Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan sɣur Takuma Yamazaki

Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan sɣur Takuma Yamazaki d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tekti d Uwalman.

LbrunzTakti· 2021

Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan

sɣur Takuma Yamazaki

Amsaɣ: Takuma Yamazaki

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Takti

62,989

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #111284

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan

Aḍris n Tewsi: Anima Code d aḥatem uslugen udmawan yesɛan akuḍ QR yettwaḥerzen fell-as. Akuḍ-agi yeṭṭef tasarutt n unekcum ɣer yisefka isuffaɣen n umdan deg tsertit-nsen. Aṭas n yimdanen sɛeddayen tudert-nsen deg tsertit-tuzzligt, maca imedyaten-agi asal-nsen ttuɣalen d wid ur nezmir ara ad ten-nrebbeḥ ɣer deffir n tmettant. Anima Code yesɛawan wid iqqimen deg leɛnaya ad srewsen akuḍ yettwaḥatmen zik akken ad awḍen ɣer yisefka isuffaɣen n win yemmuten. Aḥatem-agi yettwaxdem s termast tabanit, yettwaḥerzen s tafat n laser i tuzzal iqadren, yerna yesɛa lqedd n 10 mm ameqqarit akked 62 mm ɣezzif. Aṣebbaḍ-ines yettwaxdem s wesɣar n paulownia, agafur i seqdacen deg Japun aṭas n leɛmer i uḥerz n yeɣbula.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Anima Code Tazmert Tagejdant: Aḥatem Uslugen Udmawan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Anima Code is a Hanko (Japanese personal seal) with an engraved QR code. The unique code contains a key to a person's online digital data, and after his or her death, the bereaved ones can reach the person's digital archives by scanning the code stamped beforehand. Through the physical interaction of stamping a seal, this project explores the secure yet intimate approach for inheritance in the digital era.
Tigejdiwin & Akemmus: The dimensions of the stamp are 10mm square and 62mm long; the proportions complement the delicacy and precision of the QR code engraving. The packaging is made of paulownia wood, a material that is highly airtight and suitable for storage to maintain proper internal humidity. The box made of paulownia wood has been used in Japan since ancient times to store and preserve porcelain and art objects, and also means "inheritance".
Tibzimin: Hanko, Seal, Digital, Inheritance, QR Code, Analogue, Social Media, Die, Graves, Tomb
Tasnakta n Ufares: This product adopts acrylic as a major material for its highly weather-resistant and processability. This transparent material is also a metaphor for the intangibility and ambiguity of digital data and its anti-ageing property. In cooperation with a technical manufacturer, it will be laser-engraved to cut out highly precise dimensions. The engraved surface will also be hydrophilic coated for sharp-edge printing so that a camera can read at 10mm square QR code.
Asewḥel n Usnulfu: In terms of the attempt to bridge the present world to afterlife, this product exists between the real and unreal worlds. Because of its unique characteristic of the project, the biggest challenge was how I could design ambiguity without ruining the function as a stamp. For proceeding the project, deliberation and respect for various cultures and religions are also required, reconciling diverse views on life and death with the universality of the event of passing away.
Anadi: In addition to the digital data after one’s death, the shortage of land for cemeteries and their management has become a social issue in recent times. In a complex age that is technology-driven but still largely material, this project examines the end of life from both digital and analogue perspectives. Through the miniaturization of graves and the harmonization of data and physicality, this product is intended to be an alternative solution to these problems.
Aseḥbiber: Since the rise and domination of social media, many of us continue to leave a trace of our life online with texts, photos and videos. While that uploaded media collective has the potential to projects a multifaceted view of an individual's life, however, once the contributor dies, such digital archives are forgotten and not accessible to even our loved ones. I found the possibility of a physical and emotional act of stamping as a solution to this ongoing social issue.
Tanzagt n Usenfar: Began in Japan in 2019 and is underway for official launch in 2021.
Tanila n Umahil: Users register their social media accounts with the product through a dedicated service before their death. A stamp is produced with an imprinted QR code that serves as an access key to those online services. People who are given the seal will be able to read it with a camera and access the archived data of the deceased.
Igmamen n Terbaɛt: Takuma Yamazaki
Imsuren n Tugniwin: Photo:Takuma Yamazaki
Design: Takuma Yamazaki