758

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef The Last Blooming Tiseṭṭatin timseddsin

Akken ad nefhem wayen yeskelbiyen tamagit, ad nbeddel taseddayt terwi ɣer usnirem afessas n temsislit ger tazwara d taggara, ijeggugen imetten uɣalen d lmadda tagejdant i yesbeggnen ajeǧǧiǧ izdin. Qqimen jeǧǧiǧen, sbeggnen-d tneẓẓi taneggarut. Asniles anemhil d unuɣen iqdcen ttaken i traza ugar n tebratin n temmlit. Tiseṭṭatin s snat n tferratin, tin ufella d šifun, tin n deffir d qeṭṭun, rennunt-d abeddel n tmezrigt mi d-yekker waḍu. Tamezrigt tacfaft n šifun terr Ajeǧǧiǧ Aneggaru d ayen ifehmen ugar, d ayen uffir.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

The Last Blooming Tiseṭṭatin timseddsin d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. The Last Blooming Tiseṭṭatin timseddsin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Tigejdiwin & Akemmus: High: 27 inches
Width: 45 inches
Tibzimin: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Tasnakta n Ufares: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Asewḥel n Usnulfu: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Anadi: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Aseḥbiber: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Tanzagt n Usenfar: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Tanila n Umahil: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Ibrivan: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Imsuren n Tugniwin: Qixin Wu