Penumbra Taṣwiṛt sɣur Maja Zinczuk d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tewlaft d Usenfel n Tewlafin.

LfeṭṭaTawlaft· 2021

Penumbra Taṣwiṛt

sɣur Maja Zinczuk

Amsaɣ: Maya Zet

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tawlaft

27,800

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #123551

Issin Ugar Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Afeṣṣel

Ɣef Penumbra Taṣwiṛt

Anemhal yeṭṭef tiṭṭawin deg tallit ideg ruḥ seg wexxam d umlaki n yemdanen yella d aɣilif, anamek deg lpandemya. Aneqqim deg wexxam i lexṣaṣ teẓri yessenker taẓuṛi n umeskar. Ihi ttwasqedcen teɣawsiwin n yal ass i yellan deg wexxam, am teqbuyin n waman, tiɣawsiwin yettwalifen, isfuyla n lbabur i usmihel n tafat. Ixeddmen-is ttwattwafen s initen tamezwarut, sakin ttwabeddlen ɣer uberkan d umellal. Kulec yettwaxdem s umernaw. Yiwet kan n tewlaft i teṭṭef s tafat tačinawt seg ulambad yerna d tugna n yiwen uqcic. Tigiglin sɛant aṭas tikwal ttwaseknen tuffren.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Penumbra Taṣwiṛt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Penumbra Taṣwiṛt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Tigejdiwin & Akemmus: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Tibzimin: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Tasnakta n Ufares: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Asewḥel n Usnulfu: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Anadi: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Aseḥbiber: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Tanzagt n Usenfar: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Tanila n Umahil: It was a big challenge to wait for the right moment during the day to capture the right light.
Imsuren n Tugniwin: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019